[Note: This article reports on Martin's trip to Slovenia, and is in Slovenian. However, the embedded video features Martin discussing the genesis of the novels and shows other details from his trip.]
[Note: This report is somewhat garbled, but we'll leave the text as is. In fact, it's not the title of the story -- it is, instead, the title of the anthology that the novella will appear in, the title giving away the theme of the anthology... and so still supporting the idea that it likely involves the Wolf Women of Winterfell.]
That's the title for the planned fourth Dunk&Egg novella. George said as much Friday last week in Poland. I was there. Unfortunately the other answers to questions are not that revealing.
George swore that if he was ever going to consider doing another cameo it would involve sitting in a chair, preferably with a large drink in hand. The life of an extra, standing hours in costume during dozens of takes was not high on his list!
One bit I found amusing was talking about creating names for writing. George first did a brief rundown on English names during the middle ages. Essentially a few simple names dominate. If your name wasn't Henry, Edward, or possibly Richard, you weren't going down in the history books. Then he talked about hearing interesting names and keeping those for future stories. He said when watching the NFL draft each year he picks up a couple of neat names for future use. Now I won't be surprised when Ser Ochocinco pops up in book 7...
George did mention you a few times Ran, He said he thought his hearaldry was pretty awesome until you actually produced them.
A few of the interesting bits that I recall off of the top of my head were some questions about the heraldry and armour. Westeros has better technology with dyes, than Medieval Europe did. Thats why they are able to great consistent colors such as scarlet, crimson, or burgandy rather than just red. Also they have ways to enamel or infuse colors to armour which weren't available to medieval smiths.
During the first Q&A someone asked if he had plans if he was "unable to finish the series." George asked for him to be stripped naked and be tossed out in the snow. :P He then said well at least you didn't say "pulled a Jordan". He actual did go on to reiterate he had no plans, but that if he were in a sitation like Jordan, he could forsee making contingency plans.
Then during the HBO Q&A he was asked what would happen when the TV show caught up to his writing. The audience groaned. George asked for this person to be stripped naked and tossed in the snow. He did say he felt he had a pretty decent head start, so hoped it wouldn't come to that. He also said that if something should happen to him , that David, and DB do know how the series ends. That was news to me.
The other bit of news was that at one point George tossed out the phrase 7 or 8 books in the series. I had not heard mention of a possible expansion to 8 books before.
One thing that I GRRM mentioned that I had not read before was that he filmed a cameo for the pilot in Morocco. It had been subsequently cut because everything was refilmed in Malta. Sorry if that is old news and I missed it.
After the reading, GRRM talks for awhile. He apologizes for the delay with aDwD. He states that past claims to have the book nearly finished were not attempts to deceive, just that he is guilty of "bouts of excessive optimism". He also comments on how his publishers claimed at the San Diego Comi-Con that there are only 5 chapters remaining. He states that this is true until he finishes one of those chapters and then decides that that chapter is too long and needs to be split into two chapters and then that causes adjustments needing to be made to other chapters, etc. Please be patient, he is honestly working on it the best he can. He talked about some other stuff, but none of it was especially note-worthy. Fun for those in attendance, but really worth rehashing here.
Then he did a non-HBO series Q/A (There is another Q/A later this evening dedicated specifically to the HBO series). Zero spoilers were released here. Any question even slightly spoilerish in nature was turned away, not even any subtle hints. I found only 2 questions especially interesting. Someone asked whether any of the songs in asoiaf were fully fleshed out (The Bear and the Maiden Fair, The Reynes of Castamere, etc)? GRRM replied that only the portion of the songs that exist in the books has been written and nothing else. He did comment on how he wished he had more musical talent. He joked about how so many of his former works have the word Song in them (A Song of Ice and Fire, A Song for Lya, Songs of Stars and Shadows, Songs the Dead Men Sing, Songs of the Dying Earth, Songs of Love and Death, etc). He says that when he was younger he was friends with a group of kids that had their own garage band and once they threw a party and a lot of pretty girls showed up and the band members were having a lot of luck with the girls and when 2 pretty girls asked him what instrument he played he replied, "the typewriter". "I went on to use that line many times but it never got me laid", he joked. The other question was how does he pronounce some of the characters names? He pauses, looks at us and goes, "Jon Snow, Ned Stark". After the laughing died down he did go through some of the more challenging names, though I don't have the linguistic ability to reproduce them phonetically here.
