Westeros

Deadline reports that Game of Thrones: Aegon’s Conquest is scheduled to reach theaters on June 1, 2029. Owen Harris is attached to direct, with Beau Willimon writing the screenplay.

We reported on Willimon’s involvement in March, when the subject of the film was still speculation. Warner Bros. revealed its working title in April. Now the project has both a date and a director, which means it’s rolling along.

First, a disclosure: it has been a very long time since I seriously played this particular kind of real-time strategy game. The last one I spent much time with was Warcraft: Orcs & Humans, back in 1995. I never moved on to StarCraft, Total Annihilation, Command & Conquer and the rest. Some Total War, yes, but that’s a different beast in a lot of ways. So, with that out of the way, and the recognition that it means I’m not really in a position to tell experienced RTS players whether Game of Thrones: War for Westeros is doing something revolutionary or even exceptional for the genre. But I can give my near-neophyte impressions, and also share how well the game captures the feel of Game of Thrones (and ASoIaF) in its tactical gameplay.

The verdict? Quite impressed! I’ve posted my thoughts over at the Features section of the site, here. But one thing I shared there, I’ll highlight here as well: PlaySide has now revealed two additional heroes that will be part of the game, heroes that were not included in the demo build that we and other press had access to. Here’s the reveal of the Mountain that Rides and Arya Stark:

With Game of Thrones: The Mad Kingwell on its way after a somewhat delayed first performance, the Royal Shakespeare Company has sent out word that they have shared their first image of the primary cast in full costume. Featuring characters from the eponymous Mad King, Aerys I, to Eddard Stark, it gives us our best look yet at the costuming and the approach the show has taken to bring them to life. Absolutely love the lilac hue of Ashara’s gown, for example, and the elaborate styling of Queen Rhaella’s hair is incredible.

See the full press release that came with the image below!

Left to right, the portrait includes Tanisha Spring as Ashara Dayne, Elizabeth Ayodele as Princess Elia Martell, Mariah Gale as Queen Rhaella Targaryen, Callum Woodhouse as Lord Robert Baratheon, Michael Shaeffer as King Aerys II Targaryen, Harmony Rose-Bremner as Lyanna Stark, Luke Brady as Brandon Stark, Noah Ritter as Prince Rhaegar Targaryen and Michael Abubakar as Eddard Stark.

Last month, news broke that Beau Willamon (House of Cards, Andor) was working on a Game of Thrones-related project, with speculation that it was related to Aegon the Conqueror and his conquest of the Seven Kingdoms. At CinemaCon 2026, where the studios present their upcoming films and slates to the press and exhibitors, Warner Brothers confirmed the news when it made a presentation related to its plans for “2027 and beyond”, where Variety reports that the working title Game of Thrones: Aegon’s Conquest was revealed.

Aegon on Balerion the Black Dread, burning Harrenhal. Art by Marc Simonetti.

Following February’s reveal that the renowned Royal Shakespeare Company would be putting on the world premiere of Game of Thrones: The Mad King at the Royal Shakespeare Theatre in Stratford-upon-Avon, the RSC has now followed up with details including the names of additional creative team members, as well as ticket sale details and, most importantly, actual performance dates starting on July 20th with the official opening night being on August 8th.

Among the announcements in the press release are that a new seating configuration will be used to place the audience “at the very heart of the action — immersed in the intrigue and theatrical spectacle that promises to make this production truly epic,” as well as the fact that among the creatives are Puppetry and Movement heads Nick Barnes and Finn Cadwell (winners of the 2022 Olivier Award for their work on the theatrical Life of Pi).

Full details below!

Key art for Game of Thrones: The Mad King

Deadline has a good their interview with Casey Bloys, Chief Content Officer of HBO, touching on a number of their shows, such as The Pitt and Heated Rivalry (which they have licensed in the US and other territories, and whose performance they are very pleased by). But of particular interest to our fellow fans would be the extended discussion of A Knight of the Seven Kingdoms and other projects in development… and some remarks on George R.R. Martin’s involvement.

