David Peterson, creator of the Dothraki language, has written an article for CNN revealing that the producers of Game of Thrones hired him to create two dialects of Valyrian, the ancient language of Valyria: High Valyrian and Low Valyrian. Though it’s light on specific details, it gives a great sense of the process of differentiating one version from another.
Having watched the first four episodes, we can say categorically that Peterson’s done a fantastic job. It sounds quite remarkable in the mouths of the actors who speak it at length.
EW, with its bevy of exclusive interviews now being posted, has gone the extra mile: it latest issue is a Game of Thrones extravaganza, starting right with its cover featuring Kit Harington and Emilia Clarke in costume as Jon Snow and Daenerys Targaryen.
EW has more information about what to expect… including a nice, spoilerish synopsis of some season highlights:
While the traveling exhibit is just about to open in Toronto (with special guest Rose Leslie, aka Ygritte), fans who won’t be able to make it to the locations can still get a taste of what you might see there thanks to the wonders of the internet.
Over at the official Making Game of Thrones production blog, propmaster Gordon Fitzgerald provides some great insight into the process of making props for the show, which certainly has some of the best production values in television (and, I have to say, one of the best crews in television):
And then, via Cat Taylor, we learn that concept artist Will Simpson now has a Facebook fan page where he’s sharing some of the art he has created for the show. Never seen his gift to GRRM before!
James Hibberd at EW has another scoop regarding season 3 of Game of Thrones. Just as with last year’s reveal that The National performed “The Rains of Castamere” for the show, indie rock band The Hold Steady are performing a rendition of—get this—“The Bear and the Maiden Fair”, a very popular bit of song in Westeros.
Hibberd quotes the producers:
So, that will be rather interesting to hear. I’m guessing it’ll be included on the official soundtrack for season 3, as well… and may well be released as a single before hand.
Been a busy week for us here at Westeros.org, with a trip taking me out of commission for a couple of days… but I did pick up some interesting information along the way. And now that it’s out, we may as well share it as well: titles for most of the episodes for season 3.
We’ll be adding these to our Episode guide once we dig our way out from under mail and screencapping and manuscripts everything else we’re up to at the moment!
The official Making Game of Thrones production blog has a post detailing the ending of season 3 filming late last year in Iceland. The environment they were in sounds rather amazing:
“We are filming by special permission at the power station in Krafla, high on the top of a mountain with steam plumes from a geothermal spa nearby twisting into the sky. Every so often a waft of the sulphurous waters blows by. It’s not really a welcome visit.”
As to what they were filming? Despite it being at the very end of the shoot, it’s an opening scene from the first episode, directed by Dan Minahan. Some spoilerish details follow:
One of the things Game of Thrones has done best is bring the epic scale of the world and the magical nature of some of its inhabitants to life with special effects, and it looks like the Visual Effects Society has recognized it, giving the show four awards at the 11th Annual VES Awards, more than any other television program.
It won four awards in the Broadcast category, including Best Visual Effects for their work in the episode “Valar Morghulis”, Outstanding Animated Character for the dragon training sequence, Outstanding Created Environment for Pyke, and Outstanding Compositing for the army of wights at the end of “Valar Morghulis”.
Many congratulations to the VFX studio, Pixomondo, who produced the vast majority of the special effects in season 2.
A new entry at the official Making Game of Thrones production blog provides some new information regarding filming in Iceland (which has been a topic featured both in a video blog and a new Bluray excerpt), as it reveals a bit about filming a scene among the wildling encampment where Jon is taken to meet actor Ian Whyte, who played Ser Gregor this past season (and a White Walker in both of the previous seasons):
It’s also a day when our friend Ian Whyte, who plays the White Walker, is back in a different role, one we haven’t seen before. He’s got some awfully big shoes to fill for this particular scene.
What do we think this means?
This, as they say, is the motherload: many, many stills of characters (both old and new) from the upcoming season of Game of Thrones, set to air on March 31st.
Some terrific images of Mance Rayder, the King-beyond-the-Wall, the red priest Thoros of Myr, the siblings Meera and Jojen Reed… and some hints as to which episodes many of these characters appearing in.
So, hurry along and check out our gallery and share your thoughts! We may go back and provide further comments to the images when we have a chance.
HBO’s official Game of Thrones Youtube channel has uploaded a brand new video, featuring writer and editor Bryan Cogman (recently interviewed here regarding season 3) about the process of turning the books into the series. Cogman’s work entails providing the notes and outlines of the books that help serve as the underpinnings of the upcoming season, and it’s interesting to see that process described somewhat. Also, the video features some glimpses of season 3 filming, including a brief scene featuring Dame Diana Rigg as Olenna Tyrell, as well as other new cast members such as Ciarán Hinds as the King-beyond-the-Wall Mance Rayder (lacking, alas, his black cloak sewn with red silk) and Clive Russell as Ser Brynden Tully, called the Blackfish.
Via George R.R. Martin and his “Not a Blog”, we learn that episode 7 of season 3 has been retitled. As we noted earlier in the week, it was called “Autumn Storms”, but it will now be titled “Chains”. It’s a title Martin says he likes rather more, noting it has literal and metaphorical meanings:
It was formerly “Autumn Storms,” which I never much liked… but the episode did have a lot of rain in it.
The rain went away. So did the title.
The episode is now “Chains.” I like that better. And it works on both a literal and metaphorical level.
As has started to become a tradition, HBO has sent out the list of the writers and directors for the upcoming season of Game of Thrones. Many of these we’ve been able to piece together over the previous months, but I believe this is the first time some of these have been confirmed. You can find them below. As is also tradition, no titles have been given, though we do know Martin’s episode (#7) has been titled “Autumn Storms”.
The Making Game of Thrones production blog posted a new video (the first in a promised series leading up to the season 3 premiere) a couple of days ago, focused on art direction. Some glimpses of actors both familiar and new, and new locations, from the third season. Check it out below:
A very interesting report has come by way of EW’s James Hibberd, revealing that while season 3 is still just 10 episodes—compared to the 12 episodes the other big HBO drama, Boardwalk Empire, gets—these episodes will often run 4-5 minutes longer than they did in the previous season, squeezing in just a bit more content per episode. If the season averages out to 57 minutes an episode, that would practically be equivalent to an 11 episode season at season 2’s run time.
And on top of that, it looks like the season finale is going to run 60 minutes, or perhaps even just beyond that, something that the executive producers Benioff and Weiss note requires special permission from HBO due to scheduling.
Here’s the relevant quotes:
And the short lists continue to roll out, as the Screen Actors Guild and the Hollywood Foreign Press offer up their nominees for next year’s awards. Following its first season, Game of Thrones picked up up two nominations each at the SAG Awards and the Golden Globes, but this time around, it looks like the second season just didn’t make much of an impression with the nominating bodies. For the SAG Awards, the show did manage to repeat its nomination for Best Stunt Ensemble (which it won last season), but missed out on repeating for Best Drama Ensemble.
As for the Globes, last year saw nominations in Best Drama and Best Supporting Actor for Peter Dinklage (which Dinklage went on to win), but this time the show drew no nominations. It’s shaping up to be a somewhat quieter awards season for the series, although the Emmys will doubtless bring a host of technical nominations, as it has in previous seasons.