[Note: This interview is provided through the Internet Archive]
http://web.archive.org/web/20051126224128/http://www.scifi.com/sfw/advance/31_interview.html
[Note: The following information was sent to Amok for his contribution to the Fantasy Flight Games artbook.]
These are all Targaryens, of course, so there should be a strong family resemblence from portrait to portrait. All of them (except as noted) will have the purple eyes and silver-gold hair for which House Targaryen is noted. All of them should be wearing crowns... the same crown in many of the pix, though it will change once or twice along the way, as noted.
The hard part will be making each of the kings an individual, despite the similarities, and evoking each one's character through facial features, pose, clothing, background, and other elements in the portrait.
Here's the lineup:
AEGON I. Aegon the Conquerer. The prototypical Targaryen. A warrior, tall, powerful, broad shouldered. Very charismatic and commanding. Should be shown in his battle armor, perhaps a shirt of black scales, greaves, gauntlets, a flowing cloak. His sword in hand (Blackfyre, a Valyrian steel blade). His hair cut short, no longer than the bottom of his ears. His crown is a simple circle of Valyrian steel set with big square-cut rubies.
AENYS I. A weakling. As tall as his father Aegon, but softer looking. Slender, weedy, dreamy. Paler eyes than Aegon, more lilac than purple. His hair curled and perfumed, all in ringlets, falling to his shoulders. A silky beard and mustache, sort of a "Three Musketeers" look, coming to a point. Dressed in velvet robes, the same lilac as his eyes, with cloth-of-gold lining and an ermine collar. Gold rings and gemstones on long, slim fingers. A different crown; this one is all gold, much larger and more elaborate. No armor. Instead of a sword, he holds a wine cup in the portrait: gold, encrusted with gems. His smile should be somehow tenuous, nervous, anxious to please.
MAEGOR I. Maegor the Cruel. Another warrior. A big man, even taller than his father Aegon, bull-like, heavy shoulders, thick neck, huge arms. On the heavy side, but more massive and square than fat. Nothing soft about him. Short hair, short beard that follows the jawline. Angry, suspicious eyes, scowling mouth. Just looking at him, you know this man is hard and brutal. No wine cup here; it's the sword again. His armor is more elaborate than Aegon's. Instead of a shirt of scale, he wears a breastplate, covered by a surcoat that displays the Targaryen three-headed dragon, red on black. He looks as though he has just come from battle, and his armor and cloak show dints, tears, bloodstains. He wears Aegon's steel-and-ruby crown, not Aenys's elaborate one.
JAEHAERYS I. The Old King. The Conciliator. Jaehaerys reigned for fifty-five years. Let's show him late in his reign as an old man, as that is how he is best remembered. Wise and dignified. Despite his years, still unstooped, but his face and hands are wrinkled, and his long white beard reaches to his waist. Dressed in flowing robes of black and gold. His crown is a simple gold band set with seven gemstones of different colors. In his hands, instead of sword or wine cup, he holds a quill pen for writing.
VISERYS I. A plump and pleasant king, raised during a time of peace and plenty. Round-faced, smiling, jolly. In his forties. No beard, but a bushy silver-gold mustache. Wearing the Jaehaerys crown, with the seven stones. Looks as though he would be great fun at a party, always telling jokes. Clad in silk brocade, dark purple.
AEGON II. A strong resemblence to his father, Viserys, but in him the playful look has been replaced by a certain petulance. A sullen look to the eyes, a pouty mouth. Holds a dagger in his hand, testing the point against his finger. Clad in armor, but he does not look like a warrior. No beard, and only a faint wispy hint of a mustache. Wears the steel-and-ruby crown of Aegon the Conquerer.
AEGON III. The Dragonbane. Clad all in black, even to his gloves. A three-headed dragon on a golden chain around his neck. Pale, lean, unsmiling. A very somber look. He looks sad, marked by the grief he carries with him. It is hard to picture him smiling. A short beard, but no mustache. His crown is a slender gold band, no ornament.
DAERON I. The Young Dragon. Only fourteen when he ascended to the throne. A warrior and conquerer. Young, clean-shaved, very handsome, long hair. Clad in an elaborate suit of gold-and-black plate, with his sword in his hand. Smiling, self-confident, very charismatic. The Alexander the Great of Westeros. He should probably be shown outdoors, with the red mountains of Dorne in the background, and his army, horses, tents, etc. Wears the Aegon crown, the steel and rubies.
