Westeros

With the recent end of the WGA strike (the second longest in its history), Variety has issued a report touching on Hollywood trying to get back into motion after the work stoppage, citing a number of shows. One paragraph in particular, however, discusses HBO specifically, noting that a number of their shows saw no production at all… but one big one, House of the Dragon, has in fact wrapped filming:

Summer 2024 sounds pretty good to us.

Of course, besides HotD, the end of the strike also means that scriptwriting can resume on A Knight of the Seven Kingdoms, which HBO had ordered straight to series just before the strike.

Back in May, the beginning of the WGA strike shuttered many productions, but not House of the Dragon. Now SAG-AFTRA has called a strike for many of the same reasons as the WGA… but it’s currently being reported that a couple of UK-based productions will continue filming because actors who are members of SAG are also members of the UK’s Equity, and their contracts are (allegedly) under the terms of Equity. And of course, one of those productions not shutting down (reportedly) is, once again, House of the Dragon. According to the Deadline article, the UK’s laws don’t allow sympathetic strikes, and actors are receiving guidance telling them to continue to report in to work if their contracts are under Equity rather than SAG.

The Writer’s Guild of America has begun a strike, which means members of the guild will not be writing for any productions they’re working on. There’s a lot of questions about just what this means for many productions, questions that Variety has tried to answer with its FAQ. But fans of House of the Dragon have worried about the show being delayed because of the strike, and as it happens, Variety has an answer for that question as well.

Per Variety, all the scripts for the season have been finished ahead of time, and production will continue. So, good news! However, as some may realize, most scripts are not completely done and in final form when a show is produced. There’s often talk of rewrites and the need to ADR (“Automated Dialogue Replacement”) to insert new dialogue or change existing dialogue. As Variety notes, it’s unclear just how that aspect of things will work for programs already in production. Will they take different footage from different angles to give them more wiggle-room to add entirely new dialog when a character’s mouth can’t be seen? Will they employ some of the new tech out there to simply dynamically change a character’s lips to the words they’re saying? We live in fascinating times, as it were.