Over at the official Making Game of Thrones production blog, Cat Taylor shares a scene from early in the fourth season filming, when the production put together some tests to simulate visual effects for the dragon flames that will be seen this season. Here’s an excerpt, right from the end:
As the dragons grow and start to test their power, their fire breathing will get stronger and more powerful. The Dragons are legend for a reason and this season we will get a hint of why. The final tally, 22 canisters and 400 litres of gas – all for just one day in Essos.
For more, visit the blog!
Filming in Iceland has commenced, as reported recently, and it looks like it’ll run for a couple of weeks. Of course, Iceland in the summer can look very different from Iceland in the winter… and it seems that the production is really using it to its advantage, because all signs point to it representing regions much nearer to King’s Landing than in the past. Reports of Maisie Williams and Gwendoline Christie both being spotted in Reykjavik have been confirmed, and it’s unlikely to be a coincidence (though that can’t be ruled out).
The last we saw of Arya, she was in the riverlands with Sandor Clegane, while Brienne of Tarth was last in King’s Landing…. but we’ve some speculations below (with spoilers):
As is starting to become a habit, the third season of Game of Thrones has been nominated in the “Outstanding Drama Series” category for this year’s Emmy’s. But it’s not the only award it’s been nominated for, with a total of seventeen nominations (one of them in a special class). Here’s the complete list this season:
James Hibberd gets another scoop for EW, revealing the full list of directors for the 4th season, and clarifying the writer situation. Per Hibberd, here’s the directors:
Episode 1: David Benioff & D.B. Weiss
Episodes 2, 3, 8, 10: Alex Graves
Episodes 4, 5: Michelle MacLaren
Episodes 6, 7: Alik Sakharov
Episodes 9: Neil Marshall
As to writers, it looks like this season Benioff and Weiss are writing seven of the episodes this season—just as they did in the first season—while GRRM gives his usual single episode contribution, and Bryan Cogman now providing two episodes (huzzah!)
We’ve taken a bit of a break after the rather exhausting season 3 of the series, but of course, the production never stands still: season 4 filming is soon to commence, roles have been cast, locations selected, and more. Below, you’ll find a quick round-up of some other Game of Thrones news over the last couple of weeks, for those curious as to what’s out there and what we know so far:
German matte painting artist Sven Sauer has shared an article from a German digital painting magazine that ended up having unprecedented access to Pixomondo, the international digital effects company responsible for the award-winning effects of the last two seasons of Game of Thrones. The article focuses on matte paintings, and features quite a few impressive images and details regarding the scope of the use of matte paintings on the show (there’s more than you might realize). Well-worth taking a look at.
The article also includes a video Pixomondo produced featuring some of its effects work on the series, which we’ve embedded below.
Subject says it all! This is earlier than I expected—after the initial first season of a show, it often seems like HBO prefers to wait out renewal news—but it’s pretty much exactly what I expected: a full on renewal for season 4.
Read the press release below:
David Peterson, creator of the Dothraki language, has written an article for CNN revealing that the producers of Game of Thrones hired him to create two dialects of Valyrian, the ancient language of Valyria: High Valyrian and Low Valyrian. Though it’s light on specific details, it gives a great sense of the process of differentiating one version from another.
Having watched the first four episodes, we can say categorically that Peterson’s done a fantastic job. It sounds quite remarkable in the mouths of the actors who speak it at length.
EW, with its bevy of exclusive interviews now being posted, has gone the extra mile: it latest issue is a Game of Thrones extravaganza, starting right with its cover featuring Kit Harington and Emilia Clarke in costume as Jon Snow and Daenerys Targaryen.
EW has more information about what to expect… including a nice, spoilerish synopsis of some season highlights:
While the traveling exhibit is just about to open in Toronto (with special guest Rose Leslie, aka Ygritte), fans who won’t be able to make it to the locations can still get a taste of what you might see there thanks to the wonders of the internet.
Over at the official Making Game of Thrones production blog, propmaster Gordon Fitzgerald provides some great insight into the process of making props for the show, which certainly has some of the best production values in television (and, I have to say, one of the best crews in television):
And then, via Cat Taylor, we learn that concept artist Will Simpson now has a Facebook fan page where he’s sharing some of the art he has created for the show. Never seen his gift to GRRM before!
James Hibberd at EW has another scoop regarding season 3 of Game of Thrones. Just as with last year’s reveal that The National performed “The Rains of Castamere” for the show, indie rock band The Hold Steady are performing a rendition of—get this—“The Bear and the Maiden Fair”, a very popular bit of song in Westeros.
Hibberd quotes the producers:
So, that will be rather interesting to hear. I’m guessing it’ll be included on the official soundtrack for season 3, as well… and may well be released as a single before hand.
Been a busy week for us here at Westeros.org, with a trip taking me out of commission for a couple of days… but I did pick up some interesting information along the way. And now that it’s out, we may as well share it as well: titles for most of the episodes for season 3.
We’ll be adding these to our Episode guide once we dig our way out from under mail and screencapping and manuscripts everything else we’re up to at the moment!
The official Making Game of Thrones production blog has a post detailing the ending of season 3 filming late last year in Iceland. The environment they were in sounds rather amazing:
“We are filming by special permission at the power station in Krafla, high on the top of a mountain with steam plumes from a geothermal spa nearby twisting into the sky. Every so often a waft of the sulphurous waters blows by. It’s not really a welcome visit.”
As to what they were filming? Despite it being at the very end of the shoot, it’s an opening scene from the first episode, directed by Dan Minahan. Some spoilerish details follow:
One of the things Game of Thrones has done best is bring the epic scale of the world and the magical nature of some of its inhabitants to life with special effects, and it looks like the Visual Effects Society has recognized it, giving the show four awards at the 11th Annual VES Awards, more than any other television program.
It won four awards in the Broadcast category, including Best Visual Effects for their work in the episode “Valar Morghulis”, Outstanding Animated Character for the dragon training sequence, Outstanding Created Environment for Pyke, and Outstanding Compositing for the army of wights at the end of “Valar Morghulis”.
Many congratulations to the VFX studio, Pixomondo, who produced the vast majority of the special effects in season 2.
A new entry at the official Making Game of Thrones production blog provides some new information regarding filming in Iceland (which has been a topic featured both in a video blog and a new Bluray excerpt), as it reveals a bit about filming a scene among the wildling encampment where Jon is taken to meet actor Ian Whyte, who played Ser Gregor this past season (and a White Walker in both of the previous seasons):
It’s also a day when our friend Ian Whyte, who plays the White Walker, is back in a different role, one we haven’t seen before. He’s got some awfully big shoes to fill for this particular scene.
What do we think this means?