Biggest news for us? Deadline indicates, before diving into the interview, that it’s said that the legendary animator Genndy Tartakovsky—creator of the original Star Wars: Clone Wars, Samurai Jack, and Primal—is attached to the Nine Voyages of the Sea Snake animated series about Corlys Velaryon. Interestingly, we know Ryan Condal is a big fan of Tartakovsky, and one wonders if he had any involvement in getting Tartakovsky on board.

Some choice pieces from the interview below.

A still from the Black Knight test Tartakovsky released on Instagram, a stalled Sony Pictures project.

NetMarble has announced the beginning of pre-registration for Game of Thrones: Kingsroad, they’re upcoming free-to-play mobile and PC action RPG set during the 4th season of Game of Thrones. Pre-registration begins today through to the game’s release, currently planned for the 2nd quarter of this year.

See below for the full details regarding pre-registration, and follow this link to pre-register today!

During this year’s Game Awards, where many upcoming and often highly anticipated games announce themselves and reveal launch trailers, among the cinematics for the likes of The Witcher 4 or gameplay trailers for games likeElden Ring: Nightreign or The Outer Worlds 2, Warner Bros. and South Korean developer Netmarble unveiled a brand new trailer for Game of Thrones: Kingsroad, a mobile-only open world action RPG that starts during the fourth season of HBO’s award-winning Game of Thrones. Although it had officially unveiled at South Korea’s G-Star trade exhibition last month, it seemed to make few waves outside of the Asian press, so for many fans this is the first time they’ve heard of it.

See the new trailer, which features appearances by numerous familiar characters like Jon Snow, Varys, and Jaime Lannister:

The previous trailer, and some additional thoughts based on what we’ve seen, below!

The third and final day of the Heritage Auctions Game of Thrones prop and costume auction drew to a close, and did so with a bang (we’ve recapped Day 1 and Day 2 in previous posts). Mid-way through the auction of the last ~300 items, an auctioneer announced that it had now become the 2nd highest grossing Entertainment prop and costume auction in history, and was now chasing the legendary Debbie Reynold’s auction of 2011. While it did not meet that number, it came close with a total of $22,115,719 in sales including the buyers’ premiums.

And a big chunk of the $8.5 million raised on that final day came in the form of the touring Iron Throne which went for a whopping $1.49 million dollars. An absolutely stunning sum, by any measure, especially when you consider that HBO made more than one replica throne for exhibitions and tours… and that for a brief time you could order your own replica through the HBO Store for a cool $30,000. I strongly suspect we’ll be seeing another Iron Throne put to auction in the future, given this result.

Could this throne, displayed at Stockholm’s Royal Armoury back in 2014, be the same that sold at auction? A close inspection comparing it to Heritage’s photos certainly show no obvious diferences, but as we said, there were multiple of these and they may well all have been pretty exact replicas!

There are two distinct eras in the history of modern television: pre–Game of Thrones and post–Game of Thrones. Not only did Thrones reinvigorate fantasy as a mainstream television genre,
but the scope of its production resulted in an onscreen world that looked, sounded, and felt like a real place. Now, for the first time, the building blocks of that reality are available for public view and will shortly become
available for purchase by private collectors through Heritage Auctions’ HBO© Game of Thrones: The Auction.

At the September 16th press preview at Heritage Auctions’ New York location, Production coordinator Michelle Burns, Prop Master Chris Moore, and Wardrobe Mistress Donna Hughes were present to discuss their body of work before it’s scattered across private collections. All three were Thrones lifers, having been with the show from the unaired pilot to the series finale, a feat which fewer than 50 people can boast. Their work continued with the creation of the HBO Archive and the eventual curation of the auction collection.

“In 2018, HBO approached us to set up the HBO Archive and the first project was Game of Thrones,” said Moore. “We entered an 80,000 square foot warehouse with sealed crates floor to ceiling high, full of bodies, horses, carts, you name it. Armor. We’ve spent the past five years navigating our way through to the end, which you can see on the walls here.”