BAELOR I. Baelor the Blessed. Baelor the Beloved. The septon king. No sword or armor here, only a septon's white robes tied off with a rope belt. A young man, in his early twenties, but very thin (from repeated fasts) and frail looking, with a gentle, almost beatific smile (think Jesus). One hand raised in blessing, the other holding a holy book (black leather, with a seven-pointed star stamped on the cover in gold leaf). His long hair and beard remind one of Jesus too, although Baelor's are the typical Targaryen silver-gold color. Wears a crown of flowers and vines.
VISERYS II. Came to the throne quite late, when he was in his fifties. Clean-shaved, with long hair, a prominent nose, bushy eyebrows, a shrewd and calculating look about his mouth and eyes. Coins in his hand. He wears the simple crown of Aegon III Dragonbane.
AEGON IV. Aegon the Unworthy. He began his realm when he was young and handsome, and ended it old and corrupt. To provide some variety in the portraits, let us go with the older Aegon. By the end he was bloated, fat, corrupt. His eyes almost lost in the fat of his face, his legs too weak to support his belly, his mouth small and mean. His clothing should be silk and satin, bright and rich, and he would have lots of gold and gemstones about him; a chain, rings, etc. A big beard, meant to help hide his round cheeks and double chin (it doesn't). The Henry VIII of Westeros. His crown is a new one, huge and heavy, red gold, each of its points a dragon's head with gemstone eyes.
DAERON II. Daeron the Good. A thoughtful face, pale, dignified, kindly Not a warrior by any means; round-shouldered, with thin legs and a small pot belly. His face has a certain quiet strength, though, and his eyes are clear and full of resolve. In his forties. In his hands is a parchment treaty. Wears his father's elaborate dragon crown.
AERYS I. Bookish. Spindly and stooped, his robes rich and elaborate but soiled, as if he has forgotten to change them. Long straight hair, long thin face, long thin mustache, long pointed beard. In his hand is an old scroll, and other books and scrolls are visible in the portrait. His eyes red-rimmed from reading. The dragon crown is atop a pile of books, as if he has forgotten to put it on.
MAEKAR I. There's an excellent depiction of a younger Maekar in THE HEDGE KNIGHT graphic novel. As king, Maekar would look much the same, only older. A certain weariness about him, but strength as well. Armored, with a spiked mace in his hand (blood on one of the spikes). His crown is black iron and red gold, sharply pointed. His surcoat shows his personal arms; the Targaryen three-headed dragon, four times (two above, two below).
AEGON V. Aegon the Unlikely. Egg of THE HEDGE KNIGHT, grown up. Show him as a man in his thirties, with his hair falling to his collar. Tall, slender, a slight smile. Large, thoughtful eyes, very deep purple. His hand resting on a map of Westeros. Wears the simple crown of the Dragonbane. Handsome, strong yet somehow kindly, approachable.
JAEHAERYS II. Amiable, clever, sickly (he died young). Pale and frail, with very large purple eyes. Shoulder-length hair, a silky beard, a tired smile. One arm concealed by the drape of his cape. Wears Maekar's crown.
AERYS II. The Mad King. Only in his forties when he died, but he looked much older. Very thin (he was afraid of being poisoned) and gaunt, with wild, tangled hair past his shoulders, and fingernails almost a foot long (he would not allow blades in his presence, even to cut his hair and trim his beard). Wears the big, elaborate crown of Aegon the Unworthy.
VISERYS III. The Beggar King. No crown. Perhaps he should be shown in tattered beggar's robes and cloak.
DAENERYS I. Daenerys Stormborn. No description necessary, I assume. Show her wearing the three-headed dragon crown she was given in Qarth, as described in A CLASH OF KING. Might be good to include the three dragons in the picture. Show them very young, as hatchings, one in her lap, one wrapped around her arm and shoulder, one flying just above her.
And that's it.
I managed to make it to this signing, so a quick report.
It was interesting to meet GRRM in the flesh and hear him talk. He looks just like his photos and is obviously smart and very widely read (no surprise there). There were about 40 - 50 people present, with a wide mixture of types, though mostly male.
GRRM talked for about 30 minutes and answered questions for another 15 before the signing started. A lot of people had questions, and I didn't get a chance to ask mine. He didn't say anything new, but I gleaned a few titbits:
- He wasted a lot of time trying to make the 5 year gap work, mostly because he had told so many people there was going to be one, and felt that he had to deliver. Otherwise AFfC would have come out significantly earlier.
- He spent some time talking about his theory that, in most fantasy, the fantasy world itself is a major character.
- He quoted Kipling, which amused me for some reason.
- When saying he would not answer questions about the plot he said "So don't ask me who Jon's [slight pause] mother is." I definitely picked up a little subtext "Yes I know there are theories that Ned is not Jon's father, but I am not going to put the idea into the head of anyone who has not already heard of them."