Here is a brief report on the panel with Kristian Nair that happened the other day at Octocon. The Rabbit has already posted a small report at WiC, but here are some of the things that I found interesting that weren't mentioned in the other report:
- So far Kristian has been in several scenes as a background character. IIRC, he has only had to say 'Hodor' twice so far. This week, however, his participation will become much more active and will involve jumping out of a bush.
- Kristian's make-up takes about an hour or less to put on every day and is rather sparse. His tattooes (face, hands) are covered during this process. He does not wear a wig and his hair is maintained as its natural color. He originally wasn't sure about that element since he has silvery-greyish hair, but now he has seen stills of him and Bran together and they look amazing. His costume is relatively simple and very hot.
- Spoiler: There will be a dramatic change in his appearance halfway through the series that will entail a change in his make-up.
- He and Isaac Hempestead Wright (Bran) are getting along well. I asked if he could tell some story about the kids and he produced one immediately, laughing that Isaac was going to kill him for telling it. Apparently Kristian got an iPhone last week and he got the Harry Potter wand app. Isaac was using his phone or something and did a very vigorous Expelliarmus that accidently, much to Isaac's chagrin, sent Kristian's iPhone sailing across the room to shatter! I personally think it just demonstrates Bran's future magical bad-assery, exhibiting itself from the very beginning. :)
- Originally they had planned for Isaac to come along as well and they would enter together with Isaac on his back, but Isaac's filming schedule is very tiring so he couldn't make it in the end.
- Isaac Hempestead Wright is extremely charismatic and is a pleasure to be around. He is also already a consummate actor - Kristian has never seen him mess up a line even once.
- Some of the cast have been more dedicated than others in reading the books. Others have been using the Wiki's to figure out what happens to their characters. D & D know some things that will be revealed in future books and GRRM is willing to tell some of the actors spoilery things about their characters futures if they really want/need to know.
- The kids seem to get along really well together and seem to be having fun. They are already a tight group.
- Kristian realizes that for the rest of his life fans will be coming up to him asking that he 'say the line.' He tries not to read the Board or forums because '50% of the time you hear what you want, 50% of the time you don't, and then you spend every day at home hiding under the duvet.' He has already been recognized; one night when he was doing a DJ set he looked up to see somebody taking pictures of him.
- So far he hasn't heard any of the cast or crew say bad things about us, the fans. [Phew. Crossing my fingers it stays that way/]
Afterwards Kristian and George stood for pictures. Then Kristian was kind enough to let the fans take pictures, get autographs and chat with him in the hotel bar before he had to drive back to Belfast. He was great and I want to thank him on behalf of all of us for being willing to hang out! You rule, Kristian! Rock On! Up the Irons! Raise the Fist of the Metal Child! So on and so forth!
That's all I can remember for now. If I think of anything else I will post again.
When I arrived at GRRM’s panel on screenwriting today scheduled at 2 pm, I noticed a familiar face sitting next to him at the table. It was like…who the hell is this big guy? I’ve seen him somewhere before? He has got a beard, some sort of silver hair…maybe another hidden Targaryen? In the next second it was like: OMG It is Kristian Nairn. It is our Hodor! He has arrived at last!
And I can tell you. Kristian is very nice, friendly, a geek himself (as he stated) playing WoW for many years.
It was GRRM, obviously very pleased with Kristian’s presence at Octocon, who posed many of the questions to him.
So, I am gonna relate as many answers as I was able to write down. Thankfully, SerMountainGoat from Westeros forums was filming all the session, and promised to upload it on youtube. Yes, I have some pics too. But I must find a way to upload it from the camera.
Well, here is what Kristian has to say about GOT:
First of all, he stated, the sets are unbelievable, he said he has not seen such a thing in his whole life. They shot most of his scenes in the Paint Hall and at Castle Ward so far. He would appear in 5 or 6 episodes, and yes they have been reshooting the pilot scenes with him.
He said he has read only the first book – and that it was amazing, at which point he became kind of red in the face, saying this in front of GRRM.
He pointed out that he was fascinated with kids and how they are bonding together as a real family. There is also a small, funny story involving Kristian, Isaac and Kristian’s mobile..
