Hello everyone. My name is James--I was at AussieCon, and as a part of my write up for Dragonmount I included reports on the HBO panel with George, a transcript of his reading of the prologue, my recount of the BWB party and what I remembered from the coffee talk with him (basically nine of us at a table with him for an hour talking). I thought I'd share those with you--hope you enjoy.
I'm not gonna put the transcript up straight away because I'm not sure how you guys handle spoiler stuff like that. Can someone post and let me know?
HBO panel at AussieCon
We also did make it to pretty much every panel with George R. R. Martin on it. Friday’s one was about the HBO series, which was hysterical because George wasn’t allowed to actually say anything about it. He wanted to show us a trailer, promo pictures, behind the scenes stuff and at each point HBO was like "oh no, you can’t show that! It will ruin everything!" right up to and including his own personal pictures taken in morocco. So it was a very strange panel—one where he couldn't speak about what he was supposed to speak about.
It was nonetheless awesomely fun. I could sit and listen to George talk about nothing, frankly. He's brilliant. In this case George told us about his past in television. He worked on both the Twilight Zone (at one point he was speaking about working on Twilight, which horrified me until I realised he'd gotten distracted and simply hadn't finished his sentence) and the tv show Beauty and the Beast. He said that his scripts were always too long, with too many characters, which led to him eventually deciding to write A Song of Ice and Fire—where he would have thousands of characters (I think the phrase he used was "families with a hundreds of members, rather than three").
So essentially, he set out to make A Song of Ice and Fire "unfilmable". Yet when something hits the bestseller list (especially a series, thanks to Star Wars and LotR), Hollywood will sniff around. The problem was length—Lord of the Rings (the entire three part trilogy) was the length of game of thrones. Three, three hour movies to do one of his books. Twelve to do all the books currently written. Twenty one to do the entire series. As such all pitches for a filmed aSoIaF were along the lines of "Ned’s clearly the main character, let’s cut everything but him", and "Dany is on another continent, let’s get rid of her". Then finally came the suggestion—a HBO mini-series.
If I walked away from that panel thinking anything, it was that I now feel safe that the adaption is being handled with the care it deserves. No Legend of the Seeker rip offs, so yay for that. The one other thing I remember was George saying something like that now he’s met the young actors he wants to go back and change the books so they’re nicer. He wrote these horrible things happening, and now lovely young people have to act it. He was quite funny about it.
Brotherhood Without Banners Party
Was a lot of fun. I understand there were all sorts of problems with the hotel, which was crap, but I nevertheless had a brilliant night. Me and my freind Josh got to meet George. Josh asked him whether the triangle between Rhaegar, Lyanna and Robert was meant to be a tripod on which the series stood, and George said no. (Don't ask me why he asked that. Josh has some weird concepts). There was more to George's answer too, but I don't remember, sadly. By this point I'd had several of the tasty beverages the BWB were kind enough to provide us with. I did get a photo with him though. :)
Then I got to meet several of the BWB, including Stubby and Neal. Those guys were so awesome--we chatted about the organisation of the party--which sounded nightmarish with all the mess ups on the behalf of the crown plaza, so more power to them--and then they gave me a limited edition brotherhood without banners badge, which rocked! They also gave me a whole bunch of Wheel of Time bumper stickers to hand out at the WoT panel the next day, and a Brandon Sanderson/Way of Kings bracelet which I later learned glowed in the dark--I tell you, waking up at three in the morning to Brandon Sanderson glowing a vibrant green inches from your face is an experience!
Then the raffle happened and Josh won! Which I suppose stands to reason because he bought twenty tickets. But still, awesome. Josh asked George what he should take, and George said the Pat Rothfuss illustrated book--and it was awesome. It's called The Adventures of The Princess and Mr Whiffle, and lookes like a childrens illustrated book--with a gold sticker on the front that says "This shit is not for children. Seriously!" And it wasn't, but it was cool. :)
That was about it. Josh and I went back to our room, and did normal pre-bed stuff--you know, brush your teeth, debate the inherent implausibility of the concept of perfection, get a drink of water--and went to sleep.
Coffee Talk With GRRM
More writer based panels, and then Kaffelatches with George R. R. Martin. Now I translate Kaffelatches as "Word I Cannot Pronounce", but apparently it means "coffee talk". So that’s what we did, sat around drinking coffee (or in my case hot chocolate because I’m like twelve), and chatting with George. Which is precisely as awesome as it sounds. There were nine of us, and I got to sit directly besides George (through some degree of active bullying, I’ll admit).
Someone had brought George Tim Tams, which I hadn’t realised was an Australian thing only. Then another person at the table informed George that he had no idea who he was, to which George replied "That’s ok, I have no idea who you are either." Then we discussed football, and I got the glazed expression I always get when people discuss football around me. George certainly seemed to get a kick out of it though.
