Game of Thrones is a site for the HBO-series based on George R.R. Martin's A Song of Ice and Fire.
New to the series? Read our spoiler-free review of A Game of Thrones.
Set decorator Richard Roberts provides a look into a particular sort of cuisine: prop cuisine, sometimes real food, often not. This new video at Making Game of Thrones is particularly rich in visual details, featuring images from the feasting tent at the tourney grounds outside King’s Landing, the Red Keep, Winterfell, and Castle Black. Having had a chance to visit the Castle Black set two weeks past, I have to say these shots of the mess hall and the courtyard outside capture spot-on the flavor of the locale. Particularly noteworthy for us is the description of King’s Landing as being towards a Mediterranean climate and cuisine, which while not strictly in keeping with the novels is certainly not very far off the mark. We’ll just imagine that couscous dish is a Dornish speciality that someone at court has a liking for (paging Ser Aron Santagar…)
For those interested in a look at food as described in the novels, check out this section of our Concordance, a project of ours that attempts to catalog every factual thematic detail revealed in the published books and stories so far.
There’s a couple of Game of Thrones relevant articles out of the U.K. press this morning that may be of interest. The first, reported at 4ni, covers a set visitmade by Northern Ireland’s First Minister and Deputy First Minister. Naturally, it refers to the economic value of having the production in Northern Ireland, but adds the detail that the production could be present for as long as a decade if it’s a success (this is probably drawn from GRRM’s remarks to UTV, and so were just off the cuff). Some of the other details—such as the reference to a move to Malta “soon”—are erroneous.
Besides that, the Essex Echo has an article about muscian Wilko Johnson, who was cast in the role of Ser Ilyn Payne, the King’s Justice. The article states:
Thanks to ninepennyking for the pointers.
Here’s a different sort of Malta report from Ty Franck, George R.R. Martin’s assistant. In it he discusses the things in his life that are, from his perspective, quite surreal in part due to his association with GRRM, including his trip to Malta. Drinking and having lunch with actors, discussing Converse shoes with an award-winning costumer (Michele Clapton), looking at hundreds of years old plate armor, and the following which he describes as the most surreal thing he experienced while there:
Franck’s debut novel, Leviathan Wakes (co-written with Daniel Abraham, under the shared pen name of James S.A. Corey) is due to be published in June of next year.
HBO’s Making Game of Thrones website has been updated with a few choice quotes from the set, provided by Bryan Cogman. Among them is a new phrase in Dothraki (without a translation) and some corpse feng shui. Only on a set!
Stuart Levine at Variety interview HBO’s co-president Richard Plepler and programming president Michael Lombardo (who’s been a good source for Game of Thrones information) about their programming plans. Much of it deals with the challenges of programming when they have so many high-quality original series, mini-series, and documentaries, and having to turn away interesting, high-quality projects because they simply don’t have the room in their schedule.
They do discuss Game of Thrones to some degree towards the end of the interview, where they confirm it will air in the 2nd quarter. Here’s a few quotes:
RP: I would just say this: While it is a different genre, the storytelling piece, meaning the themes that it takes up—power and strife and people vying for their piece of the crown, metaphorically—those are themes that have been all over the network for years. And David Benioff, who’s the creator, had a wonderful line at the very beginning of this project. He said, “You’ll quickly forget where you are, because the themes are universal.” Having read all the scripts, I think that’s absolutely true.
ML: At this point, we have not seen any cuts. All we have seen are dailies.
RP: And the pilot. It’s beautiful.
And sci-fi fans and fantasy who have been very satisfied with “True Blood” are probably willing to give you the benefit of the doubt.
ML: You know the interesting thing about this show is I am not a sci-fi fan, and this show really transcends the genre. When we first read the pilot script, there is nothing that really gives you a full hint of the magic in the Martin books. It’s a bunch of compelling and well-crafted stories. There are such interesting and complex characters that we were excited by the drama, not by the genre. I hope people don’t look at this as a genre play and refrain from taking a look at it, because I think it is much more than that.
