Westeros

Back in November, we mentioned that House of the Dragon exective producer,  show runner, and lead writer Ryan Condal was co-hosting a podcast about film and television props with director and producer David Mandel. We’ve been keeping an eye on The Stuff Dreams Are Made Of since then, in large part because it’s genuinely interesting listening for those who share a similar interest in movie history (especially as Mandel and Condal also share a love of many of the same iconic late 70’s-80’s films—Aliens, Star Wars, Blade Runner, etc.—that we do).

Big news out of Hollywood today, as Variety first revealed that HBO is in early development on adapting the Dunk & Egg novellas (collected in A Knight of the Seven Kingdoms [affiliate link]) to the screen:

This was followed up half an hour later by EW’s James Hibberd (author of Fire Cannot Kill a Dragon [affiliate link]) reporting that it goes beyond Dunk & Egg:

HBO Max has released a look forward for the next year—a tradition HBO has been doing for many years—and decided to go a step further by hinting at things to come in 2022. Specifically, at the end of the video below, a dragon appears, breathes fire, and reveals what seems likely to be the logo for House of the Dragon (the three-headed dragon, of course, wreathed in flames):

This is not at all a surprise, as back in September HBO executives revealed that the show was being targeted for 2022. It’s interesting to see HBO Max using its arrival as the big hook for the final moment of its promotional video, however, showing that the company is puting a great deal of weight on it being a big draw to their platform.

The Hollywood Reporter has reported that Olivia Cooke (Ready Player One female lead) has been cast as Alicent Hightower, Emma d’Arcy has been cast as Rhaenyra Targaryen, and Matt Smith (Doctor Who, The Crown) has been cast as the “rogue prince”, Daemon Targaryen. This follows rumors along those lines about Smith over the last couple of weeks.

Princess Rhaenyra (depicted by Magali Villeneuve), Queen Alicent (depicted by Doug Wheatley), Prince Daemon (depicted by Marc Simonetti)

HBO’s official Game of Thrones social media channels have awoken to unleash the first concept art from House of the Dragon, featuring designs for two un-named dragons. We have some thoughts on just who they may be below…

The depiction of this dragon suggests it’s a young one, more similar in size to Daenerys’s dragons in the first half of GAME OF THRONES. By its coloring, we’re guessing this is a concept for Sunfyre, also known as Sunfyre the Golden.

Over at his “Not a Blog”, George R.R. Martin has posted a new update on various topics, including HBO’s House of the Dragon as well as where he’s at with the greatly-anticipated The Winds of Winter. Along the way, he gives some hints about what he’s been working on on the “big, big book”:

(The newly-released A Storm of Swords (affiliate link) anniversary edition, featuring new illustrations from Gary Gianni.)

In one of the first interviews with House of the Dragon showrunner Ryan Condal since HBO’s straight-to-series order was announced, Beyond the Trailer‘s Grace Randolph manages to draw out a few details about the show and Condal’s relationship to the novels and George R.R. Martin in the course of discussing his passion (and that of fellow guest, writer and Veep showrunner David Mandel) for collecting Hollywood memorabila.

Besides revealing himself to be a very knowledgeable collector (for example, he shares the fact that there were only two hats used for Indiana Jones in Raiders of the Lost Ark), he reveals a handful of things about the show:

• The show has already hired a costume designer and a production designer. Rumors early in the year suggested Deborah Riley was on board as production designer, resuming her role from Game of Thrones, but this has not been confirmed.
• As far as costumes and production design go, Condal says fellow showrunner Miguel Sapochnik‘s mantra has been, “If it isn’t broken, don’t fix it,” meaning that the show will draw heavily from the costuming and production design already featured on Game of Thrones. However, Condal mentions that they will look for subtle ways to tweak costumes and production designs to visually suggest that the show is set some “200 years” in the past from the original TV show.

It’s an entertaining interview with both writers/showrunners, with some fun anecdotes and some very neat examples of memorabilia (lets just say both Condal and Mandel are fans of certain iconic Lucasfilm movies). Well-worth watching the whole thing! The interview promotes Mandel’s and Condal’s new podcast, The Stuff that Dreams are Made Of, which is focused on collecting props. The first two episodes released yesterday, and can be found at all the major podcast sources.