Then someone asked about fan fiction, which George says he’s asked about often. He said that no he doesn’t like fan fiction, and he made the point that it doesn’t help the writer grow. He spoke of when he was young he would write what was then called "fan fiction", which was not writing other peoples characters, but rather if you were a fan of super hero comics you would write your own superhero. It was fans writing fiction. He also pointed out that they haven’t paid for this right, and that if they wanted to write fan fiction then they should approach the publisher or the author and buy the right to do so.
He brought up slash fan fiction, and said he’s been called a homophobe for being against it, and that he’s not a homophobe and there are gay characters in aSoIaF, he just doesn’t want people making his straight characters gay any more than he’d want people making his gay characters straight. It was then asked if he saw role playing as different, and he said yes. Writing your own voice in the world was like a way of exploring the world, expanding. I asked if he then had problems with roleplayers changing canon events—say keeping the Kingdom of the North alive and well to allow you to roleplay in Robb’s court, and he spoke of the fact that alterations for the good of the new medium happen—he used video games as an example. He didn’t seem as concerned with that, as with altering characters.
I’d gotten the sense that he’d faced a lot of flack for his hard stance against fan fiction, so I asked him if he had to deal a lot with the fans sense of entitlement. He replied that he had to deal a lot with the fans sense of entitlement for a Dance With Dragons, and then he spoke about some of the emails he received, and how they could be quite hurtful and nasty. He spoke also about having to moderate messages on his blog because of trolls, and how much he hated that—not just because they were writing attacks against him, but because then his fans would come through and protect him, which would lead to fights which he felt bad about.
Then he spoke about the opposite, receiving grand reviews like "GRRM has written the best book since Tolkien", which was awesome, who wouldn’t want to hear that? And then the next days he sits down to write "the best scene since tolkien" and goes "oh fuck!". That got a good laugh.
I asked whether he’d enjoyed the Suvudu cage match, and he said he had. He said he hadn’t really cared about it, but then they’d chosen Jaime. He said something along the lines of "there are all these characters with super powers, and they give me a swordsman who’s lost his sword hand. What the fuck am I supposed to do with that?" And everyone had a good chortle. He said he hadn’t gotten involved until the second match when they’d put Jaime against Cthulu, and that then he’d felt he had to—and so he wrote a way for Jaime to win, which was essentially having Tyrion ensure Cthulu never shows up to begin with.
Then he spoke of the battle with Rand, and the rabid Wheel of Time fans (said with affection) and someone outed me as a WoT Admin on Dragonmount, and George gave me a look like "Oh, you’re one of those are you." Heh. Then he spoke about Robert Jordan—he’d met him a fair number of times at conventions and the like, and they’d gotten on very well.
Someone asked him about music influencing (something—his writing, the HBO, not sure, I missed this question, but made a quip about the fates and allegiances of minstrels in aSoIaF always being nasty, which got a laugh, so yay). He then gave some advice about writing—said that people, including him, too often told instead of showing, but then went into further depth than I’ve ever heard, pointing out the insane overuse of eyes. He told us he hadn’t even noticed what colours our eyes were, much less whether they were "shifty". He said look around the table and see if you can see someone shifty, and three of us all pointed to the same guy at the one moment, which got a laugh (he was a nice guy).
Then Paris (George’s partner) arrived on this moped thing and called out "I’m here to pick you up darling", and they joked back and forth a bit. It was pretty cute—they’re both just like big kids. And that was sort of it. Paris had a Tim Tam and we all said bye, and then I walked outside and bounced off walls for an hour.
Ran, I am sorry I didn’t ask George a single ASOAIF related question, however I did ask him whether he had ever considered revisiting his "Thousand Worlds" mythos and perhaps filling in some of the back story. His answer was (as best as I can remember) that he wrote those almost thirty years ago and that he is a different person and writer now, so it would be very difficult.
I’ve just typed up a few questions that WERE able to be asked today. I will try to ask more at the party tomorrow as well. Now, these aren’t from a transcript…they’re not word for word. They’re the answers he gave in essentially the wording he used, but I’ve written it from my notes and memory. He also mentioned that he’s really overall very pleased with the actors, especially the children. He said Maisie, Isaac, and Sophie are all amazingly talented, grounded actors. One story involved Isaac climbing to the top of these stone walls and towers with a harness on and just having no fear. Was great to see him so excited about the people breathing life into his works.
In any case, here’s the questions and answers so far:
1) Q: To what extent are you consulted when it comes to additions or changes to the story to make sure it doesn’t create inconsistencies for you that’s in store for the rest of the series. Have you had to review any secrets of the book series the eighth and development of the show?
A: Yes I have actually, there have been many meetings and such to discuss this and the result has been I had to share several secrets of the upcoming books In order to help out with the writing of the series itself.
2) Q: Do you think that once the show comes out and you begin watching it, It’ll influence what you write in the rest of the books? I.e. do you think you’ll be influenced by the actors and write something that maybe when you wouldn’t have otherwise written?
A: My honest answer is I don’t know. I will try everything I can to not let it influence me but the fact is, I’m human and I’ll be watching the show just like everybody else and who knows what will happen? I like to think that nothing will influence what I have in store for these characters and the rest of the books.