- When dealing with the "who is your favourite character" question he said "Tyrion has a personality most similar to my own. [Slight pause and then quickly] But I haven't killed my father though". It felt like he was saying that as a sudden afterthought, so unless he was being very devious indeed, it seems that Tyrion is indeed Tywin's son. (I may be biased though, as I have always disliked the idea of A+J=Tyrion.)
The Kipling quote was the one that goes something like:
There are nine and ninety ways
Of writing tribal lays
And every single one of them is right
Just a quick note. Nice turn out for George. Quite a few BwB people, and a few new-ish "members", people who knew about the boards and the BwB even if they haven't posted here much. It was just a signing, but after George was finished we went for dinner at Mr Singh's with the man himself and Rebecca (his minder on the tour). Got a chance to ask a couple of questions and take some pictures.
Q: Why were the older maps used for the UK editions?
A: The UK editions follow the US editions in this regard, and the decision was made to go with the older maps for the US editions. Not sure why.
Q: Are the clutch of eggs Illyrio gave to Dany the same as the clutch Quickfinger tried to steal (ref: Sworn Sword). i.e. Are they originally Targaryen eggs?
Q: Can the Faceless Men absorb the memories and personalitites of the peole they impersonate, or are they reliant on observation and mimicry?
A: The same to both questions.....keep reading :p
... Oh, one thing to mention, it was confirmed that GRRM expects ADwD to extend some time beyond the end of AFfC.
...
On the timeframe for ADwD, I believe the exact quote was that it may well extend to a few months beyond the end of AFFC, depending on how the writing pans out.
When I saw George yesterday at the Colchester signing, he said that the third Dunk and Egg story is nearly finished. He didn't say how/when it is going to be published though...
Someone asked him what if he died. We're all "shit outta luck" if that happens, apparently. I think he said the next one will hopefully be done by the end of next year, after splitting it there was half of it written with half of it left to do. He says it should be seven books now, but jokes that it might be eight or even more depending on what happens, he's not sure now, but seven is what he hopes. He has the whole storyline done already in "broad strokes", but compares writing them out as being like going on a long road journey. You have the map and know where you're going, but don't know what'll pop up behind each turn or if there'll be a nice place to eat or diverting attraction on the way. Most of all, he states firmly that he writes the books he wants to write, and if that means he has to shunt back the release dates or write more of them, well, that's what's going to happen.
He now says he can't imagine why he ever thought the five-year story gap would have ever worked, most of the problems it caused were with the adult characters who wouldn't have just stopped everything for those years meaning there'd have to be lots of "Hey, remember that thing we did four and a half years ago?" style flashbacks. While discussing how he writes his female characters, he also mentioned that splitting the books as he did this time meant we didn't get the parallel between how Danaerys and Cersei both approach the task of leadership, which is a bit of a shame.
He has another Dunk and Egg story done (yaaay) and continues to stick to writing one between each book, with them all being collected into another book someday once Ice and Fire is done. Someone asked him if he had a meticulous filing system for all the background info and he replied he wished he had. He thought it'd be easy to just keep everything in his head like with his other books to begin with, but these days he refers to [url=http://www.westeros.org]http://www.westeros.org[/url] when he needs to check something.
When I got my book done, I complimented him on the Lovecraftiness of certain bits of Feast, and we had a little "Man, Lovecraft eh?" exchange. So yeah, I shot the shit with George R. R. Martin about Lovecraft. I forgot to ask him if he's played Thief or Mount & Blade, but someone I was chatting to there mentioned that he's a fan of gaming and computer games, and has to be careful he doesn't spend too much time playing them when he's writing his books.
Anyway, awesome to hear him speak, he's got a really humourous, wry style and he has a great awareness of things like how he's viewed, being a fantasy series fan and whatnot. Like, he has a rule that he'll sign any number of books you bring him (some people had bags with them with their collections, for instance), but only 3 at a time before you have to join the back of the queue again to get the next ones done, so you don't hold everyone up but can still get everything you want signed, which is very fair and even-handed all round. Very warm, witty and humble to listen to, and a damn nice guy. It was awesome to meet him, I really can't say enough good things about him.
There must have been up to 120 people there. GRRM said that it was always a worry of his when visiting a place for the first time that there might not be many people who turn up for the signing. He then recounted a story about the smallest crowd he had for a signing. Ray Bradbury was signing at a major sci-fi con in one town and in a nearby town GRRM was signing AGOT at a bookstore. The bookstore had a caf and when he arrived there were two couples drinking coffee. No-one else had arrived for the allotted start time and they waited a bit longer. When still no-one else had arrived the bookstore manager announced that the signing would start and the two couples left the caf and bookstore. So the smallest crowd he has signed for is -4.
e talked about the series, how it originated and the delay with Feast. The next book should be published next year and the series should run to 7 books although there are no guarantees.
