Westeros

We’ve been in the midst of a vacation over here a Westeros, but George R.R. Martin has been keeping busy! A recent Not a Blog post goes into some length about the state of the highly-anticipated The Winds of Winter, a post which seems to have been prompted after a recent round of interviews (including this excellent interview by the team at Game of Owns). It’s the lengthiest update he’s given on the book in some years, and is well worth reading closely. And while he’s at it, George reveals how the story has been slowly moving further and further away from what he envisioned years earlier, even as late as when he met with the showrunners of Game of Thrones to discuss his plans.

Random House has revealed their publishing plans for the summer, and fans have noticed that July seems particularly stacked with House of the Dragon tie-ins using Fire and Blood as the focal material.

First, Random House revealed that on July 12th they will publish tie-in editions of Fire and Blood that will feature a cover using photography from House of the Dragon. Second, Random House announced that the 2023 A Song of Ice and Fire Calendar, to release on July 19, will be based entirely on Fire and Blood. And, in a departure from the previous calendars, this will feature an array of artists rather than just one. No word yet as to who has contributed.

Fans may notice these July dates, and speculation has run that the dating relates to the as-yet-unannounced premiere of House of the Dragon.

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After years of hints, August saw the official announcement by George R.R. Martin that a short film based on “The Night of the Cooters”, written by long-time friend (and one of the funniest writers in the genre) Howard Waldrop, was in production. Now, the result of that adaptation can be glimpsed for the first time in this teaser:

With a screenplay by award-winning author Joe Lansdale, Night of the Cooters stars and is directed by Vincent D’Onofrio, who fans of Netflix’s Daredevil may have very recently glimpsed on the new Disney+ show Hawkeye. Notably, the teaser’s description on Youtube also reveals that Ramin Djawadi of Game of Thrones and Westworld fame composed the music for the film.

As viewers can see, the short film is executed in a merging of live-action and animation, dubbed “Trioscope” by the inventors of the process, Trioscope Studios who made the four-episode WWII drama The Liberator for Netflix.

A new book released today, James Andrew Miller’s Tinderbox: HBO’s Ruthless Pursuit of New Frontiers, is a massive 1,000 page tome that looks at the rise of HBO as the destination for prestige television from the past and all the way to the present. In the course of it, of course, the book can’t but help touch on Game of Thrones. While it covers ground already revealed in past interviews and books (such as James Hibberd’s Fire Cannot Kill a Dragon), there’s a few new details… particularly from a voice fans have not heard before, George R.R. Martin’s long-time entertainment agent, Paul Haas, concerning the final season and its relation to GRRM’s plans for A Song of Ice and Fire.

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George R.R. Martin in the Eyrie on the set of Game of Thrones.

Today marks the 73rd birthday of one George Raymond Richard Martin, known and beloved as George R. R. Martin, or GRRM for short. George has posted a brief remark on this happy occasion at “Not a Blog”, quoting from T. S. Eliot’s “The Love Song of J. Alfred Prufrock”.

A spate of reports concerning the FromSoftware’s forthcoming RPG Elden Ring, as the developers have provided game journalists access to previews of the game and interviews with the developers. The game, from a developer already extremely famous for its Dark Souls series, added George R. R. Martin to its creative team when the game first entered development. Now, in an interview transcribed at The Verge, Yasuhiro Kitao from FromSoft reveals that GRRM’s participation was very early on and quite particular.

A newly-released screenshot from Elden Ring.

Back in February, we connected some dots following our stumbling across Vince Gerardis’s Startling Inc. site listing a number of titles that he had in production and development. Among the items there was a note: “Dark Winds at AMC”. We speculated that this was based on Tony Hillerman’s crime novels and that GRRM was involved due to a post he made back in June 2018.

This is now all confirmed thanks to James Hibberd at The Hollywood Reporter:

There’s also a statement from GRRM that Hibberd reports, indicating that Chris Eyre (who directed the accoladed film Smoke Signals) and Robert Redford(!) reached out to ask him to become involved and help bring Hillerman’s Leaphorn & Chee series to television.

Zach McClarnon as Hanzee Dent in the 2nd season of Fargo

Well, more correctly, it sounds like something from A Song of Ice and Fire is coming to Broadway, as HBO is not formally involved in any way (but has the option to invest)...

You may remember this post from a month ago, where we stumbled across Vince Gerardis’s website for Startling Inc., which listed a project called “A Song of Ice and Fire with The Works” as being in development. Interestingly, we checked a couple of days ago, and that reference was gone. But the project was not, in fact, dead. It is, in fact, very much alive. Producers Simon Painter and Tim Lawson (of, ahem, The Works Entertainment; although, notably, The Works is not named in the piece, while Kilburn Live is… so perhaps this is a project they’re doing separately from their company?) are working from a story provided by George R.R. Martin to write a spectacular stage play—targetting, New York’s Broadway, London’s West End, and Australia—concerning the events at the Tourney at Harrenhal.