3) Q: Are the designs for the costumes and swords and that sort of thing brand-new or are they taking it from you and existing art, posters, replicas, miniatures etc. Do you influence them? Because we know you’ve given descriptions in the books and that sort of thing… or are they being designed by artists and set designers from scratch?
A: Honestly it’s entirely brand-new. HBO has been doing it their own way with their own artists and designers because to take it from anything existing would breach copyright infringement. So for the sake of legal reasons as well is artistic pride, it’s really been done for the ground up and it will be HBO’s version of all these designs, elements, weapons and armor and that sort of thing.
4) Q: Have you seen any of the footage that’s been shot so far?
A: I’ve seen a rough cut of the pilot that was put together and I’ve been there for some shooting so far and everything that I’ve seen really looks great. I’m very excited about it–Very happy with it so far.
Stubby had introduced me to George earlier in the day, and it was so fantastic to finally meet him, shake his hand and have a chat. My day would have been absolutely great just with that experience, but wait, there's more ... dinner with George - I'm sat a fair ways down the table away from George, but honestly it was perfect to begin the evening like that. Paxter was sat opposite George and Cam made a joke about whether he would accept $50 to swap spots. Later Parris left the table and Cam had an opportunity to sit next to George for a while. After the meals were eaten, Paxter and Ski got up together (obviously sharing a room featuring a frosted glass window to the ensuite is not enough! :lmao: ) and I said to simhanada "QUICK let's move down GO GO GO!!!" and I ended up getting to sit right opposite George for the rest of the night, so so so so cool!
Today George talked about the HBO series, he said he wanted to show us photos that he'd taken when he was on set for some filming, but HBO wouldn't let him because it showed the actors in costume (oh my! like we can't imagine what they're going to look like!) and bits of set in the background. So instead he just talked generally about the bringing his books to the screen, thought I don't think there was particularly anything that I didn't know.
I did my best for Jake to get him into the show, at dinner last night I told him in front of George that I could see him as a knight!! HINT HINT GEORGE!!! It's true though - Jake could definitely pass for one of Renly's knights of summer. Oh, and also last night, I was very impressed that George himself brought up that very taboo subject of which we must not speak, and again today in his panel he mentioned it, so I think finishing the series is very much foremost in his mind, even though sometimes it might appear that he's not focussed on it.
So I got my ASoIaF calendar first thing this morning - after hearing last night that they were just about sold out, I was very relieved. George is doing a signing tomorrow after his reading - I'm thinking Valar Dohaerys will look good on the cover.
Nice to see you, too! And definitely. BTW, here's the fruits of my labors that evening.
I was mondo lucky and got invited to a dinner party where GRRM was guest of honor. Unfortunately, I was mostly brain dead and didn't ask anything interesting. But HBO-series wise, he is going to be writing one script per season. They are going to attempt one book per season (although GRRM posited that when they hit SoS, it'll have to be split over two seasons). He said that the number of episodes per series isn't necessarily set in stone, so they might be stretching out to 12 episodes later on. I also asked him if having the series dramatized was going to affect how he envisions the characters and he said that was a good question. He thought about it for a second, and then said that there's one actress (they're currently in negotiations with, so he couldn't mention the character or the actress's names) who doesn't look anything like the character she auditioned for, but she's so damn good that they want her, and if she does get cast, it's definitely going to have an effect on the how the character gets written in the book.
The only other thing I remember (and it's of no interest to anyone, I just thought it was funny) was that I was burbling on about NTLive and Alan Bennett's The Habit of Art, and GRRM said that they'd tried to get Richard Griffiths for Game of Thrones, but it fell through. I was just joking and said, "Who'd you get instead--Ian McNeice?" and he laughed and said, "Yes, actually."
[Note: This remark expands slightly on this report from the same event.]
He did say "I have this (after he read the prologue) and about 1400 other pages".
GRRM read the ADWD prologue. He fielded the typical questions: Jon Snow's parent's etc. He could not announce casting news or "HBO would kill him" and since he is sans net here in SD, did not know the news about about Gregor's casting. He has "1400" finished ADWD pages, hasn't begun on the 4th Dunk & Egg short story and had to review all the casting videos for Shae "many times".
I live in Phoenix and I just got back from a Dance With Dragons reading and a brief question and answer period with George at Leprecon in Mesa, Arizona. George was simply fabulous. I make it a point not to read any Dance sample chapters that he posts. I want to read the entire book in its entirety for the first time. I decided to break my rule however, when I saw that George was doing a reading in my neighborhood.
It was a Bran chapter and man was it good to get lost back in Westeros if only for a few moments. George later told me that he thinks he has read this chapter once before but he didn't seem sure... George had me spell-bound. I did notice that he seemed to stop a time or two to correct something with a black pen. Proof reading has got to be the bane of all authors.
This reading was easily the treat of my month. A very special moment for a long-time fan. Thanks George. You rock.