He said Isaac is a fantastic kid – small and light. Then continued "hopefully he would stay that way" – to much laughter. He also described the basket he uses – it is made of leather and it is very well crafted.
He mentioned his Vimeo audition and that he was not very pleased with it himself. We got to that subject, because GRRM himself admitted he had been shocked by it. Positively.
He also described his costume as very simple but very warm, and he has some trouble wearing it under all those lights on set.
It was a very funny moment when somebody asked: Are you afraid of us fans? He answered: Not at all.
GRRM repeated many of the things he already mentioned at Worldcon. Pointed out once again the possibility of making ASOS into two seasons (if we get there) and making all the stuff of AFFC and ADWD all together, not separately.
He mentioned once again his concern with the butterfly effect. And the influence that the series eventually could produce on his writings, he mentioned one character he might change a bit due to that (I think it is Osha).
GRRM also stated that the composer has been picked up but not yet announced.
Question 1 - How can I be an extra?
He doesn't know. He's suggested to HBO that they sell the rights to be an extra.
(Someone brought up information about Extras Northern Ireland about being an extra.)
Currently looking for swarthy men who can ride horses. (He didn't think the person asking would meet the requirements for swarthy.) He hears they are looking for a certified butcher. Then you would have a chance.
Question 2 - When will the show appear on tv?
He doesn't know. Next year some time. Earliest would be March or April or May...maybe next fall if HBO decides to delay it. He thinks most likely next spring.
Question 3 - Does he have a walk on part on the show?
We will have to watch and see. Maybe.
Okay now on to the reading...I'll try to post the Q&As as they are asked when we get to them in a while...
I apologize in advance for any errors but I'm typing on a tiny computer on my lap with no spellcheck.
Question 4 - Where do you come up with all the character names?
He makes them up. Names are sometimes difficult and he struggles to find the right name for a character...one that sounds right. As a young writer when you are learning how to write - other writers tell you the rules - like you should never have 2 characters with names that start with the same letter. He followed this for years. You don't want Edward and Edmund in the same story. Its a great rule but with ASOIAF, more than 26 characters so he would run out of letters. So he drew inspiration from English history where everyone is named Edward or Henry with a Richard here and there. You differentiate the way historians do. The Percy family (Northumberland) loves the name Henry but they have nicknames for each title holder like Hotspur. He wanted that sense of realism with his names. So Brandon occurs frequently. Tries to make each family with naming patterns that are still a little different. But with innkeepers...wtf to name them? When the name is right, you feel it is right and when you don't have that feel you keep casting about for them. Tolkien had a gift for names. He not a linguist or Oxford don so can't hope to duplicate this. Jack Vance great with names.
Question 5 - As you are writing, how much of your day is consumed with the series?
It varies day to day. He does stop thinking about it when in the middle of other things. In the fall, he takes Sundays off from work due to American football games but works the other 6 days. The rest of the year he works 7 days a week. This doesn't mean he is writing that whole time. As a writer he has many obligations - correspondence, covers to approve, contracts to sign, 3-4 agents to deal with, movie deals - this all infringes on writing time. But ASOIAF is always there in his mind. Sometimes he gets into grooves where writing is going well and he will devote more time to it. On such days, starts work in the morning and vanishes into the word and when he stops and looks up it is dark outside. These are great days. When this happens it can last for several weeks and he will get lots of writing done. But then everything else is neglected and publishers will start calling with demands and he has to switch his attention to them. He wishes there were 3 of him or twice as many hours in a day.
Question 6 - How much development of story before he starts writing a book?
When he began writing, nothing in advance. He barely knew who the characters were. Its an ongoing process and it does get complicated. He has all these fans which is great - but they are sons of bitches and will point out mistakes.
Question 7 - Jim Butcher relies on fans to keep the details. Do your fans help you with the details?
He has his own notes. He has uber fan - Ran - when he is doubtful about something he runs it past Ran...like re eye colors. Eye color...he regrets giving anyone colored eyes. Some stuff you can kind of look up - thank god for search and replace to see every mention of a certain character - but can't search for blue eyes as its too common.
Question 8 - Do you have rules worked out for magic?
