George R.R. Martin has updated his “Not a Blog” page with a long post discussing the current state of affairs in the world, a number of which impact businesses and initaitives he is involved in: Meow Wolf has closed its doors for now, and GRRM has followed suit by temporarialy shuttering the Jean Cocteau Cinema as well as the Stage Coach Foundation (however, he notes employees of both organizations will be paid for the forseeable future). However, in the interim, the Beastly Books store that shares a location with the Jean Cocteau does remain open for the time being for those looking to take some comfort in the familiar act of browsing shelves and picking up something to read.
In the course of writing on this, however, George does touch on those who are concerned about his own well-being. Never fear, he says:
For those of you who may be concerned for me personally… yes, I am aware that I am very much in the most vulnerable population, given my age and physical condition. But I feel fine at the moment, and we are taking all sensible precautions. I am off by myself in a remote isolated location, attended by one of my staff, and I’m not going in to town or seeing anyone. Truth be told, I am spending more time in Westeros than in the real world, writing every day. Things are pretty grim in the Seven Kingdoms… but maybe not as grim as they may become here.
That certainly does sound foreboding.
Over at Not a Blog, George R.R. Martin has shared thoughts on the close of Game of Thrones, how it might be compared to his plans for the final two novels in A Song of Ice and Fire, and more. Well worth a read as a reminiscence and commentary for those who wonder about these things. It’s been a long road for George, for everyone who worked on or covered the show, and for the tens (hundreds?) of millions around the world who’ve watched it.
I had the great privilege to accompany George and Parris to a visit to the set as the first season filmed (the image above comes from that visit, George and I moving down a dark hallway in the Paint Hall studio, led by Bryan Cogman to one of the several sets in that colossal space).