After, GRRM was nice enough to hold a Q&A period. He has another one scheduled for tomorrow. I'll try to get there, but my kid has a football game that I can't miss if there is a time conflict. Among the things he spoke about concerning Dance were that while March was a great month, things have slowed down a bit lately, but his writing continues. Over 1300 pages so the end is inevitably closer.
As mentioned before, one of his Sansa chapters for WoW is written already. Similarly he added that there is also an Arya chapter written for WoW (not sure if this is news or not).
Regarding the HBO series, George mentioned that casting calls are currently going on in New York, LA, London, Dublin and Australia. When asked about how writing for TV has changed since his last television efforts, he mantioned that one of the things he struggled with on episode 8 was getting used to a computer program called Final Draft that is apparantly an industry standard. One of the funnier moments was when someone asked him about character cuts. He said that numerous smaller characters would either be cut completely or possibly physically referenced in the background without lines. He listed the Nightswatch as examples. Jon and Sam would be the largest roles. Then possibly Grenn and Pyp might have a few lines. Toad, Rast and others may or may not have small lines after that. Finally he mentioned that Desmond (Guardsman at Winterfell) has been cut. He that said "So those Desmond fans out there are fucked".
Now for the big scoop (at least imo). I asked him to please give us some insight as to wether Syrio Forel is alive or dead. He chuckled and said that Syrio was alive in the series at least because he had written some scenes for him in episode 8!!!!!! Whew! That puts alot of doubt to rest in my mind!
So there you have it. I hope some of this helps. One last thing. George was nice enough to take a picture with me. I showed my eight year old daughter who asked me "Who is that?" I told her "George R R Martin". She didn't miss a beat when she replied "is not your bitch!" I guess sometimes I sing too loud in the shower!
Just got back from dinner. Had a great time. Being able to talk to two published authors (Wild Card author Mary Anne Mohanraj also joined us) was rather spellbinding. They had some great publishing stories and we talked alot about other books and authors we all liked. So there wasn't too much ASoIaF talk.
However, GRRM did talk a little bit more about ep. 8 which he is writing. He really wouldn't get nailed down about where the episode ends but he did say it would also involve the NW finding Otho and Jafer Flowers and the Dothraki and the Lamb Men. So pretty cool!
One thing I found interesting that she didn't mention was GRRM's response to a question about how he keeps all the details straight as he writes more books.
GRRM responded that this was one of the things that was making Dance take so long, namely having to go back and check a bunch of details. He said that without search functions in documents he would have gone mad.
He gave a very funny rant about eye color - about how in the real world, we really notice anyone's eye color unless we're very close to them, but in books, everyone has their eye color described. Having to go back and check the eye color he gave for hundreds of characters was an example of a detail that could drive him batty; GRRM said he regretted mentioning the eye color of any of his characters. He also noted that as a brown-eyed person, he finds it annoying that brown-eyed characters are always portrayed as ordinary, while the doers of great deeds always have blue or hazel eyes or something - he notes that he himself was somewhat guilty of this with the violet eyes of Dany or the red eyes of Melisandre.
He said that in all seriousness, what was most important in rereading prior books to make sure he got the continuity right was speech patterns - each of his hundreds of characters has a distinct way of talking that he wants to make sure he is faithful to.
Another interesting thing he mentioned: he mentioned the coming of age of Arya in Braavos in the context of how a writer had to discipline himself to write only as many chapters as were necessary to serve the story, saying that what Arya was dealing with in Braavos could make a worthy young adult novel in its own right.
Another tidbit I liked (this I think from Friday night): that while Tyrion was his favorite character and the most like himself, and for those reasons perhaps the easiest for him to write, these chapters have been harder in Dance because of the dark turn Tyrion's story has taken.
He talked about how in typical fantasy, a magician will throw lightning bolts and kill thousands of men, but in 'real' medieval times, more men died of disease than on the battlefield, due to the unsanitary conditions involved in keeping together a large army - to me, there was a hint that we may see some of this effect of disease in Dance.
In talking about his progress writing Dance, he mentioned that he is now writing the epilogue - this doesn't mean that he's finishing up; he was clear that he was writing this part out of order. As we've heard before, the he said that resolution of the Meereenese knot was the major thing left to complete in Dance.
In response to a question about whether it was hard to kill a character, he said that it always was, even if the character was an evil bastard. He said that the Red Wedding was the hardest thing he's ever written, and that he put off doing it until the rest of the book was complete.
The Friday night reading was the lengthy Jon Snow chapter that others have probably read before, but which I had disciplined myself not to view online. Martin does the voices of his characters very well - I liked Sam's squeaky, stuttering falsetto.
Finally, to me the most interesting thing he said publicly all weekend were some comments about the nature of writing and what he tries to do. He said that pure good-and-evil fantasy wasn't interesting to him; while Tolkien had done Sauron masterfully, he'd had a lot of bad imitators doing 'dark lord' villains. He noted that to him the most interesting characters in Lord of the Rings were the more flawed heroes, folks like Boromir and Denethor.