Whole book is to his discretion as to how it works. He doesn't have a magic system specifically. Some authors do but too like D&D for him. He went back to Tolkien when he got into the book seriously. Thinks Tolkien is still the master. What you discover when you read Tolkien with eye to magic is there is very little magic. Gandalf is wizard - wise but he doesn't whisper a spell and slaughter an entire army. He thinks fantasy needs magic as a seasoning. Too much seasoning and you can overwelm the dish. Too much magic can ruin a fantasy. Magic has to be magic - something that violates law of nature. "Unknown" - published between the two World Wars writen by Campbell - a real rationalist with a particular brand of fantasy. Campbell treated magic as science. GRR enjoyed reading them but that approach to magic and the aproach in role playing games is...just science, not magic. Magic has to be more mysterious than that. He wants less Campbell and more Lovecraft. It has to be dark stuff we can't fully comprehend. Use it sparingly so it has impact.
Question 9 - In Feast, some chapters have titles, others have names...what is reason for this?
He will let us try to figure it out.
Question 10 - How important is realism in his work?
Well he writes fantasy but he tries to give it some realism. Obviously his characters and world don't exist. But he wants it to feel like its real. He is a fan of historical fiction and wants his books to have the realism of historical fiction.
Question 11 - Re titles he considered for series or individual books and didn't use...
So far no ASOIAF titles he has come up with that haven't been used.) ASOIAF originally supposed to be a trilogy. He likes all his titles that he has come up with so far - they ring for him. That doesn't mean he won't change any if he comes up with something he likes better. He has put future titles out there so hopefully no one will use them. But he worries that someone is going to come out with a book titled D w/ D before he does. Fever Drem was River of Blood then Red Thirst then a couple of other titles. Sometimes publishers weigh in but not in his case.
HBO series is called Game of Thrones not ASOIAF. Second Season going to be Game of Thrones - Season 2. He agrees this is a better name for TV series than ASOIAF.
Question 12 - Does he know how the series is going to end?
He does know - not going to tell us.
Question 13 - Is it going to be easier to finish the books after A Dance with Dragons?
Not going to say anything is easy - just tempting fate. Especially last book. Last book has frustrated him in terms of how long it will take and when it will be done. Some fans complain he doesn't update enough re the status of the book or give predictions of when it will be done. There are actually fans who feel he finished D w/ D years ago and is witholding it from them.
Question 14 - Did the work he did previously in script writing influence this series?
Yes. He worked in television for 10 years (1985-95) and wrote for a lot of tv shows. While doing this wrote and edited Wild Card series. Both had impact on structure of series. TV is driven by commercials. There is always a fear that if each part ends on a dull note, people will turn to a different channel with the commercials start. So tv shows must be structured around cliffhangers at the end of each act before you go to commercial. That seemed to him a valid way to structure a book as well - structure your book with a series of act breaks. In his books you don't get commercials, he switches characters instead. Some readers read the books one character at a time instead of straight through. This frustrates him as it goes around his structure. The writing of dialogue was also greatly influenced by his time w/ television.
Question 15 - Will there be more Hedge Knight stories?
Yes. But ASOIAF must come first. So only in between.
Question 16 - He has a repeating motif of the buddy story in other books like Fever Dream or Hunter's Run - the characters have a bromance. If he could do a buddy story w/in ASOIAF, who would it be between?
Jon and Sam have a buddy...but this is distorted by Jon being a commander. With chapter he read from D w/ D (Jon chapter), he is trying to show how lonely it is to be a commander. He does think friendships are important. In new book some situations that might qualify as buddy stories but with a sting in the tail.
Question 17 - Whats with all the horrible things that happen to his characters?
Complex question. You write the stories that you want to read. He likes to read stories that involve him but he hates predictable stories. He likes to surprise his readers. There are many things we get out of reading fiction - but most important is vicarious experience. The best books are those where the adventures feel like they are happening to the reader. He looks back on Lord of the Rings which he first read when in junior high school - he can't remember who sat next to him or who his teachers were back then but he can remember everything that happened in the book. For him these fictional things are more real and remembered like they were his own experiences. There are techniques for achieving this - you engage the emotions of readers and make it real. You engage their senses. When he writes about feasts, he wants you to taste the food and smell it. He wants sex scenes to be arousing or frightening. With battle scenes, the reader needs to be afraid. War is filled with moments of boredom punctuated by extreme terror. Wars are part of fantasy. There is fear and then there is fear...we enjoy "fear" from riding a roller coaster and we call it "fear" - but it isn't really fear. We don't really think we are going to die when on a roller coaster. We experience a different fear when walking down a dark alley alone, thinking someone is behind us. We aren't afraid for Indiana Jones when he faces 40 Nazis - we know he will handle them okay and we will enjoy it but it doesn't really invoke our emotions. He wants the reader to sense that any of his characters could die at any moment. This needs to be established very early on in series. He doesn't want you to think anyone is safe.
