Game of Thrones is a site for the HBO-series based on George R.R. Martin's A Song of Ice and Fire.
New to the series? Read our spoiler-free review of A Game of Thrones.
Back in March, the Well Educated Pony blog wrote a terrific post interpreting what sort of modern fashions that various characters in HBO’s Game of Thrones might wear, if they were placed in modern dress. Well, now she’s back with a follow-up, covering a number of characters she didn’t deal with the first time around. This includes Littlefinger, Sansa, and the rather curious case of Lysa Arryn (whom has been cast as rather less zaftig than the character as described in the books).
A great, fun read. But… when are we going to see what sort of fashions Lord Renly Baratheon or Ser Loras Tyrell would wear… ?
The Wall Street Journal has published an article about the cable studios and their costly productions. HBO’s Game of Thrones is mentioned only in passing, as one example of the high-end epics that are coming, but it’s interesting to look at the figures that have been batted around for other productions in light of what we know of Game of Thrones‘s budget. The one that surprised me most was that was the claim (unsourced, mind you) that Starz’s Camelot was in the region of $7 million an episode. That’s half again the projected per episode budget of Game of Thrones, from a much smaller cable provider.
This leads us to wonder ... Camelot was announced after Game of Thrones went into production and likely had its budget projections made. Is it possible that some of the reshoots—reshoots which GRRM calls, in some cases, an attempt to do things even better—are motivated by HBO opening up the purse strings and increasing the show’s budget to be more in line with the latest crop of costume dramas? Assuming, that is, that Camelot‘s alleged budget isn’t a lot of hype over substance. The figure bandied about in the article is certainly a substantial leap up in production budget for the show compared to Starz’s previous original costume piece, such as Spartacus: Blood and Sand.
Over at “Not a Blog”, George R.R. Martin runs through several of the actors cast in roles related to the Vale of Arryn—Lysa Arryn, Robin Arryn, and Ser Vardis Egen. More notably, he touches on the fate of Ser Brynden Tully, the Blackfish. George explains it best, so we’ll quote him:
“... alas, his appearance has been postponed. Even with such a huge project as ours, there are budgetary constraints that require some characters to be cut, combined… or deferred to later seasons. That’s what is happening with the Blackfish. The plan, I am told, is to delay the introduction of the Tullys (Lord Hoster and Ser Edmure as well as Ser Brynden) until the second season. Brynden’s part in the events of A GAME OF THRONES will be filled in part by Ser Vardis Egen, and in part by Ser Rodrik Cassel.”
So, if the show gets a second season, we’ll be seeing the rest of the Tully clan.
Wow. Double wow, actually. We’ve been amazed and delighted with the casting, production, and writing team ... but this is the first time we’ve had our jaws drop.
From a tweet by Miltos Yerolemou, we discover that the legendary fight choreographer (this is not an exaggeration), William Hobbs, has been training Miltos ahead of his role as the Braavosi waterdancer Syrio Forel, formerly First Sword for the Sealord of Braavos. Hobbs has been responsible for just about every memorable fencing duel on stage and screen for 30 years. Memorable examples? Richard Lester’s The Three Musketeers and The Four Musketeers, The Duellists, and especially Rob Roy, as well as the award-winning stage production of Hamlet from 1995 which won notice from the New York Times and led to a profile of the fight choreographer.
What’s most noticeable is that Hobbs has no professional TV/Film credits these last 5 years, so his involvement in the background of Game of Thrones is a remarkable coup.
Below, we leave you with a video featuring what I consider to be the very finest duel ever put to film, from the finale of Rob Roy:
The fact sheet has quite a lot to absorb, so here’s the highlights in terms of new actors and crew that we’ve not heard of before today.
Lets start with new crew. First up, two new directors of photography have been named. Marco Pontecorvo and Alik Sakharov are both veterans of past HBO productions, particularly Rome. Pontecorvo recently made a mark as a director for the film Pa-ra-da, which garnered him several awards as well, while the Russian-born Sakharov received an Emmy for his cinemtaography on during the Rome episode titled “Passover”.