He made the point rather dramatically by saying that all fiction could be lumped into two types: Good guy punches bad guy in the nose, or the human heart struggles against itself. He said he was really only interested in writing the second kind of fiction.
At the beginning of the Q&A, GRRM decided to forestall a few questions.
So he announced, "quot;I'm still working on IT"quot; and said he had more than 1,300 pages in final draft form. Right now he is working on the epilogue - but that doesn't necessarily mean its the last thing to get done. He will post on his LJ Not A Blog when he is done. He won't hint when he is done. There will be no smoke signals. He will be posting "quot;I'M DONE"quot; when he is done.
He talked about the HBO series and how it is 10 episodes and 1 season right now. Maybe they will move to 2 seasons per book if the series continues but it all depends on how the first season does. HBO does not care about ratings, it cares about subscriptions - so he urged us to subscribe to HBO and to tell them the reason we were subscribing was Game of Thrones. He added that he cannot get anyone a job on the show - he gets lots of letters from people asking him to do this. He knows they are looking for extras with large beards to be on the show but you need to be in Northern Ireland and he has nothing to do with it.
Okay onto questions...
(1) Will we be seeing GRRM as an extras in the show?
There is some chance of this. We need to watch the show closely.
(2) How well is the book translating to tv?
GRRM said that they are doing a faithful "adaptation". But it is an ADAPTATION. With only 10 hours to cover the entire book there is obviously going to be some difference. Some minor characters will not be there. Some will be regulated to background non speaking parts. Some favorite dialogue will be cut. If you liked Jackson's LOTR movies, you will be happy because it is about in that realm of faithfulness. He is pretty happy with what he has seen so far. But he said its going to get harder as the series progresses as the characters separate more and more and it becomes more complex. But right now they are all just focusing on season 1 by trying to stay faithful to the book and make good television. He's got a lot of fans but a large book audience is only a drop in the bucket compared to tv audiences.
(3) Did it give HBO producers "pause" that the book has two separate plots only vaguely connected?
He wasn't in the room when the HBO producers were discussing the plot so he has no idea if it gave them..."pause" But he pointed out if it did, they seem to have moved beyond that now.
(4) Who is his favorite character?
Tyrion. He feels really lucky with the casting of his character for the HBO series. He loves what he has seen so far. But Tyrion is the easiest to write for him. He is funny but has angst. He is the most like GRRM...but GRRM is taller. However, he loves all of the characters he creates, even the a-holes.
(5) Trebla then asked his question about the skinchanger and the faceless man to which GRRM replied - probably not. (I didn't write anything more down here because I figured Trebla could supplement/correct as needed.)
GRRM then did a brief Fever Dreams commercial and urged people to check out his comic at the Avatar booth and promised that his vampires "Do not twinkle".
(6) What inspired him to set Fever Dreams where it is?
GRRM talked about living in Dubuque, Iowa which was once an important steam boat port. He got interested in steam boats so he decided to write a story with them. Being a fantasy writer, he decided to stick vampires into the story. He didn't end up actually writing the story until he moved to New Mexico where there is no water.
(7)Has he gotten any new knights?
He gets them all the time but his collection has slowed down because he has no time right now.
(8) What is the future of Wild Cards?
Still going. Working on volume 21 which he hopes to deliver next month. He hopes to do more beyond that. Ft. Freak should be a cool book. It centers around NYC's 5th precinct which handles all the police problems in the Wild Card world.
(9) How does he collaborate with other writers?
There is no easy answer to this. Its like having sex - its different with every person. GRRM talked about his early experience with his first girlfriend and how he thought he had sex all figured out after her and knew what women liked. But then he got his second girlfriend and she liked completely different things so he had to learn all over again. Collaborations are like this. He mentioned his experience with Hunter's Run and how he approached Daniel by asking him, "How do you feel about a 3 way with two old fat guys?" He talked about how collaborating has changed with the internet. In the old days when he was working with Lisa Tuttle you had to type up your pages, send them through the mail to the other person, then they would have to retype your pages with their changes and add their bits and send them back to you and how much time it would take to do this.
(10) How does one socialize with other writers?
GRRM talked about founding a SF writer group in Chicago back when he was living here and recommended looking for a writers group to join as one way to connect with other writers. He stressed that you should look for writers who are your own level - i.e. for his group he had the requirement that everyone had to have published at least one story. And if you are a beginner writer, you might want to look for a group of other beginner writers. He also mentioned that conventions and events like the one we were at were a good way to meet other writers - i.e. go to writer panels. And he stressed the importance of networking among your peers because someday one will be an editor of something and someone else will recommend you to their agent, etc.
(11) Where did he teach when he was in Iowa?
He taught at Clark College. He was the print journalism department. He also ended up having to be the advisor to the student newspaper - which he hadn't expected or been told about prior to getting the job. He got into trouble doing this as his role was really to censor the school newspaper and he didn't believe in censorship. So as a result there were articles about lesbians and other hot topics...well for the 1970s at an all Catholic girls college.
(12) How does he feel about the Jets' new quarterback.