The talk lasted about 20 mins and was followed by a Q&A which lasted for at least 45 mins. There were several questions asked (must have been approx 20). The first one was about the possibility of a 3rd Dunk & Egg story. GRRM said he liked to write the stories in between writing the books and that he had started the 3rd one.
When asked about how he writes the series, GRRM responded by comparing it to a journey. He knew the start, knew the landmarks, and had a good idea of the destination. However, he often notices interesting places and buildings while on the journey and feels obliged to explore them. Another questioner furthered the analogy by asking if he had come across any dead ends. GRRM replied that the now well-known 5 year character gap between the 3rd and 4th books had caused many problems. He spent about 6 months trying to make it work.
Asked if he knew the ending, he replied that it would be bitter-sweet. He expanded on this by talking about the scouring of the Shire. When he first read LOTR at the age of 12, he didn't understand the ending. However, as a more mature reader he came to appreciate that triumph is always bought at a cost.
He was asked to comment about his different writing styles between aSoIaF and Fevre Dream. For the latter, he read several novels, such as those by Mark Twain, from the period to understand the syntax and words. For aSoIaF, he replied that it is a fine line to draw between writing in modern, understandable prose and using archaic words. The best way is to compromise by using modern prose, but omitting all pop culture references, and occasionally using archaic words/phrases. He compared it to adding a bit of salt to soup to enhance the flavour. When writing AGOT he had a lot of characters who used the word "mayhaps". His editor did not like the use of the word because he feared a "forsooth" would follow shortly. GRRM compromised by keeping the use of quot;mayhapsquot; for older characters, such as Aemon, but replaced it with "perhaps" and "maybe" for younger ones like Bran.
GRRM was complimented on how well he had captured family dynamics and the questioner wished to know if GRRM had any siblings. GRRM replied that he has 2 sisters and has slept with neither of them. The reply garnered a lot of laughter and some applause.
Incidentally, it must have been bell-ringing practice night as the bells were being rung for the majority of the talk and Q&A. At one point, GRRM paused, looked out the window and wondered for whom the bells tolls and that hopefully it wasnt for him.
So this evening I headed up to Norwich for George R.R. Martin's Q&A and book signing for A Feast for Crows. Arrived about 2 hours before the signing, grabbed the book and a curry in the local pub then headed back to the shop. I was exceptionally annoyed that they had copies of The Art of Ice and Fire book on sale and I lacked the funds to purchase it.
Martin came on about 7pm GMT and spoke for a good 40 minutes before answering questions for about 20 minutes or so.
The main point of discussion was the reason for the five-year wait since A Storm of Swords. I'm sure most of you know this already but, briefly, he wanted a 5-year gap between ASOS and ADWD to allow the kids to grow up. Some characters, mainly the children and Daenerys, really benefited from this, but most of the other characters suffered and the book was degenerating into a flashback-fest. After about a year he decided that wasn't working, ditched everything, and started again. He also admitted that the sudden boom in the on-line community hasn't helped and he spends more time than he should answering fan mail, but he remembers when even after the success of Fevre Dream he only got a dozen or so fan letters a year and now doesn't want to appear ungratfeful by neglecting his fan letters. He also pointed out that at least two major successes - the Brotherhood Without Banners and the Hedge Knight comic adaption - came out of answering random fan emails. He also said that he'd considered appointing Parris official email-answerer, but felt that that was passing the buck. He's currently got over 1,200 emails in his inbox unread!
A new piece of information that slipped through was that he and his publishers had pretty much settled on simply splitting the book in half and publishing the two halves a month or so apart when a friend of his suggested splitting the book by POV. Martin admitted he should have seen this earlier as his editorial team did the same thing on Wild Cards VI when it overran, moving two stories set in New York away from the other six (set in Atlanta) and making them Wild Cards VII (actually it may have been the other way round). The other major advantage of this was that it allowed him to publish AFFC immediately, otherwise we'd have had to wait another year to get both books (he also said he couldn't find a good break point between the two halves). As it stands he's got 500 manuscript pages of ADWD written and plans to write another 500-600. He had a good wind of steam in finishing AFFC and hopes that with the same wind he can finish ADWD in a few months for late 2006 publication. He said he'll try not to write another 1500-page behemoth but promises nothing.