Joining them on the production side are a few new directors. For us, the most notable is Alan Taylor, an HBO go-to guy with many HBO productions under his belt, as well episodes of shows as diverse as Lost, Mad Men, and Nurse Jackie; he won an Emmy for his direction of a Sopranos episode, and has several other noms from the Director’s Guild Awards. The other new director named is Daniel Minahan, another go-to guy who’s directed episodes of Deadwood, Big Love, and a notable five episodes on True Blood.
Production designer Gemma Jackson and costume designer Michele Clapton remain on board with the production, which is very good to see. Though we’ve known this for a good while, I’ll note that the fact sheet confirms that the writing breakdown remains the same: executive producers David Benioff and D.B. Weiss will write seven of the episodes, while Bryan Cogman, Jane Espenson (of Buffy and BSG fame), and George R.R. Martin will write one episode each.
Of note for the production? Morocco is out—something George hinted may be a possibility a long while ago—and instead it looks like the second location for shooting will be Malta. Malta, rich in scenery—especially medieval castles, walls, ports, and so on—and a spare beauty will doubtless serve for shots of Pentos and the like, and will be an excellent locale if the series goes forward to a second or third season
And following the production teams and notes? The actors. Oh, boy, the actors. There’s so many of them!
The most significant additions to the list must be James Cosmo as the Old Bear, Jeor Mormont, a casting George revealed which is not yet on the fact sheet (see here for two other roles GRRM has confirmed). After that, it sure looks like Jerome Flynn as Bronn (Official Site) is the most noteworthy casting choice.
After that are the guest cast, which makes up the bulk of new additions to the casting rolls. I’m just going to paste them all below:
HBO has released a massive fact sheet, full of casting information for lesser parts. The content of the sheet follows below. Keep an eye on this page later on the day, as we link up all the actors we can to IMDB pages, official sites, and/or videos.
GRRM has been confirming a number of the casting reports which we’ve already made, such as Jamie Sives as Jory and Ian McElhinney as Barristan the Bold. He has just mentioned, however, that we’re sure to have more casting announcements soon. This falls in line with everything we’ve heard, and of course, with shooting set to begin in a week and a half, it makes sense.
In other news, North Ireland Screen has sent out an urgent request for swarthy, experienced horsemen for the Game of Thrones production. These are obviously extras for the Dothraki, and it seems like they’re not quite finding as many suitable riders as they’d like in Northern Ireland. If you or anyone you know fits the bill, this is a ripe opportunity for getting involved in the production.
Easily lost in the big casting news headlining the article, James Hibberd’s post at the Live Feed addressed two other points. First, although initially reporting that HBO was making an effort to put together an extended teaser or trailer for San Diego Comic Con, Hibberd now says that isn’t happening.
More notably, Hibberd addresses the extensive re-shooting that various re-castings (Michelle Fairley as Catelyn, Emilia Clarke as Daenerys, and now Will—a minor character who is featured heavily in the prologue—currently in recasting) will necessitate. According to Hibberd’s sources, the re-shooting shows HBO’s commitment to getting it right. Hibberd provides what may be an amusing example of the level of obsession HBO and the production team have over this: “When you’re creating a whole fantasy universe from a hit book series, you can end up with 20 opinions about what a chair looks like.”
George is back from teaching at the Clarion Writer’s Workshop, and is preparing a post about all the recent casting news, including a hint about the Aiden Gillen casting that came out just moments before his own post. Keep an eye on his “Not a Blog” to see what he has to say about the various casting items which we’ve been reporting on. The first entry is on the casting of Samwell Tarly and Rast, in which GRRM promises four more members of the Night’s Watch set will soon be announced.
A new interview with Lena Headey—cast as Cersei Lannister in HBO’s Game of Thrones—finds her talking about the series and her character. After having been away from work for a number of months due to her pregnancy and then birth of her first child, she describes herself as excited and “very ready and not ready one bit” to get back to work. Though she hasn’t read the novels, she seems to have a good grasp on what makes Cersei tick, as well: “smart , insecure, ferociously maternal, cutthroat, paranoid.”