This was puzzling to GRRM as of course the Jets do not have a new quarterback...so basically the guy asking the question had his sports news completely wrong.
(13) Talk about your switch from journalism to being a writer.
GRRM always knew he wanted to be a writer but he also knew how little a writer could make. So he majored in journalism in college as a fall back career possibility. However, he started selling stories in college so he never really had to fall back on the journalism career. He learned a lot from his journalism training. He doesn't think it would be the best fall back choice for an aspiring writer today, however, as today journalism as a fall back position might be a sinking ship. He mentioned that he has a podcast for aspiring writers and recommended they check it out. He did stress that if you want to be a writer, you must write a piece and finish it. A lot of people talk about wanting to be a writer, a lot of people start stories...to be a writer, you must finish a story. He also told people to be prepared for a lot of rejection.
(14) How does he feel about Jaime loosing to Rand al'Thor in the Suvudu Cage Match?
(15) Any books he'd read recently that he'd recommend?
He recently read Bitter Seeds by Ian Tregillis which he really enjoyed. The Nazis have supermen! The British have demons!
(16) How does he feel about Jaime loosing to Rand al'Thor in the Suvudu Cage Match? (Yes, this really was asked for a second time)
al'Thor's fans cheated! Jaime lacks magical powers so it really wasn't a fair fight. Magical powers make it hard for a swordsman. He was glad Jaime managed to defeat Hermione Granger. He was really glad to see the fan support for the event. But he wondered if maybe some more mainstream cage matches could be more interested. He'd like to see Silas Marner take on Huck Finn.
(17) Does he have a system for keeping track of his characters?
This is becomming increasingly more difficult for him. Most info is in his head. He does have family trees drawn up for the main families. But he finds himself having to keep going back and rereading his writing to find out info about his characters. He uses the "search" button on his books a lot. Computers and the "search" function make it a lot easier to find the info he is looking for. HE IS REALLY SICK OF EYE COLORS!!!!! He could tell everyone in the audience has eyes. However, he couldn't tell what color anyone has. You only really notice a person's eye color when you go in to kiss them. As a brown eyed person he gets really annoyed by the lack of brown eyed characters. Too much blue. And ff you have purple eyes...you are obviously important! He wishes he had never given any of his characters eye colors as he doesn't like having to keep that info straight. Instead he'd rather focus on things like a character's speach patterns. He likes to try and stay consistent to a character with that. Its important to him to keep a difference between the high born and poor people.
(18) Which characters most helped him develop the story?
They all did. In the beginning it was mainly the adult characters as the kids were just along for the ride. But now that the kids are growing up, that is changing.
(19) Does it hurt to kill a character?
Yes. Even the sons of bitches. The death in Book 3 was the hardest to do.
(20) What was his mindset in having a smaller pace in Feast of Crows and the growing importance of religion?
GRRM was inspired by real history and reading about the 100 Years War and the Crusades. He wanted to make people turning to religion in times like that a part of his world. He is also trying to incorporate real things into the story he is writing now. He wants to bring in the elements of disease which isn't often addressed. Often people will just have a bolt of lightning kill off everyone in a story but in reality it would be thousands of people dying from disease. Its difficult to decide how far to go down this road. You don't want it to end up like in Monty Python where everyone ends up covered in shit.
(21) Will the next Dunk & Egg story take place at Winterfell?
Probably - but he hasn't started writing it yet. But that is the plan.
(22) Aragorn v. Jaime - who would win?
GRRM had to clarify what their condition would be and what they'd be fighting with. Jaime would have both his hands. Just swords. So a fairly even fight. Clarification was needed on what sort of protective gear Aragon actually wears and this segwayed into a brief mention about armour and how it was worn and used for a reason.
(23) You are so good at humanizing your less than likeable characters...so when are we going to see the other side of Melisandre?
She has a viewpoint in the next book. He likes to show that all his characters are human. He doesn't believe in Dark Lords. He loves Tolkien but Dark Lords haven't worn well in the hands of Tolkien's immitators. The most evil people in the world don't think of themselves as evil. Hitler probably thought of himself as a hero. You need to reflect this. His favorite quote is from William Faulkner after he received the Nobel Prize for Literature..."...the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat. That is his mantra.
(24) Does he know how he is going to end the series?
He thinks he does but he reserves the right to change it. But he knows where he is going.
(25) Any particular storyline he is enjoying right now?
He said that Dany's storyline is emerging in increasing importance. But he is struggling with the Meereenese Knot. So he can't say he is enjoying it. But he is really enjoying writing Arya's story. He could write an entire novel of it. He could write an entire YA novel about her...(at this point the audience starting clapping and calling out YES! DO IT!)...but her entire story isn't part of the greater novel. He has 12 novels worth of info for this book and its hard to fit it all in.
(26) How different is the plot from what he originally envisioned?
Not different - just more of it. It has grown in complexity but he likes it that way because it feels real to him.