Those walls, festooned with house banners, shields, prop weapons, and more from all seasons of the show, set the visual history of Game of Thrones production on display in a way the public has never been able to access until now. In one section of hanging banners, Moore pointed out the difference between a House Lannister banner from Season 1, screen printed on a shiny red fabric with a thicker, plastic-looking fringe and a House Stark banner from Season 6, which had a thick tapestry texture, era-appropriate aging, and was visibly created with more authentic techniques.

Lannister and Stark banners from different seasons, created using different techniques.

An interesting blast from the past, courtesy of Paul Moore’s Inverse interview with acclaimed screenwriter Brian Helgeland. Way back in 2017, HBO hired writers to develop successor shows to Game of Thrones, and Helgeland was among those named. Helgeland would go on to refer to the project in development the year after, but details remained thin as to what exactly he worked on.

Well, they are thin no longer, as this quote from the interview shows:

Princess Nymeria as depicted by J.K. Drummond for The World of Ice and Fire, the “Westeros encyclopedia” referred to be Helgelnd.

Interesting news broke last night that HBO is gearing up to explore the extensive history of Westeros with a new spinoff series centered around Aegon’s Conquest. According to a report from James Hibberd and Borys Kit for The Hollywood Reporter, the network has enlisted much-in-demand writer Mattson Tomlin to develop the project.

Last year, we noted news out of Variety that HBO had starting looking into bringing Aegon’s Conquest to the small screen (and, perhaps, even the big screen—a theatrical lead-in was under discussion) and actively sought a writer to head the development of this thrilling prequel series. That search seems to have ended.

The burning of Harrenhal during Aegon’s Conquest, as depicted by artist Marc Simonetti for the 2023 World of Fire and Blood Calendar

Over at “Not a Blog”, George R.R. Martin has written about having watched Netflix’s Blue Eye Samurai, a Western animated story of revenge set in Edo Japan. We ourselves suggested fans should check it out shortly after its release when he binged it (over three days, as well, just like GRRM and Parris), suggesting that its adult nature, its bloody action, and its plotting would appeal to fans of A Song of Ice and Fire or Game of Thrones:

So, a good call from George. But he goes on past praising Blue Eye Samurai to discuss the state of possible animated successors to Game of Thrones... including the big news that the formerly-live Nine Voyages is being retooled as a possible animated series.

Among the podcasts I listen to on a weekly basis is the prop collecting-focused “The Stuff Dreams Are Made Of”, in part (but only in part!) because one of its hosts is House of the Dragon show runner and co-creator Ryan Condal (the other co-host? David Mandel, of Seinfeld and Veep fame whose White House Plumbers recently completed its run on HBO). Their areas of interest when it comes to collecting are very similar to what I—and I suspect many fans of A Song of Ice and Fire, Game of Thrones, and House of the Dragon—consider pretty central parts of my favorite cinema: big genre works of the late 70s and through the 80s like Conan the Barbarian, Alien and Aliens, Blade Runner, Indiana Jones, and (of course) Star Wars.

Their latest episode (embedded below) features a semi-regular feature of the podcast, where Condal and Mandel discuss an upcoming props auction and go through its catalog together, discussing bits of information they know about a piece or similar ones, speculating on whether the expected sale price is on the mark or too high/low, and whether they’ll be pursuing any particular items themselves. But color me surprised when they mentioned that Propstore’s upcoming Entertainment Memorabilia Live Auction from June 28 to June 30th included two lots of scripts from Game of Thrones, apparently from Aidan Gillen (Littlefinger). I decided to examine what information Propstore provided about them, and discovered some fun details regarding scripts that Gillen had personally annotated.

Creation Entertainment and Warner Bros. Discovery have announced details on this year’s Game of Thrones Official Fan Convention to take place at the Los Angeles Convention Center from December 9th through December 11th, including the fact that they’ve added House of the Dragons performers to the extensive line-up of guests, plus a special “virtual appearance” by Ryan Condal, lead writer and show runner of the hit HBO show. Read the full press release below!

Paddy Considine will be one of the guests at the convention, alongside Steve Toussaint (Corlys Velaryon) and Matthew Needham (Larys Strong)