Westeros

The third and final day of the Heritage Auctions Game of Thrones prop and costume auction drew to a close, and did so with a bang (we’ve recapped Day 1 and Day 2 in previous posts). Mid-way through the auction of the last ~300 items, an auctioneer announced that it had now become the 2nd highest grossing Entertainment prop and costume auction in history, and was now chasing the legendary Debbie Reynold’s auction of 2011. While it did not meet that number, it came close with a total of $22,115,719 in sales including the buyers’ premiums.

And a big chunk of the $8.5 million raised on that final day came in the form of the touring Iron Throne which went for a whopping $1.49 million dollars. An absolutely stunning sum, by any measure, especially when you consider that HBO made more than one replica throne for exhibitions and tours… and that for a brief time you could order your own replica through the HBO Store for a cool $30,000. I strongly suspect we’ll be seeing another Iron Throne put to auction in the future, given this result.

Could this throne, displayed at Stockholm’s Royal Armoury back in 2014, be the same that sold at auction? A close inspection comparing it to Heritage’s photos certainly show no obvious diferences, but as we said, there were multiple of these and they may well all have been pretty exact replicas!

Day two of the Heritage Auctions Game of Thrones auction started off with a bang when the first new entry into the six-figure sale list was Jon’s Snow’s season 6 Night’s Watch ensemble with an included “action” Longclaw. Realized price? $337,500, becoming the most expensive piece sold to date.

A few other notable pieces hit the six-figure mark throughout the day. Oberyn Martell’s trial by combat ensemble was next to break the mark, followed by what to me was probably the most surprising result among the big sellers: the Lannister “family litter” used in season 5. It’s beautifully crafted, but I had no idea it’d draw that much attention. After that, the last item we saw to reach $100,000 before we went to bed was the “Shame” bell, which I recall David Mandel of the The Stuff Dreams Are Made Of podcast expected to do well.

And that wasn’t even half way through the six-figure sellers. When we checked the final results, lets just say our eyes went wide.

The first day of the three day Game of Thrones prop and costume auction run by Heritage Auctions started well, with nearly $5.36 million realized across the first 290-odd listings in the auction. We kept track of it as long as we could, and by the time we went to bed we’d noted that several items had cleared the $100,000 mark. Gregor Clegane’s tourney armor was the first to hit six figures and ended up just shy of $200,000, followed by a prototype dragon egg from the first season (a second egg just missed the mark).
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After that, Arya Stark’s season 2 “boy” ensemble with an included “action” version of Needle hit $150,000, which seemed like a very expected number. And then, fittingly, the first item to hit $200,000—just beating out the Mountain that Ride’s armor—was the Hound’s armor ensemble. After that point, we went to bed, but in the morning we found two more items made it to the prestigious six-figure club: a full Jaime Lannister Kinsguard ensemble. Because of the inclusion of both a prop hand and an “action” Oathkeeper, this one was an especially valuable listing, and the bidders recognized it as they drove it up to become the day’s top item with a final realized price of $212,500.

There are two distinct eras in the history of modern television: pre–Game of Thrones and post–Game of Thrones. Not only did Thrones reinvigorate fantasy as a mainstream television genre,
but the scope of its production resulted in an onscreen world that looked, sounded, and felt like a real place. Now, for the first time, the building blocks of that reality are available for public view and will shortly become
available for purchase by private collectors through Heritage Auctions’ HBO© Game of Thrones: The Auction.

At the September 16th press preview at Heritage Auctions’ New York location, Production coordinator Michelle Burns, Prop Master Chris Moore, and Wardrobe Mistress Donna Hughes were present to discuss their body of work before it’s scattered across private collections. All three were Thrones lifers, having been with the show from the unaired pilot to the series finale, a feat which fewer than 50 people can boast. Their work continued with the creation of the HBO Archive and the eventual curation of the auction collection.

“In 2018, HBO approached us to set up the HBO Archive and the first project was Game of Thrones,” said Moore. “We entered an 80,000 square foot warehouse with sealed crates floor to ceiling high, full of bodies, horses, carts, you name it. Armor. We’ve spent the past five years navigating our way through to the end, which you can see on the walls here.”

Those walls, festooned with house banners, shields, prop weapons, and more from all seasons of the show, set the visual history of Game of Thrones production on display in a way the public has never been able to access until now. In one section of hanging banners, Moore pointed out the difference between a House Lannister banner from Season 1, screen printed on a shiny red fabric with a thicker, plastic-looking fringe and a House Stark banner from Season 6, which had a thick tapestry texture, era-appropriate aging, and was visibly created with more authentic techniques.

Lannister and Stark banners from different seasons, created using different techniques.