GRRM concluded his talk by mentioning the Dothraki language that is being created for the HBO series by David Peterson of the Language Creation Society. He talked about how after the press release went out about it, someone had to come forward and denounce the Society. How many people in the world create their own languages? There can't be that many of them. But no matter how few of them there are, even they have factions. Human life and politics are complex and he tried to reflect this in his novels. It isn't just good guys and back guys because even among the good guys there would be 17 different factions.
[Note: This recounts an exchange a fan had with GRRM at the Denvention Worldcon. Ran would be your intrepid SSM maintainer. ;)]
Then he [William Lexner] said that Ran wanted to know how old Darkstar was.George got that 'i don't fucking know' look on his face, then replied that he had Ran to answer those sorts of questions.
These notes are not representative of the whole session and might have errors, I am just trying to write down in good faith what I remember. My memory, handwriting and language skills all got failings so please keep that in mind.
The theme of the session was genre: fantasy, sf, horror from an author´s point of view. Moderator was Rogéério Ribeiro and the other participant was a portuguese author (of sf I think) called João Seixas. Saturday, 5th of July 2008, 16.00 at the auditorium of Biblioteca Orlando Ribeiro (Biblioteca de Telheiras) in Lisbon.
The discussion started with genre, in which field did GRRM feel more comfortable writing. GRRM replied he does not differentiate to any great extant, that he believes people write what they read and mentions the overlap of genre historically done, like Lovecraft´s sf stories, Jack Williamson´s work particularly "Darker than You Think". Discussion then turned to that in the USA there is strong differentiation of genres by the public, including separate labels and for younger writers breaking into the genre if they want to write in a different genre (or subgenre) name changes are suggested.
GRRM mentioned that in the USA fantasy is going much better than sf. Historically sf outsold fantasy but then in the 60s Tolkien and then in 70s the Del Rey imprints and authors like Donaldson and Terry Brooks started to show up in the bestseller lists. Currently it´s not clear, that now that bestselling authors like Asimov and Heinlein and Clarke died, which sf authors can emerge to have that sort of bestselling numbers and status.
GRRM - Fantasy outselling SF seems to be a worldwide phenomen, even more pronounced in Britain than in the USA, the exception seems to be Asia, Japan particularly. GRRM thinks that is because the Asian countries have more belief in the future, that in the USA maybe readers have lost the belief in the "sf future", that most americans when polled reply they think their children will have a worse life than they have, due to things to pollution and climate change. The attitude in Asia resembles 1950s America. Na example is the tallest building in the world. Through many years in sf that was a symbol of progress, giant towers of early sf, and they are not being built in the USA anymore. Through the beginning of the 20th century, American buildings suceeded each other higher and higher has being the tallest building in the world but now those supertall towers are getting build in Hong Kong, Shanghai, Malaysia, Dubai-- The obsession with the futuristic seems to have moved to Ásia.
Then some arguments from the portuguese sf author about role of science in asian societies, but I really did not agree with some of those points and can think of plenty of counterarguments so I did not bother with notes or trying to transcribe. Let me just say that a lot of science development happened and a lot of sf got written in post-1945 America IMHO.
GRRM then told an anecdote that when he was growing up, a lot of sf authors had a written future history, a universe defining how the future would develop. Heinlein, Asimov had it, got published as appendixes to their stories (personal note: much of GRRM´s own sf seems to fit the same universe, anybody ever tried to build a timeline or concordance for that? I love his sf stories as well). The one future history which GRRM did not think believable was Heinlein´s which seemed arbitrary and full of incoherences. Turns out Heinlein was closest to the truth, he was right that people did go to space and then stopped. Heinlein predicted the crazy years, predicted a theocracy dictatorship, Nehemiah Scudder as dictator, which some days does not seem so implausible. Perhaps Heinlein was the accurate one.
GRRM - that there are many types of sf, but that the story of space travel was central to the genre. Like in history historians talk of the Matter of Britain or Matter of France (Arthur or Charlemagne), to american sf its central core was The Matter of Space, and the space program was abandoned and it undermined sf. A lot of people present at the conference were too young to ever had somebody walk on the moon during their lifetime.
A new question, if sf has run out of new ideas? According to GRRM no, there are always new ideas and even fads coming up in sf, things like nanotech, but perhaps the problem is that people stopped imagining the future as a terrific place.
Another new question about the "american Tolkien" comparison, from a critic for Time magazine. GRRM did not adress that but mentioned a bit of ASOIAF publishing history, that since the beginning his publisher has been convinced that ASOIAF is very likely to appeal to people who do not like fantasy (personal note - I totally agree, I have had tremendous luck recommending it to people who do not like fantasy but love historical fantasy or just plain good stories). As an example the first cover of AGOT, which will now only be found in the ARC had a veyr fantasy feel, GRRM described it and it does not sound familiar at all (Catelyn mentioned perhaps? anybody knows?). It was precisely the same type of cover to a lot of fantasy novels which were selling very well. Publishers hoped a non genre cover would appeal much more widely so picked a "big book, important book" non genre cover to catch the eye of everyone, silver foil with a generic symbol and planned subsequent covers to be of the same style with a common metallic theme. The hardcover edition of AGOT turned out to be partially a failure so publishers panicked a bit, and when it came the paperback edition they picked a typical genre novel cover (the one we know, with jon Snow riding a black horse). The second book´s cover was a compromise, picking up the gold foil from the AGOT hardcover edition, but using an illustration box for the fantasy genre feel. With book 4 came a complete redesign, the publishers think they got all the fantasy fans aware of the series, time to go after the non-fantasy fans. GRRM mentioned that the difficulty on reaching, on perception of who are the readers who might like a certain book can be frustratring to an author.
