With a month to go until the release of A Knight of the Seven Kingdoms, HBO has released its first behind-the-scenes look at the show with sound bites from showrunner Ira Parker, as well as George R.R. Martin, Peter Claffey, and more!
HBO has also released a number of new stills from the show, featuring the principal cast, which you can see below.
As is tradition, HBO has released its latest “what’s upcoming next year” video, and this one features a number of new moments from House of the Dragon‘s third season including a great glimpse at Lord Ormund Hightower (James Norton) in a breastplate engraved with images of the the High Tower, the Mother, and the Warrior, as well as Corlys Velaryon, Alyn of Hull, the queens Alicent and Rhaenyra, and Prince Aemond.
While no official release date has been given, by sheer happenstance Matt Smith was on the UK show This Morning and let slip that he thought it will premiere this August:
The HBO video also has some clips from the forthcoming A Knight of the Seven Kingdoms, but pretty sure it’s nothing we have not seen before.
As promised yesterday, here is HBO’s final trailer for A Knight of the Seven Kingdoms ahead of its January 18th release:
HBO has just dropped a teaser for the final A Knight of the Seven Kingdoms trailer, which will be released tomorrow. It captures one of the early moments in George R.R. Martin’s original “The Hedge Knight” that won the hearts of many readers:
Hold your horses. The final #AKnightOfTheSevenKingdoms trailer drops TOMORROW. pic.twitter.com/r2UoYLGV60
— Game of Thrones (@GameOfThrones) December 3, 2025
HBO has also released a number of new images of cast members!
Random House has published the first details on the 2027 A Song of Ice and Fire Calendar, revealing the name of the artist involved and the cover image which will be one of the thirteen pieces in the calendar. The calendar will be illustrated by Tyler Jacobson, an award-winning artist who is very well known for his fantasy works in Magic: The Gathering and Dungeons and Dragons circles in particular—a few years ago a piece of his, a painting of Drizzt do’Uren, sold for $155,000 at auction, setting a record price (which possibly has not been exceeded still).
The art features Beric Dondarrion in battle, with a great depiction of the Dondarrion coat of arms. There’s a suspiciously gigantic figure fighting behind him, who might possibly be Gregor Clegane?
With the release of the trailer for A Knight of the Seven Kingdoms , we thought we’d capture a few images and comment on them—who the actors and characters are, and any particular details that catch our attention.
For those who have not read “The Hedge Knight”, there will be spoilers!
And here it is, folks, the much-anticipated trailer to HBO Max’s A Knight of the Seven Kingdoms:
And here’s the link to the livestream to the NYCC panel, courtesy of ReedPop and Popverse:
And the beat of the marketing drums continues to grow. As we anticipated, HBO Max is starting to push more and more information out there ahead of tomorrow’s NYCC panel (which George R.R. Martin has also posted about), and now we get a preview of the trailer featuring Dunk and Egg overlooking the sprawl of pavilions and tents at Ashford Meadow:
A humble beginning to an extraordinary journey. TRAILER TOMORROW. #NYCC pic.twitter.com/Jnxw5rtklP
— Game of Thrones (@GameOfThrones) October 8, 2025
Following yesterday’s post on an EW exclusive interview with A Knight of the Seven Kingdoms show runner Ira Parker, as well as the fact that the NYCC panel would be livestreamed by Popverse, HBO has gone ahead and starting dialing up the excitement by releasing our first official poster for the upcoming show, underscoring the January release date. We think it’s a pretty clever image
Entertainment Weekly has the first exclusive interview with Knight of the Seven Kingdoms show-runner Ira Parker, ahead of the first public preview of the show at New York Comic Con this coming Thursday during the panel, “HBO / HBO Max presents A Knight of the Seven Kingdoms – Journey into Westeros with Dunk and Egg”.
In the interview, a few interesting points come up. Front and center is the fact that for thematic reasons, this show will not open with the expansive opening title of its predecessors, but a simple title card before launching right into the story. Parker states to EW:
“All decisions came down to Dunk, trying to channel the type of person he is into every aspect of this show, even the title sequence… The title sequences on the original [Game of Thrones] and House of Dragon are big and epic and incredible. Ramin Djawadi’s score is orchestral and large and beautiful. That’s not really Dunk’s M.O. He’s plain and he’s simple and he’s to-the-point. He doesn’t have a lot of flash to him.”
Parker then goes on to note that he promised George R.R. Martin that, per EW, “he would never shift to a perspective of anyone in the upper class. Viewers will always stick with Dunk, Egg, and this lower rim of Westeros society: the armorers, the performers, the barmaids, the whores, and the like.”
And then he says some rather interesting things about the state of House Targaryen at the time of the tourney at Ashford. More on that below, plus how to watch the panel livestreamed courtesy of Popverse!
George R.R. Martin with star Peter Claffey and show runner Ira Parker (right).
Over at the movie prop collecting podcast The Stuff Dreams Are Made Of, House of the Dragon co-creator Ryan Condal recently offered a window into the show’s production as the third season filming is hurtling to completion, detailing a tradition he’s started on the show.
Speaking with his co-host, David Mandel (Veep, Seinfeld), Condal confirmed that as the series moves into its later seasons, a growing number of principal characters are having their “series wrap”. Filmed sometime after the 13th or 14th based on remarks on a recent auction, Condal noted that in the last ten days or so of filming there were several such “wraps”. In the unforgiving world of Westeros, of course, we all know what that means. Condal, whose passion for props apparently amuses his show’s directors and writers, revealed that he has adopted a tradition inspired by Peter Jackson’s celebrated practice on The Lord of the Rings: sending off each departing actor with a significant prop tied to their character.
After the Emmy Awards, where HBO Max shows took a combined 30 wins (including Best Drama Series with The Pitt), CEO Casey Bloys held court with the press such as The Wrap and Deadline) at an after-party and discussed a number of different topic, covering a wide range of their shows. But for fans of the universe HBO is making out of George R.R. Martin’s A Song of Ice and Fire, the most interesting details related to the scheduling of both A Knight of the Seven Kingdoms and the third season of House of the Dragon.
On the former, Bloys revealed that they are planning to premiere A Knight of the Seven Kingdoms this January, so just four months from now. As noted back in May, originally the show had aimed for a 2025 release but was bumped. With this January window apparently locked in, it seems it only just missed the original target.
Via Deadline, they have confirmed that Australian actress Annie Shapero has been cast to play the role of Alysanne Blackwood.
In the history as written by George R.R. Martin, Alysanne was the young maiden aunt of the even-younger Ben Blackwood, and was a skilled archer who took part in a number of battles during the Dance of the Dragons. It’s unclear how much of that will remain unchanged, but according to Deadline Alysanne will appear in five of the eight episodes in the third season of House of the Dragon.
Alysanne Blackwood at the Battle of the Burning Mill, a battle briefly featured during season 2 but without her presence being explicitly noted.
The nominees for this year’s Primetime Emmy awards are now out, and House of the Dragon has added six fresh nominations to its tally, making the total of 14 nominations across the first two seasons. While this is the first time a show in the Game of Thrones universe has not received an Outstanding Drama nomination, it has a bevy of technical award nominations that underscore the show’s incredible production values. These include: