Westeros

With Nikolaj Coster-Waldau, Bryan Cogman’s been the member of the Game of Thrones production we’ve had most opportunities to interview, and as always it’s been a pleasure as we range around various behind-the-scenes aspects of the production, as well as some in-depth discussion of Bryan’s work as a writer for this season in regards to “Oathkeeper” and “The Laws of Gods and Men”>.  See below for the full interview, as we discuss filming in Iceland, the growth of the scale of the production since the early days, who Bryan’s idol is, and more!

Interview

All right, welcome back to what’s turning into an annual chat, Bryan. I think Nikolaj’s the only person we’ve interviewed as often at this point.

Hah. As I recall, this season included your first trip to Iceland for filming—usually none of your material was shot there, is that right?

Iceland really looks stunning. This time around the shooting was in the summer. Lots of sunlight, relatively warm weather?

It’s always a pleasure to interview writer and story editor Bryan Cogman, who has so far written an episode of each season, including what are amounting to two of our personal favorites of the series: “What is Dead May Never Die” and his season three episode, “Kissed by Fire”.

Below, I talk with Bryan about the episode, the introduction of new characters, his proudest moments, and much more. It’s a lengthy one but, we hope, a good one. Enjoy!

Interview

All right, thanks so much for taking the time, first off!

Now, often episodes seem to have their titles decided at the last minute—George’s episode went through a couple of different names before it was settled. Was “Kissed by Fire” always the title you preferred for your episode?

The release of Inside HBO’s Game of Thrones was a chance for fans the world over to get a closer look behind the scenes at the making of the series, thanks to the writing of series story editor and writer Bryan Cogman having penned the book, filling it with the insights he was able to take from fellow members of the production team and the cast.

And now the collector’s edition has been released (Order: Amazon US, Amazon UK), and it adds an additional wrinkle: among the various bits of swag, such as the scrolled maps, is a whole second volume, this one containing storyboards from artist Will Simpson which are a key part of the process of creating and producing the series.

To explain more about the books, and what they reveal and what’s contained within, we had the opportunity to interview Bryan so that he can provide a better understanding of what fans can expect to find.

We understand you trained as an actor at Juilliard?

Yes, I did. I went there from 1997 to 2001, right out of high school. I was a stage actor after that in New York, then I came out to Los Angeles where I was doing Shakespeare. I expected to act for the rest of my life, but ... life takes you to unexpected places.

So you didn’t intend to become a writer and editor?

Like a lot of actors, in between roles I’d try to write the script that I’d star in and become famous with. Everyone wants to become the next Ricky Gervais and sort of create the great vehicle for themselves.

I had an idea for a story that I had been writing in my head for years and I thought, “Well, I probably should put that on paper.” I started fiddling with that, I worked with that for a little while—again, not really thinking I would actually become a writer—and then I met David [Benioff]. My wife Mandy was David’s nanny and I guess I was over there one day four years ago while she was watching his daughter, and I was fiddling with the script and David noticed. I’d only met David once or twice before that, but he asked, “What are you doing?”