New question about media and fanzines, GRRM mentioned that fanzines seem to have moved online and there is all sorts of electronic media to fulfill that role. That magazines are folding and the ones holding out are selling less and less every year and that sadly will probably be a matter of time, maybe even less than 5 years till Asimov and Analog close. F&SF might last longer not being part of a big corporation. As a journalism graduate GRRM has recently been very impressed when he received a chinese sf magazine who was serializing Skin Trade. He could not actually read the magazine but leafing through, it was a very thick magazine, full of ads for lots of things, full color, with articles on all sorts of media (games, interviews with authors) as well as fiction from several genres (or subgenres), that the american sf magazines are stuck on time and while they might print great fiction they don´t make appealing magazines. Oh and apparently men´s magazines (Playboy etc) are also dying out, it´s all in the internet now .
A new question, about if there is commercial pressure to write fantasy and if authors pick themes not chosen for literary reasons. GRRM mentions that there is a distinction between a career and a livelihood, that in the earlier days, a lot of writers were not fulltime writers. Heinlein was the exception, but Asimov was a college professor, Simak was a newspaper editor for example. In the 1970s it changed and a lot of emerging authors were able to be "just" writers, to have writing be their livelihood. That is now changing back, that for a lot of emerging authors it´s just as possible to have a great literary career but maybe they might still not be able to do it as a fulltime job.
Another question, this time as a former editor of New Voices magazine, what did GRRM look for? GRRM mentioned that there are many kinds of good writing and good stories, mentioned he is currently editing an anthology "Warriors" with Gardner Dozois, a cross genre anthology where the theme is an examination of the warrior mythos. They will mix up all the stories without labeling (genrewise) any story and hope it helps toe expand the horizon of readers . For example if somebody who bought it for the Joe Haldeman story finds out the Cecelia Holland story and likes it and vice versa. GRRM believes they are all stories and that genre is an artificial construct which creates genre expectations which affect the way a reader reads a story. Classic example, a story where a detective finds a body drained of all their blood. If it´s an horror story we expect vampires, if it´s a mystery we expect vampire wannabes and that affects the reading experience.
A short mention of sf setup books written by non sf authors, often of literary acclaim, and that for sf writers or fans it can be frustrating to read reviews which seem to think the concept is original and has just been invented. GRRM mentioned Cormac McCarthy´s The Road, another author based in new Mexico but they never met. Trivia : some New Mexico based genre writers meet for lunch once a month.
Recommendations of books aspiring sf/authors should read were asked. Just caught GRRM´s replies, he warned he would mention only classic writers, that he is relatively stubborn and his influences came mostly from his earlier reading, so he is not likely to be influenced by another writer anymore. Sf recomendations: Zelazny´s Lord of Light, Heinlein (his juveniles or The Puppet Masters, that Stranger in a Strange Land is not a particular favorite though it has many fans), Bester´s The Stars My Destination, Sturgeon´s Dreaming Jewels and Jack Vance who he considers the greatest living sf writer. For fantasy the recommendations were Tolkien, Ghormenghast, Vance´s Lyonesse and Dying Earth series, Robert E Howard ´s fantasy stories, Fritz Leiber. For horror he mentioned Lovecraft, Stephen King who is unavoidable in the genre, Clive Barker. Then a mention I can not quite decipher (Robert Bloch). And a particular recommendation of an almost forgotten author, Gerald Kersh who wrote strange little horror short stories and is mostly remembered by a mystery he wrote, Night in the City who was adapted twice to film, the last time starring Robert de Niro.
More comments about writing and fandom, that writers of other genres seem to write in isolation and not often meet the people who read their work, that sf/fantasy authors are much more fortunate than those in other fields. Sf fandom exists since the 1930s, possibly since the 1920s, conventions have been going on since 1970s. GRRM mentioned that he believes relations between friends are stronger in the sf world, gave an example from his post-college parties, that it´s his sf friends who still keep in touch.
Then some more discussion about the generics of awards, that GRRM thinks awards are good even when given to the "wrong" book, since they get people talking about books. That the purest awards are the ones directly given by fans, and that a problem with the Hugos is that so few people (of all those who could) vote for those, that 20 votes might be enough to put any work in a shortlist, so it´s very important that all those who can vote or nominate do so.
And that is about it. Any misquotings or misinterpretation (nevermind missspellings and assassinations of grammar) are all my own, for which I apologize.