Westeros

Back in 2018, it was announced that George R.R. Martin‘s novella-turned-short-YA-novel, “The Ice Dragon”, had been optioned by the Warner Animation Group (now known as Warner Bros. Pictures Animation) as a possible feature film. Since then, occasional updates from GRRM have revealed it has stayed in development all that time, with his most recent update last year indicating that author David Anthony Durham—a writer of historical and fantasy fiction, and also a contributor to Wild Cards—was working on the script.

However, in the last year or two, the animation division of WB has been going through a similar belt-tightening as other divisions of what is now Warner Brothers Discovery. When the news came three weeks ago that a completed animated feature, Coyote vs. ACME, from WB Pictures Animation was cancelled, it made us revisit the Starling Inc. site of GRRM’s media production partner Vince Gerardis, as The Ice Dragon had been listed there for years. It was, at that time, still listed as an Upcoming project.

But it seems that’s no longer the case, a change that seems to have happened no later than November 25th.

At a press event, HBO’s Casey Bloys unveiled a first-look trailer at the second season of House of the Dragon, according to Variety. While details of the trailer are embargoed, we’re guessing that it’ll air within the month, and perhaps within days.

Bloys also indicated something that seems to confirm our speculation when a casting call went out in the UK: Knight of the Seven Kingdoms: The Hedge Knight is “will begin shooting next spring, pending the end of the ongoing SAG-AFTRA strike.” That caveat is a curious detail there, which suggests that they plan for at least one significant role going to a North American actor… or maybe they’re just wanting to leave open the possibility? But I’m guessing the former, they have their sights on someone.

Will those fan-casting Oscar Isaac as Baelor Breakspear be getting their wish? We’ll have to wait and see!

Out on X, fans waiting for any drip of news regarding House of the Dragon or any other Game of Thrones successor got their wish today ... maybe. This casting call began to make the rounds of fandom, fromthe official account of British casting director Lucy Bevan:

It’s an open casting for an HBO show, presumably filming or about the UK, and they’re looking for just two characters right now which suggests they’re leads: a young boy of 9-10 with green or blue eyes, pale skin, and a “neutral English accent”, and then a “soldier” who is at least 6’4” tall with a “humble disposition” who is also “perceptive and thoughtful” and of any ethnicity. This seems suspiciously like what HBO would call for when casting for the roles of Egg and Ser Duncan the Tall, respectively, for the straight-to-series A Knight of the Seven Kingdoms: The Hedge Knight!

With the recent end of the WGA strike (the second longest in its history), Variety has issued a report touching on Hollywood trying to get back into motion after the work stoppage, citing a number of shows. One paragraph in particular, however, discusses HBO specifically, noting that a number of their shows saw no production at all… but one big one, House of the Dragon, has in fact wrapped filming:

Summer 2024 sounds pretty good to us.

Of course, besides HotD, the end of the strike also means that scriptwriting can resume on A Knight of the Seven Kingdoms, which HBO had ordered straight to series just before the strike.

Back in May, the beginning of the WGA strike shuttered many productions, but not House of the Dragon. Now SAG-AFTRA has called a strike for many of the same reasons as the WGA… but it’s currently being reported that a couple of UK-based productions will continue filming because actors who are members of SAG are also members of the UK’s Equity, and their contracts are (allegedly) under the terms of Equity. And of course, one of those productions not shutting down (reportedly) is, once again, House of the Dragon. According to the Deadline article, the UK’s laws don’t allow sympathetic strikes, and actors are receiving guidance telling them to continue to report in to work if their contracts are under Equity rather than SAG.

This year’s nominees for the Emmys have been announced, and HBO’s House of the Dragon has done well for itself with six

eight (or nine, sort of) nominations, contributing to the phenomenal HBO/MAX total nominations of 127, and tying a decades-old record (set by CBS in 1973 and matched by NBC in 1993) of 4 separate dramas nominated in Best Drama.  See the categories below!

Over the last weeks, HBO has been releasing a series of videos titled “Inside the Craft”, exploring different aspects of bringing House of the Dragon to life. The latest entry focuses on armor, and particularly the armor of the Gold Cloaks. It features show runner Ryan Condal, armourer Simon Brindle (who worked on Game of Thrones), and costume designer Jany Temime. Some really good, close-up looks at a number of suits of armor, and some glimpses of armor from the tourney in the first episode that were seeing only fleetingly:

The two previous videos were focused on the weapons and Dark Sister, and the costumes and Rhaenyra’s wedding dress.

As part of its Emmy awards coverage, Deadline has been publishing examples of episode scripts that have been submitted for consdieration as final nominees, and now we’ve come to House of the Dragon‘s turn as they have now published the pilot script for the first episode, “The Heirs of the Dragon”, and they’ve done so in a draft that includes various revisions, some of which were scenes or pieces of dialog that never made it to the final cut of the production.

There’s some particularly interesting discussion between Viserys and Daemon regarding the Targaryens and their dragons that was dropped, and I notice that it seems like our first introduction to Daemon was supposed to be his commanding the City Watch on its violent purge (notice that all the detailed description of Daemon and Dark Sister in that section)... but then at some point it was decided that instead we should first meet him in a scene that focuses his relationship to Rhaenyra, in the throne room.

Among the podcasts I listen to on a weekly basis is the prop collecting-focused “The Stuff Dreams Are Made Of”, in part (but only in part!) because one of its hosts is House of the Dragon show runner and co-creator Ryan Condal (the other co-host? David Mandel, of Seinfeld and Veep fame whose White House Plumbers recently completed its run on HBO). Their areas of interest when it comes to collecting are very similar to what I—and I suspect many fans of A Song of Ice and Fire, Game of Thrones, and House of the Dragon—consider pretty central parts of my favorite cinema: big genre works of the late 70s and through the 80s like Conan the Barbarian, Alien and Aliens, Blade Runner, Indiana Jones, and (of course) Star Wars.

Their latest episode (embedded below) features a semi-regular feature of the podcast, where Condal and Mandel discuss an upcoming props auction and go through its catalog together, discussing bits of information they know about a piece or similar ones, speculating on whether the expected sale price is on the mark or too high/low, and whether they’ll be pursuing any particular items themselves. But color me surprised when they mentioned that Propstore’s upcoming Entertainment Memorabilia Live Auction from June 28 to June 30th included two lots of scripts from Game of Thrones, apparently from Aidan Gillen (Littlefinger). I decided to examine what information Propstore provided about them, and discovered some fun details regarding scripts that Gillen had personally annotated.

Very interesting report from Deadline Hollywood‘s Nellie Andreeva following an interview with Franesca Orsi, HBO’s head of drama. It’s a wide-ranging interview covering a lot of HBO’s shows, but for our purposes, the most interesting tidbits relate to House of the Dragon, A Knight of the Seven Kingdoms: The Hedge Knight, and potential other Westeros shows.

Addressing the on-going production of season 2 of House of the Dragon, Orsi noted that HBO was fully prepared to rewrite and reshoot anything that needed fixing once the WGA strike ends and the writers can take up their pens again to do writing work, but until then they are confident with the completed scripts they had to work with and have not dealyed producation at all. Speaking of a potential season 3 approval, it sounds like they’re not far from giving an immediate go ahead to season 3 to try and improve the turnaround from season to season. That said, how many seasons for the show in total remains a question:

Back in January, the A Song of Ice and Fire 2024 Calendar was announced featuring artwork from award-winning artist Justin Sweet. Now, two new preview images have been added to listings of the calendar, one depicting a scene from the end of A Dance with Dragons, and one perhaps depicting something from The Winds of Winter... or perhaps something being referenced again in The Wind of Winters.

Major news out of Hollywood has been the strike of the Writers Guild of America after the breakdown of negotiations with the Alliance of Motion Picture and Television Producers; more details can be found here. In the wake of that, news of various productions started to come out regarding how they were dealing with the strike, with variations from The Lord of the Rings: The Rings of Power‘s showrunners completely stopping working on their production to House of the Dragon‘s Ryan Condal remaining on set but in a strictly non-writer capacity (this apparently has caused some umbrage among WGA members, who argue that “all” producing is “writing”, but to be honest this seems to fly in the face of their own Basic Agreement which acknowledges there are producers who are not subject to the Basic Agreement, e.g. non-writers can do production work, so why can’t writers do non-writing production work?). George R.R. Martin has now weighed in on the strike, and one particular sticking point—so-called “mini-rooms” which have upended what was once a long and successful means of developing and promoting writers—and in the course of it has laid out where various Hollywood projects stand (for those who don’t want to read it all: everything Hollywood-related is on hold for him, as he’s a proud WGA member and thoroughly in agreement with the strike).

To quote him:

The Writer’s Guild of America has begun a strike, which means members of the guild will not be writing for any productions they’re working on. There’s a lot of questions about just what this means for many productions, questions that Variety has tried to answer with its FAQ. But fans of House of the Dragon have worried about the show being delayed because of the strike, and as it happens, Variety has an answer for that question as well.

Per Variety, all the scripts for the season have been finished ahead of time, and production will continue. So, good news! However, as some may realize, most scripts are not completely done and in final form when a show is produced. There’s often talk of rewrites and the need to ADR (“Automated Dialogue Replacement”) to insert new dialogue or change existing dialogue. As Variety notes, it’s unclear just how that aspect of things will work for programs already in production. Will they take different footage from different angles to give them more wiggle-room to add entirely new dialog when a character’s mouth can’t be seen? Will they employ some of the new tech out there to simply dynamically change a character’s lips to the words they’re saying? We live in fascinating times, as it were.

Over a week ago, we collaborated with the Folio Society on a contest to win one of their gorgeously illustrated, high-quality bound and slipcased copies of A Dance with Dragons to celebrate the 12th anniversary since the premiere of Game of Thrones. That contest ended recently, with over five hundred entries! Congratulations to Jordan from Iowa for winning the competition! For those who did not win this time, the Folio Society has promised to send something special to your e-mail quite soon!

Now that production is in full swing, casting news for the second season of HBO’s House of the Dragon was sure to be around the corner… and today we get the first tranche of new actors and roles for the show, courtesy of Variety. All four are characters from the original source material, described in George R.R. Martin’s Fire and Blood:

• Gayle Rankin will play Alys Rivers, “a healer and resident of Harrenhal”. Spoilers at the Wiki of Ice and Fire.
• Multiple Olivier and Tony Award-winning actor Simon Russell Beale plays Ser Simon Strong, castellan of Harrenhal. Spoilers at the Wiki of Ice and Fire
• Freddie Fox plays Ser Gwayne Hightower, son of Otto Hightower and brother to Queen Alicent. Spoilers at the Wiki of Ice and Fire. Fans will remember that Gwayne rode against Prince Daemon at the tournament in the first episode, but that was a stunt actor who wore a helm throughout.
• Abubakar Salim will play Alyn of Hull, described as “a sailor in the Velaryon fleet” who participated in the Stepstones campaign. Spoilers at the Wiki of Ice and Fire