Westeros

Just a bit over a week left to the premiere of House of the Dragon‘s third season premiere, and another behind the scenes teaser has dropped, this time focused on the absolutely massive logistics behind the spectacles promised for this season which explain, to some degree, just why it takes so long to produce a season:

Among the details are that the season involved 314 days of filming, with the naval battle that will be featured in the opening alone taking 27 days of shooting.

Despite initial aims to get this out this year, it seems like A Knight of the Seven Kingdoms has ultimately shifted entirely out of 2025, and will now be an early 2026 release according to a first look at a trailer for the show revealed to press and industry professionals at the WBD upfront.

Whether that trailer will also be released today or in the future, we do not know.

House of the Dragon‘s third season officially kicked off a few days ago, and HBO wanted to make sure everyone knew it by having star Emma d’Arcy make the announcement in a video:

There’s quite a bit more news besides that, however, as some new castings have been revealed… and a new interview with show runner and co-creator Ryan Condal responds to some questions from EW about the season to come… and gives his version of the situation that stirred a great deal of controversy preceding it.

As far as the casting goes, two northerners have been announced: Dan Fogler will play Ser Torrhen Manderly, and Tommy Flanagan will play

[Edit: Ryan Condal has since confirmed to us that Roderick is a lord on the show, not a knight.]

See the full press release that came with the announcement, and list of returning cast members as well as confirmed new ones, below!

Earlier this week, Linda and I had the pleasure to once again interview House of the Dragon co-creator and show runner Ryan Condal. As we were able to do it after the airing of the first episode (you’ll find our video discussing the episode here), the fact that a lot of fans asked us to ask about the changes to Blood and Cheese when adapting Fire and Blood to the screen is a major topic. We also discuss new props, books he has read for research purposes, the new opening, the possibility of a new opening theme from Ramin Djawadi, unsung heroes of the production, and more!

At a press event, HBO’s Casey Bloys unveiled a first-look trailer at the second season of House of the Dragon, according to Variety. While details of the trailer are embargoed, we’re guessing that it’ll air within the month, and perhaps within days.

Bloys also indicated something that seems to confirm our speculation when a casting call went out in the UK: Knight of the Seven Kingdoms: The Hedge Knight is “will begin shooting next spring, pending the end of the ongoing SAG-AFTRA strike.” That caveat is a curious detail there, which suggests that they plan for at least one significant role going to a North American actor… or maybe they’re just wanting to leave open the possibility? But I’m guessing the former, they have their sights on someone.

Will those fan-casting Oscar Isaac as Baelor Breakspear be getting their wish? We’ll have to wait and see!

Back in May, the beginning of the WGA strike shuttered many productions, but not House of the Dragon. Now SAG-AFTRA has called a strike for many of the same reasons as the WGA… but it’s currently being reported that a couple of UK-based productions will continue filming because actors who are members of SAG are also members of the UK’s Equity, and their contracts are (allegedly) under the terms of Equity. And of course, one of those productions not shutting down (reportedly) is, once again, House of the Dragon. According to the Deadline article, the UK’s laws don’t allow sympathetic strikes, and actors are receiving guidance telling them to continue to report in to work if their contracts are under Equity rather than SAG.

Over the last weeks, HBO has been releasing a series of videos titled “Inside the Craft”, exploring different aspects of bringing House of the Dragon to life. The latest entry focuses on armor, and particularly the armor of the Gold Cloaks. It features show runner Ryan Condal, armourer Simon Brindle (who worked on Game of Thrones), and costume designer Jany Temime. Some really good, close-up looks at a number of suits of armor, and some glimpses of armor from the tourney in the first episode that were seeing only fleetingly:

The two previous videos were focused on the weapons and Dark Sister, and the costumes and Rhaenyra’s wedding dress.

The Writer’s Guild of America has begun a strike, which means members of the guild will not be writing for any productions they’re working on. There’s a lot of questions about just what this means for many productions, questions that Variety has tried to answer with its FAQ. But fans of House of the Dragon have worried about the show being delayed because of the strike, and as it happens, Variety has an answer for that question as well.

Per Variety, all the scripts for the season have been finished ahead of time, and production will continue. So, good news! However, as some may realize, most scripts are not completely done and in final form when a show is produced. There’s often talk of rewrites and the need to ADR (“Automated Dialogue Replacement”) to insert new dialogue or change existing dialogue. As Variety notes, it’s unclear just how that aspect of things will work for programs already in production. Will they take different footage from different angles to give them more wiggle-room to add entirely new dialog when a character’s mouth can’t be seen? Will they employ some of the new tech out there to simply dynamically change a character’s lips to the words they’re saying? We live in fascinating times, as it were.

