[Summary: A reader asked if more of Ser Loras shall be seen in _A Storm of Swords_]
Not only will you see more of Ser Loras, but you'll see his mother, his father, his brother, his cousins, and you'll hear about his other brother, his uncles, and more cousins. A full bouquet of golden roses.
Highgarden and Casterly Rock are the two richest and most powerful of the Great Houses. The Lannisters have greater wealth, but the Tyrells can put more men in the field.
[Summary from Kay-Arne Hansen: I asked him if he had read 'Norwegian Kingssagas' by Snorre Sturlasson, and explained that I thought so on the basis of Sansa's story about Ser Arryk and Ser Erryk seeming to be the equivalent of the brother kings Alrik and Eirik, and went on to make suggestions about other possible 'inspirators' from the 'Kingssagas'.]
I have rough notes on all of this, but it's nothing I want to publish just yet.
I may include a Timeline as an appendix in a future book, but I need to work on it some more and fill in some details before it would ready to publish.
[Summary: Pamela asks what would happen if two bastards of different areas (she uses Snow and Rivers as an example) married: what name would a child take?]
The child would most likely take the father's surname.
Oh, and would you be willing to reveal who will be the characters in ASOS? I remember we knew who the characters of ACOK would be well before the book came out.
Well, mostly the same viewpoints as in CLASH, but I will be dropping Theon Greyjoy and adding Sam Tarly and <DELETED>
However, I'd rather you did not tell 'em about <DELETED>...
[Summary: ALANMAC asked if any of Dunk's descendants appear in _A Song of Ice and Fire_]
One of the things I wanted to do with A SONG OF ICE AND FIRE was to make it a little more "real" than most high fantasy. I drew much of my inspiration from history and historical fiction, and immersed myself in the Middle Ages before I began writing. Patriarchy was as much as part of medieval society as feudalism, faith, or swords.
I have created other fictional worlds that are more sexually egalitarian -- try my novel WINDHAVEN, written with Lisa Tuttle.
With ICE AND FIRE, however, I preferred to stay closer to my historical models.
A SONG OF ICE AND FIRE will eventually run to six books, so I still have three and a half to write. That will keep me busy for quite a few years.
After that, there's no telling what I'll do. If I do eventually write a prequel to ICE AND FIRE, however, it will not concern the overthrow of Aerys II. I'd go back earlier than that, and follow up with Dunk and Egg from "The Hedge Knight."
Publishers work in mysterious ways. I delivered A CLASH OF KING to my British publisher (HarperCollins) and my American publisher (Bantam) simultaneously.
Harper's version came out first... well, because they found an earlier slot for it, and moved it through production and printing a little bit faster.
After rereading both AGOT and ACOK I was wondering about one question: Why was Hodor not afraid of the crypts under Winterfell at the end of ACOK? In AGOT Hodor was very afraid of the crypts, he wouldn't take Bran down there, but in ACOK he stayed with Bran and Rickon in the crypt for quite a while, how did he stay there if he was so afraid?
Hodor was only afraid of the crypts =at that specific time.= Not before and not after.