The Hollywood Reporter has reported that SyFy, the SF/F genre television specialist which has had a rather colorful repetoire of original programming over the years (B-movies such as Sharknado, paranormal “reality” series such as Ghost Hunters, dramas such as Battlestar Galactica and The Magicians), has moved to adapt George R.R. Martin’s award-winning horror-tinged science fiction novella, “Nightflyers”, into a television series.
Martin’s overall development deal with HBO means that he will not be involved in developing or producing the series. Instead, Jeff Buhler (writer for the remake of Jacob’s Ladder currently in post-production) will write the initial script and act as executive producer. Buhler will be joined by a number of others noted in the article from THR, including Robert Jaffe—who wrote the adaption for the 1987 film based on GRRM’s novella—as a producer.
George R.R. Martin has provided new information on an anthology slated for October, Book of Swords, which will contain a never-before-published piece of “fake history” that was originally created for The World of ICe and Fire. We reported on it last week, but waited on reporting more as we knew GRRM was going to provide more information at his “Not a Blog”. Of particular interest to ASoIaF fans are the following:
George R.R. Martin’s friend and regular editorial collaborator, Gardner Dozois, has been working away at an anthology titled Book of Swords since 2015, inviting a host of authors to contribute. One of the invited authors, Matthew Hughes, posted a list of some of the authors that were then on board. The list included Ken Liu (whose contribution, “The Hidden Girl”, was optioned for film last year), Ellen Kushner, Scott Lynch, Robin Hobb, Daniel Abraham, K.J. Parker, Garth Nix, C.J Cherryh, Elizabeth Bear, and Cecelia Holland.
Hughes suggested there’d probably be some other significant authors, and as fans have now discovered, one of those names is George R.R. Martin himself. We don’t have a table of contents to share as of yet, but we’ll say that there’s a great deal of speculation among fans related to The World of Ice and Fire and Dunk & Egg.
We’ll see if we can’t shake that table of contents loose.
An official website for the Wild Cards superhero shared-world novels, whose origins lay way back in 1983 with a roleplaying game campaign that George R.R. Martin devised, has now been launched.
Of note are a number of initial blog posts from Martin and other members of the Wild Cards Consortium discussing various aspects of the shared world, from its inception and on down to recent days. It’s a good looking site, featuring a cover gallery, interviews, videos (including a 1988 recording of a Worldcon Wild Cards panel!), sample stories, and more.
The latest entry in the series is High Stakes, which was published this August.
Over at “Not a Blog”, George R.R. Martin has some exciting news for fans of the Wild Cards series: Universal Cable Productions (the studio behind shows like Mr. Robot, The Magicians, Battlestar Galactica, and more) has acquired the rights to adapting the series to television. Development work begins immediately, with Melinda M. Snodgrass (an originator of the Wild Cards series, and GRRM’s right-hand so to speak) attached to executive produce alongside Gregory Noveck.
Interestingly, GRRM notes that due to his development deal with HBO, he will not be working on the series.Of course, he cautions that as with all things, development is never certain to produce a series. Finally, Martin notes that he’s pretty sure that no matter when the series takes place, if it goes forward Croyd Crenson (“The Sleeper”, a beloved character created by the late, great Roger Zelazny) will almost certainly make an appearance.
Finally, it seems that there’s some fluidity in what the potential series will draw on from the many, many novels spanning decades. Martin asks fans to share their thoughts of which characters they’d like to see on the screen in the comments section of his post.
Over at his “Not a Blog”, George R.R. Martin has reminded fans that his official website, georgerrmartin.com, is alive and kicking… and if it hasn’t been as updated as it could be, well, he’s been busy. That said, there’s a significant update today as George shares two new sample chapters. The first excerpt is from the 23rd Wild Cards novel, High Stakes. The excerpt comes from Ian Tregillis, who wrote the excellent Bitter Seeds (a dark take on superheroes during WWII) and whose latest book The Mechanical has received rave reviews as the start of a new trilogy in a world where alchemy works and where automatons are nearly human.
The other excerpt, of course, is a chapter from The Winds of Winter. It’s one he’s read before, so there have been scattered reports, but he’s never posted it directly to his website. Here’s how George describes its contents:
“You want to know what the Sand Snakes, Prince Doran, Areo Hotah, Ellaria Sand, Darkstar, and the rest will be up to in WINDS OF WINTER? Quite a lot, actually. The sample will give you a taste. For the rest, you will need to wait.”