RP: I think it’ll satisfy the passion of its natural fan base, but also intrigue and satisfy those people who might not typically be connected to the sci-fi genre. That would be fantastic for us, and I think that’s really likely.
Three new pieces of casting have been confirmed by HBO. First up, they have confirmed that Brian Fortune has been cast as “Night’s Watch Officer”, but that his role will basically fill that of the First Steward, Bowen Marsh, from the novel. Fortune has an official site here, and a showreel .wmv file here.
Besides this, the roles George had hinted at as being near to being announced—the wildling Stiv and Ser Kevan Lannister—are now filled. Stiv is played by Stephen Don, a Northern Irish actor. As to Ser Kevan, the younger brother and right-hand man to Lord Tywin, he’s played by Ian Gelder, who U.K. viewers may recognize from a number of genre TV show roles such as Torchwood and Robin Hood.
Here’s Gelder in a tribute video to his notable turn as Mr. Dekker in Torchwood: Children of the Earth:
ETA: Oh, and missed one, Hugo Culverhouse is cast as a stableboy. One with a brief, but rather final, scene.
Just have word in from HBO that the focus groups, which were scheduled to assemble next week, is now postponed. Everyone who has been scheduled to participate will be on the top of the list to be contacted to see if they’re available on the new date. So, if you’ve been selected, hang tight and wait to hear back from the market research group.
This is a detour from my set visit reports. You can get to the last segment before this by going here to Part 3.
I had made grand plans to go out for dinner at a well-reviewed restaurant after getting back from Magheramorne ... but after witnessing the traffic and realizing just how much I wanted to share with Linda (including uploading some photos for Linda to oogle over), I grabbed a quick bite at the Subway near my hotel instead. A couple of hours later, refreshed and ready, I took the short walk to Robinsons Bar where the Brotherhood without Banners had taken over the basement bar, dubbed BT1 (after the street code for the City Centre). Outside, I saw HBO’s representative with a reporter and cameraman from UTV who were waiting for George. A slight miscommunication led to a little delay prior to his arrival, and I soon joined Parris and some of the other BwB members to collect decorations and prizes for the charity raffle which the BwB was holding.
We got things set up just in time for George’s arrival, with many cheers and applause from the crowd. There were many extras present, many fans, and one very noticeable actor: Kristian Nairn, who plays Hodor. I ended up meeting some of the fellow GoT-watching fans, who were all very hospitable and pleasant! Among them was Joe Campo, an American actor/filmmaker and Belfast resident who’s made a quest of getting cast on the show, and it sounded to be like he was getting closer thanks to advice from GRRM. At some point in the evening, a number of actors started to arrive, and after this point I sort of start to get fuzzy on the conversations I had and their order. So what I’m going to do is just try to run through the actors I spoke to, and my impressions of them, as well as anything interesting regarding the production they mentioned. This will be in very rough order:
Continued from Part 2.
Before we headed off to Paint Hall, though, we dropped by Fire and Blood production office. There, I finally got to meet Bryan Cogman, script editor for the series and right-hand man to the executive producers, David Benioff and D.B. Weiss. I’ve sort of seen him as a kindred spirit, as he’s basically of keeper of the lore of the setting for the production, and is responsible for envisioning many of the little details that show up in the nooks and crannies (like a certain hefty book with a rather dry text). Bryan was very warm and welcoming, and didn’t seem to notice that I was looking past his desk at the concept art on his wall featuring things such as designs for Winterfell as well as a part of a storyboard of a very important scene (Bryan would later tell me that in many cases these were very early concepts and were no longer what was envisioned, but he kept them around because he liked how they looked).
George R.R. Martin has a “Not a Blog” post discussing the filming in Malta. It is a bit spoilerish for those who’ve not read the first book! He discusses where he’s watched filming set in King’s Landing involving Maisie Williams’s Arya Stark, as well as a scene featuring Emilia Clarke as Daenerys Targaryen “at the edge of the Dothraki sea”.