UK Production News, a database for film productions in the UK which has proven to be a reliable source of information, has updated as of yesterday with information concerning the production of House of the Dragon, which reveald yesterday its first lead casting. First reported by Redanian Intelligence, a website focused primarily on The Witcher but which has kept a close eye on other genre productions, the database was updated to show two things: that the main production hub would be Warner Bros. Leavesden Studio complex and that plans now seem to begin filming in late 2020.

Redanian Intelligence‘s report shows the full listing of information from the database as of yesterday, but a visit today shows that it was updated with one more piece of information, that the first season is 10 episodes, which was reported back in July when the straight-to-series order was announced. So, no apparent change there.

From EW’s James Hibberd (whose Fire Cannot Kill a Dragon [paid link] is now out), HBO has revealed the first actor cast in next year’s House of the Dragon: Englsh actor Paddy Considine, known for a variety of roles including Edgar Wright comedies and, most recently, HBO’s The Outsider. According to the report, he has been cast to play King Viserys I Targaryen.

https://creativecommons.org/licenses/by-sa/4.0)” href=“https://commons.wikimedia.org/wiki/File:Paddy_Considine_2011_(cropped).jpg”>CC BY-SA from the Cambridge Film Festival

Deadline has reported on an interview with Casey Bloys, the president of HBO, following HBO’s strong showing at the 2020 Emmys. Towards the end of the article, Deadline reports:

In a new Not a Blog post titled “Writing, Reading, Writing”, GRRM has written from his cabin hideaway about his isolation during the global pandemic. In the course of being up there, his assistant captured two mice that they’ve now made into pets named Timmy and TomTom, and George notes they have not been too helpful in advising him on The Winds of Winter...

... but he actually has a deal to say about the progress he has made, even if he thinks he won’t be able to recapture the blazing rate of speed in which he wrote A Storm of Swords (which peaked at about 150 manuscript pages a month).

Here’s what he has to say:

And below the fold, here’s some additional details that are slightly spoilerish in nature:

A friend in Belfast brought to our attention this breaking news from the Belfast Telegraph, revealing that HBO has served notice that it will no longer be holding on to its lease on the sprawling Paint Hall studio complex following the wrapping up of the “Long Night” prequel.

More importantly, however, the article indicates that NI Screen was aware that the House of the Dragon prequel series was definitely or at least unlikely to be filmed in Northern Ireland, which is a shock to some but perhaps not to others:

(Above: A photo from the season 1 set visit, taken in the bowels of the Paint Hall as Bryan Cogman led George R.R. Martin, Parris McBride [the photographer], and I between sets.)

A very interesting post at the Wild Cards World official website from veteran TV writer and producer Michael Cassutt (a long-time member of the Wild Cards Consortium, and heavily involved in the present work on the two Wild Cards being developed at Hulu) discusses what goes on in the writing room when shows are developed and seasons are broken down, but one particular detail caught our eye as he turned to discuss a number of genre-fiction writers who have become involved in TV shows:

Durham has written numerous novels, most of them historical, but also a well-reviewed fantasy trilogy, Acacia. He’s also been part of the Wild Cards Consortium since 2011, when he contributed to Fort Freak. Because of this connection to the sphere of George R.R. Martin collaborators, we suspect that Cassutt has let slip that Durham has been added to the writing staff of House of the Dragon following its series order. As some will recall, an initial team of writers was named by George as having helped develop the series prior to the order, but it would not be strange if others came onboard after that stage.

That said, it’s also possible that Durham was involved in the now-cancelled Long Night pilot, or perhaps one of the pitches for other successors that have now been put on indefinite hold. Currently, Durham’s own website and Twitter have no further information on the subject, although his new Twitter account does note that next year will see the publication of a new novel for him, a fantasy YA set in ancient Egypt titled Shadow Prince.

Last night, the trades had word from the HBO’s session at the TCA Winter gathering, with executive Casey Bloys discussing the status of post-Game of Thrones successor shows and the fact that he expected House of the Dragons would not premiere before 2022.

News is moving fast. We posted just a little while ago about Condal’s series getting a rumored pilot order… and now word is that the show, titled House of the Dragon, now has a full series order for ten epiodes, according to Variety. Condal and Miguel Sapochnik will be co-showrunners, with George R.R. Martin and Vince Gerardis as executive producers alongside.

This is an amazingly fast news day, to say the least.