(Coincidentally, Linda and I have returned to doing A Song of Ice and Fire videos between episodes of Game of Thrones, and we just happened to have made our first video a question of the political situation in Dorne in the novels, including information from the two relevant chapters from The Winds of Winter that George released. We’ll embed that video below. Specific discussion relevant to The Winds of Winter, and this excerpt, starts at the 32 minute mark)
Here’s a pleasant surprise: the Spanish translation of our The World of Ice and Fire, El mundo de Hielo y Fuego (published by one of the very best SF/F publishers in Spain, Gigamesh), has been nominated for the Ignotus Award! The full list of the nominees can be found here; amazing to see our names on a list that includes the great John Clute.
The premiere Spanish SF/F award, the Ignotus winners are announced at the annual Hispacon Spanish national convention… which, this year, also happens to be this year’s Eurocon.
As it happens, Linda and I are likely to go, because we adored our visit to Barcelona last year, but knowing we’ll be in attendance as nominees is kind of remarkable.
Many thanks to everyone involved in making this book happen, both in the U.S. and in Spain (especially the team of translators with the thankless task of getting such a massive tome translated, and the inestimable Corominas for his striking covers!)
(Thanks to Spanish fan blog el Caballero de la Arbol Sonriente for the tip about the nominations!)
We’d be remiss not to note that the popularity of the Wild Cards series of superhero stories has continued unabated, so much so that Random House Audio has signed on to continue the release of audio books of the original series of shared-world anthologies that started it all. As reported by George R.R. Martin at his “Not a Blog”, Random House started with the third volume, Jokers Wild, after the first two volumes had been released earlier by Brilliance Audio.
Random House’s first entry features a pretty noteworthy cast of readers: Pam Grier (Jackie Brown, Smallville, Felicia Day (Buffy the Vampire Slayer, The Guild), and Ron Donachie (Game of Thrones) are among the contributors.
More recently, George has noted that Aces Abroad —the fourth volume in the series, expanded with two newer stories—has just finished recording, and it has an even larger cast including Selma Blair (Hellboy), Adrian Paul (Highlander), and Armin Shimmerman (Buffy the Vampire Slayer, Star Trek: Deep Space 9). Shimmerman will be reading the parts of the joker Xavier Desmond, and as it happens Aces Abroad is best known for George’s interstitial “From the Journal of Xavier Desmond”. This should be quite good! Next to get the audio treatment will be the fifth book, Down & Dirty.
In related news, GRRM has shared that the latest book in the new Wild Cards series, High Stakes, will be published in hardcover by Tor on August 23rd. George has also pointed to the latest Humble Book Bundle for fans interested in getting two of the more difficult to acquire Wild Cards novels, Deuces Down and Death Draws Five, as well as other works by the likes of the great SF writers Alfred Bester (a personal favorite of mine), Arthur C. Clarke, Isaac Asimov, and Roger Zelazny. The Humble Bundle uses a “pay what you want” model, though certain levels are required to get certain works. Best of all, those who pay can decide how to divide up their contribution between the publisher, the Humble Bundle group, and a selection of three worthy charities.
Subterranean Press, one of the premiere small publishers in the SF/F world, has been noted for their handsome limited editions of George R.R. Martin’s works—not just A Song of Ice and Fire, but also books such as Dying of the Light and Fevre Dream—has stepped once more into the breach by producing a limited edition of A Knight of the Seven Kingdoms. Featuring Gary Gianni’s gorgeous artwork from the wide release—but augmented by new end-papers, richer paper and binding, and eight of the interior illustrations presented in color (as shown here)—the lettered edition sold out immediately (doubtless fueled in part by the fact that the books would be custom bound, a first for Subterranean), while the limited edition of 750—priced at $295—is still available.
For the die-hard fans of GRRM, the Dunk and Egg novellas, or Gary Gianni’s work, this seems like a genuine must-have!