To mark the occasion of the official start of production of House of the Dragon, HBO has put out a press release with the announcement, a remark from showrunner and lead writer Ryan Condal, and some other notes, plus a nice behind-the-scenes shot of the Iron Throne:

Hot on the heels of EW‘s exclusive, the Hollywood Reporter has published a two-part extravaganza from Fire Cannot Kill a Dragon chronicler James Hibberd (Part 1, Part 2 digging further into both the origins of House of the Dragon, its story and production, and the future of the show as well as other shows in the Game of Thrones universe.

Prince Daemon trying out his brothers chair.

A new report from Variety shares a piece of information from an anonymous “production insider”: the 10 episode first season of House of the Dragon managed an average per episode budget somewhat under $20 million. This is cited as a great achievement given rising production costs and the greater number of dragons that will need to be CGed in the series. Variety reports:

[T]he production insider says HBO is now so adept at these world-building series through years of not just GoT, but also producing Westworld”and His Dark Materials, that the team can make a high-quality series as efficiently and effectively as possible.

By way of comparison, the final season of Game of Thrones cost somewhere in the vicinity of $15 million an episode.

Random House has revealed their publishing plans for the summer, and fans have noticed that July seems particularly stacked with House of the Dragon tie-ins using Fire and Blood as the focal material.

First, Random House revealed that on July 12th they will publish tie-in editions of Fire and Blood that will feature a cover using photography from House of the Dragon. Second, Random House announced that the 2023 A Song of Ice and Fire Calendar, to release on July 19, will be based entirely on Fire and Blood. And, in a departure from the previous calendars, this will feature an array of artists rather than just one. No word yet as to who has contributed.

Fans may notice these July dates, and speculation has run that the dating relates to the as-yet-unannounced premiere of House of the Dragon.

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Things have been quiet on the House of the Dragon front since their filming in Cornwall led to fans getting their first glimpses of some of the lead actors in costume. Now, thanks to Spanish newspaper Hoy, we learn (thanks to our friends at Los Siete Reinos) that House of the Dragon is set to film for three weeks in October in the Extremaduran city of Cáceres and the town of Trujillo. Both of these were used during filming of Game of Thrones, with the town of Trujillo providing the walls of King’s Landing and Cáceres as the location for a procession scene in King’s Landing featuring Euron Greyjoy as well as scenes set in Oldtown.

Per Los Siete Reinos, the three weeks would include pre-production time, so actual filming there will be shorter.

Update June 30th: A second article from Hoy concerning the filming in Cáceres also reveals that the show will be filming in the Portuguese village of Monsanto.

The second season of Ryan J. Condal’s and David H. Mandel’s podcast about movie props, The Stuff Dreams Are Made Of, has launched. This first episode is ostensibly about the 40th anniversary of Raiders of the Lost Ark and the bullwhip famously wielded by Indiana Jones, but in the course of it some hints about House of the Dragons were provided by Condal.

The first piece of information concerned plans for future episodes, with Condal stating that he’ll be getting one of the members of the HotD production to be a guest to discuss what he or she does. He did promise it would be spoiler-free, because otherwise he’d be fired, but we can expect some interesting discussion in the weeks to come.

The second piece of information was that Condal confirmed there would be “bespoke” swords for “heroes”—that is, custom-made swords for leads and significant characters—but that the armorer that has been hired for the show has a vast supply of swords from past productions he has worked on that will be among those used for background performers and the like. In fact, according to Condal, the supply of past weaponry or armor that an armorer or swordsmith can bring to a production is part of the calculation when deciding who to hire.

So, whoever is responsible for the swords on House of the Dragon is someone with a great deal of experience making swords for film and television productions. We would guess that they are also UK based, as it would just be very convenient. Interestingly, Condal mentioned Terry English (Excalibur, Aliens) several times in the course of the podcast, but a look at his credits suggest he may be retired from the gruelling production schedule.

After a deal of footage has made its way to the internet from photographers with long lenses, HBO has now released to media images of some of the costumed lead performers from House of the Dragon. These feature Emma D’Arcy and Matt Smith as Rhaenyra Targaryen and Daemon Targaryen, Steve Touissant as Corlys Velaryon, and Olivia Cooke and Rhys Ifans as Alicent Hightower and her father Otto Hightower. See the images below, with some comments.

Emma D’Arcy as Princess Rhaenyra Targaryen” and Matt Smith as Prince Daemon Targaryen. Typical Targaryen looks, as expected. Rhaenyra’s costuming fits the description of her preferred colors and textiles such as maroon and velvets. Her long braid is also drawn from Martin’s description.