Lots of standard questions followed ("Where do you get your ideas from?" etc) with lots of answers we've had before (write short stories before you try novels, don't immediately try to write a 10-book series). A couple of nuggets slipped though: someone else asked the same question that Segovia on Wotmania asked me to ask about the level of character demise in the series to date and Martin replied that the rest of the series would unfold in a manner consistent with what would come before, i.e. no-one is safe and he'll kill anyone if the story demands it. He refused to comment on specifically if there'll be any more shocks on a par with the Red Wedding and Eddard's death. I asked about Dunk & Egg III and he confirmed most of it is written. It just needs some more polishing and the ending to be added on, which he plans to do when gets back from tour in December before leaping back into ADWD. He's still unsure about where to publish it. Someone else asked about the RPG and he confirmed that he checked and provided background information for the concordanance, encyclopedia, geography, family and history sections, but had no say in the rules. The RPG is "canon" for the moment but he reserves the right to change any details in future novels. He did unreservedly approve of the artwork for the book. I also asked about a film version of Fevre Dream and he replied that it's been optioned several times, but nothing has happened with it because no major director has taken an interest. I suggested M. Night Shymalan but he replied that the book lacks his trademark twist ending.
He confirmed that the 5-year-gap is now deader than the dodo and has fallen back on his excuse that in the Middle Ages kids had to grow up FAST, so that a 12 or 13-year-old would be much more mature than today. He wanted the books to cover a much longer span of time and blames himself for setting the first Catelyn chapter in A Game of Thrones on the same day that Robb and Jon find the direwolves in the snow. In retrospect he should have set the next chapter six months later. He likes all his characters, even 'assholes' like Theon, but admitted that Tyrion was his favourite. Sometimes he felt like showering after writing a chapter about Cersei, though, as her world-view is quite unsympathetic. He said he felt baffled about people complaining more about the "gratuitous" sex than the gratuitous feasting, gratuitous dialogue and even 'gratuitous characters going for a pee in the woods'.
...
Then it was off to enjoy AFFC on the train home. Needless to say, GRRM was charasmatic, friendly, courteous and answered all questions with good humour (and some of these he has to be asked every other day). He also wanted to put paid to rumours that AFFC was late because he'd spent all his time in his hot-tub with hot babes!
And he gave a special shout out to Lodengarl and all the Brotherhood Without Banners. He said it was a shame I missed Worldcon (yeah, cheers for that, it was before I joined up) as he'd thoroughly enjoyed it and looked forward to meeting up with you all next time.
...
No he definitely said he had most of it [the third Dunk & Egg story] done, he just needs to finish it off in December when he gets home after the signing tour, before he leaps into the second half of ADWD.
George talked for about 30-40 minutes on writing with advice to any literary hopefuls in the 100+ strong audience. He led us through his early writing experiences, sending in short stories for sci-fi mags, rejections, the beauty of having his name knows as a short story writer before his first novel, and his advice "not to start too big" to aspiring novelists.
Two interesting strands that register in my mind was that many people write to him offering stories about characters set in the Westeros world, to which he replies, "that's my world- find your own".
Secondly that in his opinion you know you are a writer if you have stories pouring out of your head which you have to get down. Related to this, he talked about his early college days writing and selling short stories to friends and college mags etc.
I asked if he kept a filing or reference system for this ever widening and complicated world. He replied that he has a few charts and tables but if he gets stuck he accesses the Icelandic website (I think I have this right) of the chap who has completed all the chapter synopsis/details).....to which gales of laughter ensued.
I also asked if he purposefully set out to write about characters whom society may brand or label as different -Jon Snow as a bastard, a cripple, Hodor, etc to which I received an "it's more interesting to write for different types of people"
Other questions as far as a hazy memory, no notebook and 3 days normal living have eroded, were how does he write women so well unlike Jordan (gales of laughter) to which one lady wit replied to the questioner, "how do you know he does?" Martin acknowledge he was not a woman, or a dwarf, and therefore had to write with empathy for a character. He said he had struggled with Sansa's first period chapter/scene and had shown others, sorry I mean other people who had read it/advised him accordingly.
When asked about the easiest character to write for, he replied Tyrion ( Yes he pronounced it the same way I do in my mind ***) and the hardest...Bran!!
(ASIDE: Somehow you can tell he enjoys Tyrion- his chapters for me seem more fluid than others. But then again I'm only 5 foot 3 so perhaps I enjoy these because I am nearer his ground level than most)
The usual 5 year gap reared its head. He joked that at a signing 5 years ago he predicted then that he had to sort the fiction 5 year gap out but nobody expected a real 5 year gap between books.