Not all has gone well. GRRM confirms reports we’ve had that a unexpected, massive rainstorm washed away a Dothraki encampment set. Also, a little tongue-in-cheek, he claims two actors have taken a “dislike” to one another and one was left bloodied after a fight ... which we’re guessing may be a reference to a fight scene mishap rather than any genuine hard feelings (we hope!)
Recently, reports in the Maltese press have been concerned with possible environmental damage caused by the production of HBO’s Game of Thrones at a protected site in Dwerja, which is where the famous Azure Window can be found and where a major Dothraki scene has been filmed (as previously reported). The location has certain fossil beds which were to be carefully protected by the use of tarps on which sand was poured, and that sand was then to be removed by manual equipment (spades and brooms). However, recent heavy rains hardened the sand and led a sub-contractor to bring in heavy equipment to remove it, which was contrary to the permit and could potentially damage the site.
When Fire & Blood Productions learned of this, they immediately called a halt to the use of heavy equipment. They have since issued an apology for the error, taking full responsibility for the sub-contractor’s error, and they intend to rectify matters. They also emphasize their “positive experience of filming in Malta” and their intention to continue to adhere to all the requirements placed on them for the benefit of the cultural and natural heritage of Malta.
Via the Rabbit, there’s a list out there of some of the sites where filming for HBO’s Game of Thrones will have taken place in Malta. We’ve already previously reported on the Azure Window location, which is also known as Dwerja.
Besides this, other sites include the medieval town of Mdina, Fort Ricasoli (which we’re told has a famous gate which has been used for the entrance into the Red Keep, or possibly into Maegor’s Holdfast), Fort Saint Elmo, the San Anton Palace and Gardens, the Verdala Palace, Fort Saint Angelo in Birgu (as an aside, this was also the location of a significant part of Dorothy Dunnet’s third novel in the Lymond series of historical novels, Disorderly Knights; we heartily recommend this series to fans of A Song of Ice and Fire), Fort Manoel, and the medieval walled city of Cittadella on Gozo in the Maltese archipelago,
Continuing my Belfast trip report. Here’s Part 1.
At breakfast, we met none other than Isaac Hempstead-Wright, the younger actor playing Bran Stark. It seemed he had just wrapped filming at Castle Ward and was to head back home, though his mother, Helen—who was absolutely lovely to speak with—said she thought he had two or three scenes left to do for the series. Isaac was incredibly sweet and polite, making a point of getting my name exactly right and using it. They left us to get ready to go, and not long after Parris departed to layer up for the Paint Hall and Magheramorne visits. George and I discussed the world book (during which I learned something about one of the characters who’ll appear in the three Dornish chapters he’s moved to The Winds of Winter) for a few more minutes before moving on ourselves, and I went downstairs to wait for them and our transportation. Fortunately, Isaac and his mother were also in the lobby, waiting for their pick-up, and I had a great conversation with them.
I was off in Belfast when this report came in from a Russian fan who happened to be in Malta when filming of Dothraki scenes were taking place. 7kingdoms.ru shares the report, with Westeros.ru providing Westeros.ru the English translation. It’s a terrific piece of reporting as they paid close attention to some of the details we’re all eager to know about, such as weapons and clothing. Regarding their description of the arakh, I believe we’ve glimpsed one previously.
Funnily enough, Linda sent me a text message about this report while I was visiting with Bryan Cogman, and I told him about it. He confirmed that they had been filming the wedding scene around that time, though on that particular day (Thursday) they had moved on to something else.
One last detail I should note is I have a separate report in from someone who was at the Azure Window who confirmed that they were, indeed, shooting right down by the shore.
I had originally planned to write this rather backwards, starting with the Moot and then going back, but as I sat down to write all of this, it just seemed easier to start from the beginning. I hope to get parts out every few days, depending on whether I need to run it by HBO to make sure any details I post are okay to share or not. But this first post is, I think, unobjectionable since it covers the time from my arrival in Belfast to my time prior to reaching Paint Hall.
The Westeros network consists of several different sites, including a forum and a wiki, for all your A Song of Ice and Fire needs.