Question 18 - Any characters in his books based on people he knows?
Some people. Where do we get characters from? You base them on people you know, from other books, and on yourself. Yourself is the biggest source of any character as it is the person you know best. Empathy is the most important skill for a writer - the ability to imagine yourself as someone other than yourself. He doesn't tend to do 1 to 1 things - cousin Fred is not replicated in whole. He might take some traits, however and give it to a character. It is a mixture of ingredients. Empathy and yourself most important in writing.
When he teaches a writer's workshop he gives an exercise to the students where he asks them to write an (anon) simple page about the wrost thing they have ever done. There is a certain vulnerabilty as a writer. Eventually you are going to write a story you don't want your mother to write. Its a good test for a writer. Most of us are saints and sinners and the most heroic of us have done shameful things.
Another useful exercise for a writer is to write a story from viewpoint of someone you hate. Someone who would violate all your...if you are right wing, write from viewpoint of communist. Try to make that person human. Its a good exercise for building empathy. He really tries to get inside skin of all his characters. Even Theon. Theon has his own reasons for doing appalling things so needs to be able to see why he does what he does and undestand it.
Question 19 - Re Tolkien being surprised at what happens in his books.
He has experienced that to some extent. There are 2 kinds of writers - architects and gardeners. An architect outlines everything before writing. Architect does models and drawings in advance before building gets built. A gardener digs a hole in the ground and waters it with his blood. A gardener knows a few things in advance - like what he planted. GRRM and Tolkien are more of gardeners than architects. Analogy of a journey. He is going to western Ireland after this. He has a map and a GPS and know places they will be visiting but doesn't know every twist and turn along the way. He doesn't know what hitchhickers they will meet or restaurants they will eat at. There is the unknown. His books are like that. The small details are the fun of the journey. It makes it fun and not a chore. For an architect all the fun is in the design stage.
Question 20 - Religion increasing as focus in series?
The religious revival in Westeros will continue to grow in series.
Question 21 - What books can't you stand?
He doesn't like to slag other authors. There are many books he puts down that don't capture him. As he was pulling books from his shelves for this trip, he realized he has too many unfinished books on shelves. But he prefers to concentrate on good books and authors.
Question 22 - CE Murphy asked re killing off his characters...but lost her question mid sentence and just gushed for a minute instead.
Question 23 - Anything he has kicked himself about including in book?
Too strong to say he kicked himself for including anything. He has a very complex plot. As he has struggled recently he wishes he didn't have so many balls in the air. Did he really need 7 kingdoms? 5 would be good. Or 9 free cities? Gene Wolf (editor for plant engineering magazine) was not dependent on his writing for income so he wrote an entire series of 4 books before sending it to his agent. This allowed him to go back and edit the entire series after knowing what happened. There are days he wishes he had the freedom Gene Wolf had to write like that. But then none of us would have read anything from him at this point. But he has no salary except writing so to pay his mortgage he had to publish books as he finished them and has to deal with result. But sometimes wishes he had freedom to revise.
I was lucky enough to sit next to George and have a drink at the party. I asked him how they built the Eyrie and did they use any magic. He said no magic, they just built it slowly. And as I didn't win anything in the BwB raffle at the party, I got a consolation hug from George.
[Note: This report is a tiny bit spoilerish, describing both the identity of the prologue character but also the identity of which POV has the first chapter in the book, a detail we have not previously had. If you're interested in reading full reports and speculation on the prologue, visit this thread on the A Song of Ice and Fire forum.]
Hello everyone. My name is James--I was at AussieCon, and as a part of my write up for Dragonmount I included reports on the HBO panel with George, a transcript of his reading of the prologue, my recount of the BWB party and what I remembered from the coffee talk with him (basically nine of us at a table with him for an hour talking). I thought I'd share those with you--hope you enjoy.