Some asked if he enjoyed killing off characters- yes and no and mentioned about the rainy scene near a certain castle (trying not to give a spoiler) being difficult to write..he often had to leave it because he found it so upsetting. Damn - no one asked him why? I personally would love to know - after all he seems to kill off characters a lot. He continued along this theme talking about how much sci-fi/fiction does not ring true as one hero kills 20 odd Nazis likening some superficial fiction heroes akin to Indiana Jones. He said he would find it difficult to combat one Nazi and that writers must be real to the characters and the situations the author puts them in.
One chap asked about the Others, and George said there was more to come but would not expand upon this.
To summarise, a good evening. Hardly any females. Age range quite well spread. Quite humerous friendly bloke is Mr George. He talked a lot about Tolkein and related how in his maturity he could understand the genius of Tolkein ending with a bitter sweet "Scouring of the Shire" to which he thinks he will probably aspire (bittersweet, not scouring you understand). Yes he has made mistakes or made literary decisions in the series which on hindsight he would have corrected or re-written.
[Note: The following link is a archive of all back issues of Deep Magic, made available following its closure (see here for more information, and includes issue #41 (October 2005 in the archive). The precise date, beyond October 2005, is unknown.]
[Note: The following report comes from the kaffeklatsch held at Interaction.]
1. How do you deal with the writing if/when you get to a "sticky" bit that slows you down?
GRRM writes each person's POV story in isolation and then weaves/edits them into 1 piece. So if he gets stuck on, say an Arya chapter, he changes to writing Tyrion stuff and then goes back later.
2. There is a song about the seven gods, but only six are mentioned. Is there a verse that is missing/cut out?
Sorry - got a bit sidelined on this question and digressed to Magic & Gods in Westeros. More about that later.
3. There seems to be an awful lot of suffering in these books (especially the female characters, who get treated pretty brutally). Should we expect the next books to get lighter or darker?
On this one, he said that a lot of the male characters got it pretty rough too - Robb losing his dad, thinking he'd lost his brothers + Arya and then dying. But he said that at least in the short term, it's going to get darker.
4. How important is your fans opinion of the books to you? Would you ever consider making a change for the readers?/Do you know what will happen in Westeros in the next books, have a definite ending in mind for it, or are you now letting the story evolve as you write?
As they were related, I asked this as 1 question. He was a little cagey about it, but he pointed to the planned "5 year gap" between ASoS & AFFC (books 3 & 4 for the layman!) as an example of where fan's opinions - as well as his own efforts, pushed him into changing his storyline slightly. He made the point that his overall story hasn't changed but certainly elements of the sideline stories have become more fleshed out than he'd originally intended. Thats about as much as he went into on that one.
5. You're pretty active on the Internet forums and discussions f your work, albeit sometimes as a "lurker"...Have you ever changed something you'd planned to write because a fan's theory got too close to the mark, in order to keep the element of surprise?
He says he's stopped doing this for that reason! Well not really, but he doesn't change storylines because people have guessed where its going. He just hopes his work doesn't get that predictable!
6: Magic has steadily increased throughout your novels from pretty much non-existant in book 1 to rising prevalence by book 3. Will this trend continue in future books?
"That's a fairly safe assumption, yes". Good news for you magic fans out there I briefly discussed the role of Gods in the magic of Westeros. R'hllor etc. He has ruled out any appearances of "demigods" or direct involvement from the Gods in Westeros though.
7. Will there be life after "A Song of Ice & Fire"? In other words we will see any more stories set in Westeros?
Yes. He's already working on another Dunk & Egg story and plans to continue to putting these out whilst writing his new ASoIF books. Interestingly one of his fans (not GRRM himself) pointed out that he'd mentioned to GRRM that as Dunk ends up as Lord Commander of the Kingsguard and each short story so far has been "a step up" (Hedge Knight, Sworn Sword etc) will he continue making the title of each story another "level". Apparently he's considering it, but hasn't decided yet.
To continue in the same view he has comprehensively ruled out ever doing a 'prequel' novel on Robert's Rebellion. Some ideas he has for future Westeros stories are (and again I stress he has not confirmed yet that he will do these) a novel on Aegon IV "The UnWorthy" from his POV and also a story set in Braavos and the Free Cities - possibly some kind of murder mystery type thing.
For potential future topics, GRRM is very keen on doing a novel set in a Roman-era fantasy world.
I asked if George really had an idea for an Aegon IV the Unworthy novel, first mentioned in this report.
