This has been a pretty busy week for news on all fronts Game of Thrones, so we thought we’d write up one of our irregular recaps for those who fear they have missed something of interest.
The penultimate part of my Belfast set visit report is now posted, featuring my tour of the production offices, where I saw a great deal of art.. Just one part left, covering my trip to Magheramorne, the site of Castle Black. Enjoy!
A brand new video from the Making Game of Thrones site, this time featuring Paul Inglis, the supervising art director, and a great deal of concept art:
A brand new behind-the-scenes video from Making Game of Thrones, as they show us glimpses of each of the major areas that are the focus of the story. Lots of good stuff to be seen ... and it looks, from some tweets, that they actually aired it just now, too!
The Making Game of Thrones site has a new article, by way of Bryan Cogman, which is essentially the official pronunciation guide for the first season.
There’s been a few items of note this last week, though on the whole it’s been a bit quieter. Here’s a round-up of some of the more recent news items that may be of interest of fans of the series:
Maureen Ryan has broken the news that Stephen Warbeck, the Academy Award-winning composer who we reported was selected to score Game of Thrones, parted ways with the production. His replacement has already been selected, and according to Ryan’s exclusive, it’s film composer Ramin Djawadi.
A protégé of Hans Zimmer who contributed music to a number of Zimmer-scored films, including Batman Begins and Pirates of the Carribean: Curse of the Black Pearl, he has since gone on to score a few Hollywood blockbusters in his own right, including Iron Man and Clash of the Titans, while also working in television. A look at his IMDB award pages notes no really notable wins, but he has been nominated for the Emmy and Grammy awards in the recent past.
We’ve put together a playlist of some of his work, including a suite from Clash of the Titans, as well as a short interview. A German-born composer of Persian descent, his mention of a love for Iranian and Middle Eastern music is interesting, as well as his preference for the Romantic composers such as Brahms, Schumann, and Tchaikovsky. A cursory glance at commentary on his work suggests the he has been, at least up to recently, very much in the Hans Zimmer mold, which might suggest that the inclusion of tracks from Gladiator in the 15 minute reel was not purely coincidental—a sign that the Game of Thrones score will be aiming at an epic, cinematic quality?
We’ve updated our Behind the Scenes gallery with 44 new images (starting here), taken from the Buster Reeves Artisan’s video released at Making Game of Thrones a couple of weeks ago. Lots of details of fight scenes, but the image we’re highlighting here depicts a character from the books that has not previously been named: Dareon, the singer’s apprentice sent to the Wall for allegedly raping Lord Rowan’s daughter. He’s the fellow on the left.
The actor is probably more along the lines of a featured extra, and may not even have any lines, but I saw him being addressed as Dareon while I was watching some of the filming at Magheramorne (if anyone knows the actor’s full name, do let us know!. I suspect some of the other Night’s Watch recruits in the background may also be given names after some of the other recruits from the novel, such as Cuger and Halder.
In other news, expect our exclusive set reports from my visit to Belfast in October—which we started but then had to postpone to hash out some details—to resume later this month, with some exclusive pictures and details that we haven’t yet had the opportunity to report.
Oh, this is an excellent entry in the fantastic series of Artisan’s videos from Making Game of Thrones, as we get a great introduction to Maisie Williams, the young actress playing Arya and learn something of what it was like for her to learn how to fight with a sword for the role. Also, a few glimpses of Syrio, and what certainly looks like some rehearsal of a major scene for both characters…
Here’s a quick round-up of some items from the last few days that we thinks fans of HBO’s Game of Thrones might find of interest. We’ve tweeted them, but haven’t yet had an opportunity to post them up:
The holidays have eaten a lot of our spare time, and are set to eat a bit more for a couple of days yet, but I’ve sat down to get the latest Artisans video screencapped. There’s a focus on the armor, of course, but we do pick out one or two new pieces of heraldry among the banners on display on the Hand’s tourney, plus some thoughts on this and that.
Updated: We’ve mailed George for a comment, and he confirmed that they are indeed going forward with episode titles, Excellent news! Responding to my question about the episode titles, Bryan Cogman replies that HBO has not officially approved the titles as of yet, so we’ll have to wait on their being revealed, but he believes we’ll be liking them.
Thanks to the gentleman at Television Zombies, we have a new interview with George. Some good stuff there, raging over a number of topics, but something George mentions at the end is of particular interest for those keeping track of developments on HBO’s Game of Thrones. He notes again that he’s written episode 8… and gives its title: “The Pointy End”.
This was the title he originally intended when he sent in the draft, but since then we were informed that the producers were leaning to simply numbering episodes, a fact we’ve seen in various Making Game of Thrones posts. But this interview, from less than a week ago, brings up the title again and we’re guessing (tentatively) that the producers have at last started putting proper titles on the episodes.
When we ran a poll at the A Song of Ice and Fire forum, something north of 90% of those polled disliked the idea of simply having numerals for episodes, so this is a great decision if true. We’re looking forward to a full list of episode titles in the future.
Although filming wrapped last week on HBO’s Game of Thrones, details still come out on occasion concerning the production’s doings. Via DocFourFour, we’ve learned that the Belfast Telegraph-owned Sunday Life newspaper includes a report on the production having filmed at Inch Abbey in Downpatrick. Their report indicates that the site was used for a “renegade camp”, featuring a “Medieval fort” with tents around it, and that there was fake blood at the site.
This is the site where filming took place over at least a couple of days, I believe, around the 10th or 11th. Don’t hold me to it, but I think I recall seeing at the production offices during my set visit in October that Inch Abbey was being used as the site of Moat Cailin in the series. Certainly, I saw Moat Cailin listed, but I’m not 100% positive that Inch Abbey was the real world location associated with it; however, some of the photos of the ruins with tussocks of grass around it strike me as doing reasonably well to indicate the marshy, ruined old citadel of the First Men. If it is Moat Cailin, however, I’m not sure how to reconcile that with the fake blood. Unless different angles or areas of Inch Abbey were used to represent a battle site or something like? Hard to say.
Oh, I’ve been waiting for this one. Simon Brindle, the supervisor of the costume armor department, speaks in some detail about the costume armor for HBO’s Game of Thrones. I had the pleasure of meeting Simon when I visited the Paint Hall facilities, and had a chance to discuss some of the sources and inspirations for the various suits of armor. There’s some truly amazing work being turned out from his shop!