I'm not gonna put the transcript up straight away because I'm not sure how you guys handle spoiler stuff like that. Can someone post and let me know?
HBO panel at AussieCon
We also did make it to pretty much every panel with George R. R. Martin on it. Friday’s one was about the HBO series, which was hysterical because George wasn’t allowed to actually say anything about it. He wanted to show us a trailer, promo pictures, behind the scenes stuff and at each point HBO was like "oh no, you can’t show that! It will ruin everything!" right up to and including his own personal pictures taken in morocco. So it was a very strange panel—one where he couldn't speak about what he was supposed to speak about.
It was nonetheless awesomely fun. I could sit and listen to George talk about nothing, frankly. He's brilliant. In this case George told us about his past in television. He worked on both the Twilight Zone (at one point he was speaking about working on Twilight, which horrified me until I realised he'd gotten distracted and simply hadn't finished his sentence) and the tv show Beauty and the Beast. He said that his scripts were always too long, with too many characters, which led to him eventually deciding to write A Song of Ice and Fire—where he would have thousands of characters (I think the phrase he used was "families with a hundreds of members, rather than three").
So essentially, he set out to make A Song of Ice and Fire "unfilmable". Yet when something hits the bestseller list (especially a series, thanks to Star Wars and LotR), Hollywood will sniff around. The problem was length—Lord of the Rings (the entire three part trilogy) was the length of game of thrones. Three, three hour movies to do one of his books. Twelve to do all the books currently written. Twenty one to do the entire series. As such all pitches for a filmed aSoIaF were along the lines of "Ned’s clearly the main character, let’s cut everything but him", and "Dany is on another continent, let’s get rid of her". Then finally came the suggestion—a HBO mini-series.
If I walked away from that panel thinking anything, it was that I now feel safe that the adaption is being handled with the care it deserves. No Legend of the Seeker rip offs, so yay for that. The one other thing I remember was George saying something like that now he’s met the young actors he wants to go back and change the books so they’re nicer. He wrote these horrible things happening, and now lovely young people have to act it. He was quite funny about it.
Brotherhood Without Banners Party
Was a lot of fun. I understand there were all sorts of problems with the hotel, which was crap, but I nevertheless had a brilliant night. Me and my freind Josh got to meet George. Josh asked him whether the triangle between Rhaegar, Lyanna and Robert was meant to be a tripod on which the series stood, and George said no. (Don't ask me why he asked that. Josh has some weird concepts). There was more to George's answer too, but I don't remember, sadly. By this point I'd had several of the tasty beverages the BWB were kind enough to provide us with. I did get a photo with him though. :)
Then I got to meet several of the BWB, including Stubby and Neal. Those guys were so awesome--we chatted about the organisation of the party--which sounded nightmarish with all the mess ups on the behalf of the crown plaza, so more power to them--and then they gave me a limited edition brotherhood without banners badge, which rocked! They also gave me a whole bunch of Wheel of Time bumper stickers to hand out at the WoT panel the next day, and a Brandon Sanderson/Way of Kings bracelet which I later learned glowed in the dark--I tell you, waking up at three in the morning to Brandon Sanderson glowing a vibrant green inches from your face is an experience!
Then the raffle happened and Josh won! Which I suppose stands to reason because he bought twenty tickets. But still, awesome. Josh asked George what he should take, and George said the Pat Rothfuss illustrated book--and it was awesome. It's called The Adventures of The Princess and Mr Whiffle, and lookes like a childrens illustrated book--with a gold sticker on the front that says "This shit is not for children. Seriously!" And it wasn't, but it was cool. :)
That was about it. Josh and I went back to our room, and did normal pre-bed stuff--you know, brush your teeth, debate the inherent implausibility of the concept of perfection, get a drink of water--and went to sleep.
Coffee Talk With GRRM
More writer based panels, and then Kaffelatches with George R. R. Martin. Now I translate Kaffelatches as "Word I Cannot Pronounce", but apparently it means "coffee talk". So that’s what we did, sat around drinking coffee (or in my case hot chocolate because I’m like twelve), and chatting with George. Which is precisely as awesome as it sounds. There were nine of us, and I got to sit directly besides George (through some degree of active bullying, I’ll admit).