Yes. He's a very interesting person. The idea would be to do it as a first person novel, a kind of I, Claudius meets Flashman thing. Aegon had something like nine mistresses, he had a difficult relationship with his queen and his brother, and so on. He was the worst king Westeros ever had. It's just an idea, though -- nothing set in stone, as he wasn't sure how well a first person story featuring that sort of character would work with readers.
Zollo asked if a Targaryen family tree will ever be published.
Eventually, perhaps. Right now there's lots and lots of names in there. Originally GRRM had the problem of too many names being too similar, which he tried to correct by making many new names only to decide he wasn't too happy with a lot of them. The current tree is something like the third or perhaps fourth version, he's not quite sure. For now, though, nothing is canon until it appears in the books.
I asked on behalf of Ormond how George came up with names and whether Joffrey and Sansa were named after Jofrie Borgia and his wife Sancia of Aragon.
Originally, George had babyname books and that sort of thing, and very carefully tried to pick out his names. By now, however, he has a feel for it and he just makes names up and sees if they sounds right to him. Joffrey and Sansa were not named after Jofrie and Sancia.
I asked GRRM about the curious response he gave to someone once, as reported in this report regarding whether Duncan the Small or Jaehaerys had been heir to King Aegon V (Egg).
He intends to keep that vague, because it's supposed to be a revelation for future Dunk & Egg stories.
Zollo asked George whether he would continue with the naming pattern that he has used for the first two Dunk & Egg stories, essentially titling them after what stage Duncan is in his career. At one point I mentioned that the last could just be called "Summerhall".
He said he was considering it, and might well do so if he could come up with good titles in that mode and they actually fit with the story. When I fished with that suggestion for the last Dunk & Egg story, I believe -- but cannot verify -- that George gave me a curious look. It may be that I hit close to the mark, or it could just be my imagination.
Cerys the Patryn talked to George about Samwell. At the end, she asked if Sam would ever have some sort of revenge on his cruel father, Lord Randyll.
He said to read and find out.
George was asked if there'd be any more sex scenes involving two women.
Yes, there's one in A Feast for Crows, and it does not involve Daenerys.
I asked George about the new covers that both editions were receiving, for Mean Mr. Mustard.
Basically, the idea is that a lot of his publishers realize that GRRM already has a high recognition value in the fantasy market, and it's a good time to try and expand his readership to a broader range. So, the marketing and new covers, etc., are aimed at trying to bring in the sort of people who read, say, Bernard Cornwell and the like -- historical fiction, etc. Martin did say some fans were upset at it, wanting all the covers to be the same, but what can you do? It's a business decision (which, I gather, he really doesn't have much say in) and it's one that seems to make sense.
Jane Johnson, head of Voyager in the U.K., added more information regarding their thinking. British booksellers are very unsupportive of science fiction and, especially, fantasy. So the new covers are one attempt to try and get them to take the books more seriously and display them more prominently. There was a strong sense that there's a strong current of elitist snobbery both among critics and booksellers in the U.K. Even now, Voyager feels that GRRM's books are being underordered. On a related note, Voyager cannot afford to republish the series with the new-style covers in hardback, because they operate on thinner margins than their American counterparts.
Cteresa asked George if Harry the Heir was going to appear in AFfC. I later asked the same for the King of the Mummers. The names from this mail.
Harry would not appear, but would be mentioned. The King of the Mummers would not be appearing until A Dance with Dragons.
Maltaran asked about comparisons of Bretan Braith (from Dying of the Light) to the Hound.
He said yes, they are similar, but Bretan has much more duality in him, as he is handsome on the unburnt side, while Sandor was only average before the burning.
Cteresa talked with George about how very long summers can be as bad as long winters, because of drought, forest fires, etc.
He was very vehement that they had enough rain in Dorne so they should be ok.
Cteresa comments on the fact that George said something regarding Sam and Jon. Others add further details
I remember GRRM talking about writing a chapter with Sam and Jon on the wall from Sams PoV , and that he was thinking of writing the same chapter for ADwD but from JonԴs PoV. Mormont added that he had first mentioned that George had once shown the same scene from two different POVs in the Wild Cards series once, and that it was this remark which led him to reveal his thinking regarding the Sam and Jon chapters. But he also said he had to try it to see if it worked first. If it didn't work, he'd junk it.
I asked George about where AFfC was in the editing process.
He still had a last proofing/copyediting to go through. At this juncture, it was just a last pass through to try and catch any minor errors that hadn't been caught by himself, his editors, his copyeditors, and his proofers in previous pass-throughs. Hopefully no significant errors would be found, as it was pretty much too late to try and insert corrections.
At the Creating Characters panel, George makes some remarks relevant to ASoIaF.