As revealed by George R.R. Martin at his “Not a Blog” site, his award-winning novella “The Skin Trade” has been optioned by Cinemax—sister company of HBO—and a pilot script is being written by writer and producer Kalinda Vazquez. Vazquez’s experience includes working as a staff writer on Prison Break, and as a producer on shows such as Nikita and Once Upon a Time. “The Skin Trade” is a well-regarded horror novella by Martin, featuring a cowardly werewolf and a no-nonsense detective who are drawn into a supernatural investigation. As Martin remarks, there always seemed to be potential for a TV series in the basic concept, and he notes that the creation of his Doorways pilot was an unexpected result of his pitching “The Skin Trade” as a TV show back when he was a screenwriter for television.
Also noteworthy is the fact that this deal with Cinemax is cited as being partly due to the efforts of Mike the Pike Producttions, who optioned the novella almost six years ago. Sometimes it’s a very long road forward for literary properties. As GRRM indicates, it’s no certainty that it will go into production at this time, but it’s a big step forward.
While we were away to Archipelacon, the 2015 Locus Award winners were announced in Seattle. Our many congratulations to George R.R. Martin and Gardner Dozois for Rogues taking Best Anthology, and to Joe Abercrombie whose story in that same anthology, “Tough Times All Over”, won Best Novellette. And of course a tip of the hat to the great John Picacio who won Best Artist—very well-deserved!
A pleasant surprise here, as podcast Starship Sofa proudly reveals that its 389th episode features “The Men of Greywater Station”, a science fiction novelette by George R.R. Martin and Howard Waldrop. As host Tony C. Smith notes, the novelette has never appeared on-line before, so it’s quite the coup for the Hugo Award-winning podcast.
And yes, it’s no coincidence that “Greywater” appears in the title. GRRM is well-known for certain words, phrases, and names cropping up in a multitude in his works.
George R.R. Martin revealed on his Not a Blog that he had decided to go and update his book samples pages at his official site with a new The World of Ice and Fire sample… but it’s not quite a sample from the book: “The Westerlands” is in fact George’s original write up of Westerlands history, one of a number of such write-ups he did as his contribution for the book. Due to size constraints, Linda and I then worked with our editor Anne Groell to compress it down to fit the book.
Now, one note of caution: this is an unedited, unpublished text. In fact, purusing it, it’s a very close match for the original text George sent, before we turned it around with some comments pointing out some continuity issues. George is aware of them and will doubtless incorporate them in the future if he decides to publish it, but in any case there are differences between the two texts because we incorporated those necessary changes and fixes into TWoIaF. Some have asked us if we can at least consider all details not contradicting the books and TWoIaF as “canon”, but I’d again underline the fact that this isn’t really a published text. Until it’s in a fixed format—as in, published in a book or an anthology—it’s not canonical, as all unpublished details are entirely subject to change at George’s whim. I’d guess very little of it will change if George did decide to publish it, beyond those things already fixed for The World of Ice and Fire, but that’s where it stands.
In any case, go read it!
While a collection of the book has been published in translation in a few countries, this will be the first English-language collection of the three Dunk & Egg novellas—“The Hedge Knight”, “The Sworn Sword”, and “The Mystery Knight”—which are set approximately 90 years prior to the A Song of Ice and Fire series. Also, unlike the foreign editions that came out in recent months, this edition will feature a bevy of interior illustrations by award-winning artist Gary Gianni, perhaps best known for his work in illustrating the stories of Robert E. Howard. This is not Gianni’s first foray into the Seven Kingdoms—he previously illustrated the 2014 A Song of Ice and Fire Calendar (preview).
According to Variety, it looks like more George R.R. Martin work is going to hit the silver screen. According to the report, In the Lost Lands will go into production in the fourth quarter of this year and may potentially star Milla Jovovich, who is said to be in talks. The film’s story appears to be based on three of Martin’s short stories: the eponymous “In the Lost Lands”, featuring a sorceress called Gray Alys (the role Jovovich will prospectively play); “The Lonely Songs of Laren Dorr” (available online at Fantasy Magazine); and a personal favorite of mine, “Bitterblooms”, one of a number of GRRM’s stories inspired by songs (in this case, Leonard Cohen’s “Suzanne”).
All three share certain themes—there’s a deep sense of melancholy in all three, and love and betrayal runs through them all—but are otherwise unconnected, so it does raise the question as to whether the film will rework them as being part of a single narrative (which seems to be what’s implied), or whether it will instead be more of an anthology film with some sort of bridging material connecting them together. Some details can be found at Constantine Werner’s page for Rusalka Films, including some character designs and “concept designs” (actually more like design inspirations).