As previously reported, actor Conan Stevens has been cast in the role of Gregor Clegane. Now, he writes about how he chased and won the role. It’s been a long journey, three years in the making, but his perseverance wins the day. He confirms that he auditioned for the role of Khal Drogo, which was much speculated, with an eye towards getting in front of the casting director if the series was greenlit. It definitely worked out. Stevens has a lot of kind things to say about the fans, including Westeros.org, for having helped him in his quest.
James Hibberd of the Hollywood Reporter’s Live Feed has posted an article regarding which shows are not making an appearance at San Diego’s Comic Con. Among them, of course, is Game of Thrones. We’ve previously reported on HBO not being able to provide the full court press (such as a panel) because of the logistical problem of filming starting immediately after the convention. To this, Hibberd adds a couple more: “The show isn’t premiering until sometime next year, possible even after Comic-Con 2011. Like “My Dad Says,” the pilot is being reworked.” Which makes sense, since the recasting of major parts such as Daenerys and Catelyn means large portions of the original pilot will end up on the cutting room floor.
However, Hibberd tantalizes with the possibility that some sort of trailer is likely to air in conjunction with HBO’s panel for their hit series, True Blood. When we asked him about this, he had this to say: “Nothing is final but, yes, they would like to have something to show at ‘true blood’ for ‘thrones’ that’s more substantial than the teaser.” So, Game of Thrones fans, if you’re attending the con, make sure to attend the True Blood panel just in case HBO swings a new trailer. Our guess as to its contents, if it happens? Possibly it’ll be a cut-down version of a trailer allegedly shown at a Time-Warner (of which HBO is a subsidiary) investors meeting.
George R.R. Martin shares the news that there’s presently no news as far as casting goes, although offers have been made for a number of roles, “both major and minor”. With any luck, we’ll have news in the coming days. George does discuss the difficulty in casting some other child roles (Mycah, Rickon, Tommen, and Myrcella), stating that children often aren’t capable of really becoming a character as the children currently cast have been. He also remarks on the weirdness of watching audition tapes for Ser Ilyn Payne, the king’s mute headsman, where all the acting is in the face and eyes and body.
Here’s an interesting attempt to gather together photos of announced cast members for HBO’s Game of Thrones. It sets the pictures side by side with the art of popular A Song of Ice and Fire artist Roman V. Papsuev, also known as Amoka. Papusev’s portraits started as a fan project, but he has received the praise and support of series author George R.R. Martin, and has been hired to produce art for professional publications such as The Art of George R.R. Martin’s A Song of Ice and Fire and The World of Ice and Fire (forthcoming).
What follows is a comparison of Google’s search volume from U.S. addresses for the phrases “Game of Thrones” (blue) and “Boardwalk Empire” (red), their two new shows. Boardwalk Empire has an amazing pedigree, with Martin Scorsese as producer and director of its pilot, and a host of well-regarded actors, as well as rumored buckets of production money unlike any pilot every filmed. And yet . . .
The 1 month timeline is screwy, but it does let us see the relative spike in search traffic volume for Game of Thrones when the teaser and sub-site premiered as compared to Boardwalk Empire‘s more modest spike in activity after their promo and newest trailer release. It looks like GoT had three times the search volume following the teaser, a huge gain presaged by the report that the first novel ended up on Amazon.com’s Movers & Shaker list for awhile.
Of course, we’ve been getting more about Boardwalk Empire for longer, but it’s interesting to see on the “max” scale that the show has only on a couple of occasions spiked above the volume for the Game of Thrones phrase. Some significant portion of that volume (especially back before 2008) is due to the novels, of course, but the huge spikes of late—and the upward trend seen in the “max” scale—are definitely in large part due to the series. This show has more pre-production buzz than any show HBO’s ever aired before, near as we can tell—probably a motivator for such an early unveiling of the sub-site (have we said thanks for that, yet? Thanks, HBO!)—and if we look how True Blood trended, it’s possible that the series could bring down the internet if it pushes the right buttons for HBO viewers.
The Westeros network consists of several different sites, including a forum and a wiki, for all your A Song of Ice and Fire needs.