The "Boba Fett effect" has struck him before. In Wild Cards, a throwaway Ace named the Howler was created specifically for the purpose of being killed off. He had, perhaps, one line in the series. But he actually had a fan following, for no reason George could understand. Similarly, Tytos Blackwood has developed a similar following, though he's hardly had more lines, and his main distinguishing feature is his raven-feather cloak and his yellow and black armor.
At the Collecting Miniature Knights presentation, George makes a remark concerning armor in Westeros.
When discussing the Courtenay figures he collected, he noted that their period was more or less during the Hundred Years War, and that the sort of armor they wearing was what he imagined for many of the knights in Westeros. There was variation, of course, as some knights are poorer and some richer and so on, but that gives a rough starting place.
SirRots asked GRRM about the size of Dany's dragons, and whether they were going to be large enough to ride by AFfC/ADwD.
George said that they were not big enough to be ridden at this time.
Bastard of Godsgrace talked with George about the very large cast of POV characters he now had in the books.
George meentioned that he had too many POVs - 19 - and he has to go down to about 9. When it was suggested that he could just drop them rather than kill them off, said that he doesn't have to kill them off, he can just drop them, he said that he could possibly do that, but seemed rather dubious about it.
Bastard of Godsgrace spoke to George regarding the third Dunk & Egg story.
George mentioned that since Silverberg is not interested in doing Legends 3, he signed a contract for the third story with some small press publisher. Rhelle added that she was almost sure that published was Subterranean Press, so that's the probable (but not absolutely certain) publisher.
Mormont learned some information regarding Wild Cards from John J. Miller.
John has written (and George has edited) the MS for the next book, which will feature 5 PoV characters, three of which are new characters. The ID of the other two is spoilerific. John also said that, due to a death at the head of the publishing company [Byron Preiss], this might be delayed, but that they have a contract to publish a further two new WC books and reprint some of the older ones (7-10, IIRC).
Following the "Creating Characters" panel, Linda and I mentioned to George that some people gave Sansa and Catelyn a lot of grief, claiming they "whined" too much.
George was quite adamant that he disagreed with those readers. He pointed out that the problem is that readers often don't seem to make a distinction between internal thought and external speech in a way that an author might prefer. Specifically, in terms of "whining", to him whining is a verbal act -- you actually have to speak to whine. Cat doesn't do that, though -- all her dark, depressed thoughts are kept to herself. Yes, the reader is aware of them, because they read her POV, but she absolutely does not burden other characters with them. Basically, everyone has bad times among the good times, and they think negatively then but just having negative thoughts isn't whining.
Bastard of Godsgrace overheard GRRM remark on the Boltons in ADwD.
George mentioned that we will see a lot of Roose and Ramsay in ADWD.
Finally, some pronounciations: Ghis sounds like Geese (with possibly a little bit of the h apparent). Dothraki = Doth-, not Doath-. Pyat Pree = Pee-at, not Pie-at. Myrcella = Mer-sell-ah, not -kell-ah.
But, on to book signing. There was a 3 book maximum per trip through the line. I was through the line in about 20 min. Which was nice. Mr. Martin had been through the dealers room and when I got up to have my books signed he asked about the swords and what we used them for. Turns out that he used to be a chess coach, and is very into the human chessmatch concept. I thought that was neat. I had brought the first two books in the series in paperback, but the 3rd in hardback, so I got a little more personalized autograph in the hardback. He signed it " To Chris- Keep your Swords Sharp! George RR Martin. " Which I personally thought was cool. After the signing he came back through the dealers room again and we got a chance to chat some more.
...
When noon rolled around I went to George RR Martin's reading. He read a chapter from the new novel, A Feast for Crows. It was a Sam chapter. Sam is the coward of the series, but quite possibly one of the smartest characters as well. Is was a very good chapter and lent a lot of insight into the direction that the new book is going. After the reading there was indeed time for Q&A. A couple of people had questions, but I sat front row center in my Bellie dance garb and asked the majority of the questions. Everything from how hard is it to write from a kid's point of view. ( Very, why do you think that the 4 year old character is in hiding?) Are you going to do a time jump to age the kids? ( Nope too many balls in the air for the adults, but there has been 3 years already to pass in the books so they are growing up). Who is your favorite character? A cliche but I had to ask. ( Tyrion, For a lot of very detailed reasons that I don't have enough space to write.) My favorite character too. Where did you come up with the idea of writing from so many perspectives and why? ( Also a long answer, but the jist of it is from the Wild Cards mosaic novels, and so that you could see the stories from a lot of angles without the great author wink wink nudge nudge, so that you know what is going on even if the main character doesn't.)