Someone had brought George Tim Tams, which I hadn’t realised was an Australian thing only. Then another person at the table informed George that he had no idea who he was, to which George replied "That’s ok, I have no idea who you are either." Then we discussed football, and I got the glazed expression I always get when people discuss football around me. George certainly seemed to get a kick out of it though.
Then someone asked about fan fiction, which George says he’s asked about often. He said that no he doesn’t like fan fiction, and he made the point that it doesn’t help the writer grow. He spoke of when he was young he would write what was then called "fan fiction", which was not writing other peoples characters, but rather if you were a fan of super hero comics you would write your own superhero. It was fans writing fiction. He also pointed out that they haven’t paid for this right, and that if they wanted to write fan fiction then they should approach the publisher or the author and buy the right to do so.
He brought up slash fan fiction, and said he’s been called a homophobe for being against it, and that he’s not a homophobe and there are gay characters in aSoIaF, he just doesn’t want people making his straight characters gay any more than he’d want people making his gay characters straight. It was then asked if he saw role playing as different, and he said yes. Writing your own voice in the world was like a way of exploring the world, expanding. I asked if he then had problems with roleplayers changing canon events—say keeping the Kingdom of the North alive and well to allow you to roleplay in Robb’s court, and he spoke of the fact that alterations for the good of the new medium happen—he used video games as an example. He didn’t seem as concerned with that, as with altering characters.
I’d gotten the sense that he’d faced a lot of flack for his hard stance against fan fiction, so I asked him if he had to deal a lot with the fans sense of entitlement. He replied that he had to deal a lot with the fans sense of entitlement for a Dance With Dragons, and then he spoke about some of the emails he received, and how they could be quite hurtful and nasty. He spoke also about having to moderate messages on his blog because of trolls, and how much he hated that—not just because they were writing attacks against him, but because then his fans would come through and protect him, which would lead to fights which he felt bad about.
Then he spoke about the opposite, receiving grand reviews like "GRRM has written the best book since Tolkien", which was awesome, who wouldn’t want to hear that? And then the next days he sits down to write "the best scene since tolkien" and goes "oh fuck!". That got a good laugh.
I asked whether he’d enjoyed the Suvudu cage match, and he said he had. He said he hadn’t really cared about it, but then they’d chosen Jaime. He said something along the lines of "there are all these characters with super powers, and they give me a swordsman who’s lost his sword hand. What the fuck am I supposed to do with that?" And everyone had a good chortle. He said he hadn’t gotten involved until the second match when they’d put Jaime against Cthulu, and that then he’d felt he had to—and so he wrote a way for Jaime to win, which was essentially having Tyrion ensure Cthulu never shows up to begin with.
Then he spoke of the battle with Rand, and the rabid Wheel of Time fans (said with affection) and someone outed me as a WoT Admin on Dragonmount, and George gave me a look like "Oh, you’re one of those are you." Heh. Then he spoke about Robert Jordan—he’d met him a fair number of times at conventions and the like, and they’d gotten on very well.
Someone asked him about music influencing (something—his writing, the HBO, not sure, I missed this question, but made a quip about the fates and allegiances of minstrels in aSoIaF always being nasty, which got a laugh, so yay). He then gave some advice about writing—said that people, including him, too often told instead of showing, but then went into further depth than I’ve ever heard, pointing out the insane overuse of eyes. He told us he hadn’t even noticed what colours our eyes were, much less whether they were "shifty". He said look around the table and see if you can see someone shifty, and three of us all pointed to the same guy at the one moment, which got a laugh (he was a nice guy).
Then Paris (George’s partner) arrived on this moped thing and called out "I’m here to pick you up darling", and they joked back and forth a bit. It was pretty cute—they’re both just like big kids. And that was sort of it. Paris had a Tim Tam and we all said bye, and then I walked outside and bounced off walls for an hour.
Ran, I am sorry I didn’t ask George a single ASOAIF related question, however I did ask him whether he had ever considered revisiting his "Thousand Worlds" mythos and perhaps filling in some of the back story. His answer was (as best as I can remember) that he wrote those almost thirty years ago and that he is a different person and writer now, so it would be very difficult.