As reported by The Hollywood Reporter, George R.R. Martin has renewed his overall deal with HBO, this time for a reported “mid-eight figure” contract that spans five years. An overall deal is one in which any new ideas or pitches a creator generates will belong to the studio. George first signed an overall deal with HBO back in 2013, which was then renewed in 2016. The article proceeds to run through the five projects in various stages of development, as well as House of the Dragon which begins filming next month if all goes to plan. We did like the speculation on the animated project:

It’s one of those days again, it seems. Shortly after we shared news on the status of the Wild Cards TV adaptation, George R.R. Martin posted his own update. The first was an item we had forgotten to post an update about, namely that just after we revealed that Sandkings was in development at Netflix, by sheer coincidence Collider had learned in an interview that director Gore Verbinski (Rango, Pirates of the Caribbean) was set to direct it, with screenwriter Dennis Kelly (Utopia) writing the script for the high-budget film adaptation of the famous, award-winning science fiction horror story.

George goes on to fill in some details on some other projects, some of which touch on things we recently revealed.

Screenshot from the 1995 Outer Limits adaptation of “Sandkings”. The “castle” features the face of Dr. Simon Kress, played by Beau Bridges in the episode.

Is A Song of Ice and Fire in development at someone not named HBO? Strangely, that may be the case from something we uncovered following yesterday’s post on some recent development updates.

This led us to some digging and and we discovered that Vince Gerardis’s new company Startling Inc. has an official website with a long, long list of various literary works that are in development at various studios, networks, and production companies. As an science fiction and fantasy fan, a lot of the titles are familiar—works by Robert Silverberg, David Eddings, Kim Stanley Robinsion, Larry Niven, Greg Bear, and more are all represented. But Three of these are of special interest to fans of George R.R. Martin: Wild Cards, Sandkings, and something titled A Song of Ice and Fire without HBO explicitly linked to it.

A fan-made ASoIaF logo from artist Ertaç Altınöz

UPDATE on March 4, 2021: George R.R. Martin has posted about the development of In the Lost Lands.

“Some recent piece of development news regarding George R.R. Martin has slipped out the last couple of days. First, GRRM and Kalinda Vazquez are set to develop Roger Zelazny’s novel Roadmark for HBO. A science fiction/fantasy blend, the basic concept is of a mysterious, endless road that travereses time, space, and alternate realities that travelers can use to explore and even try to change the past, present, and future.

Martin has posted about it at his “Not a Blog”, noting that it was one of five pitches he made to HBO as part of his overall development deal with them, all of them based on notable works of science fiction and fantasy that he believed could work well adapted. Vince Gerardis, who helped package Game of Thrones, will also have a co-executive credit.

In a brief post at “Not a Blog”, George R.R. Martin shares some thoughts on the previous year. A dark time, as he notes, with the global pandemic, and the loss of a number of friends such as Susan Ellison, Kay McCauley, Ben Bova, and Phyllis Eisenstein, while other friends are in poor health. Still, he is hopeful for the future, especially as one of the more positive developments last year was the best writing streak he’s ever had on The Winds of Winter.

In his own words:

We’ve reported previously that James Hibberd will be publishing an in-depth oral history of Game of Thrones—filled with new interviews and never-before-heard anecdotes from behind the scenes—titled Fire Cannot Kill a Dragon. Over at EW, a lengthy excerpt has been posted sharing a wide-array of comments from producers (Benioff and Weiss first and foremost, as well as Bryan Cogman), actors (Nikolaj Coster-Waldau, Lena Headey, Jason Momoa, Mark Addy, Iain Glen), and executives (most notable Michael Lombardo and Richard Plepler) concerning the original pilot which was heavily reshot by Tim van Patten, including recasting of several key roles. There’s some decidedly new details just in this short excerpt, which bodes well for the rest of the book’s insights. Below are a couple of quotes from GRRM himself that are interesting.

George R.R. Martin has posted a new entry to his Not a Blog, titled “Back in Westeros”, which discusses the self-imposed isolation he’s been in for much of the year. In a mountain cabin somewhere in the mountains of New Mexico, George has been making progress on The Winds of Winter, and reflects on how the periods in his career where he’s been the most isolated have also been among his most productive.

Towards the end, he gets a little more specific about what he has been working on lately in terms of point of view characters, and one of the one he names is a bit of new information as their presence as a POV had not been confirmed until now.

(No, this is not actually his cabin!)