Westeros

Last month, we posted our impressions from the world premiere, with a follow-up video regarding a particular aspect of that episode. Since then, we’ve received screeners of the first four episodes of the season, and as with previous seasons, we thought we’d offer early impressions based on those first four episodes. Regarding our remarks on the first episode, they remain largely unchanged: it’s a typical first episode, heavily packed with a lot of short scenes, and it doesn’t get much narrative momentum as it has the difficult job of catching up viewers to the current status quo.

Surprisingly, in many ways the second episode feels very similar, suggesting that the the growth of the story means that it now takes the better part of two episodes before significant advancement can take place. This may be a problem for the remaining seasons of the show, unless they become quite ruthless with some of their storylines.

Three particular areas of season 5 seem worth talking about in this discussion, and the first of these is the one that dominated our video: changes. This is a season with a host of changes, many minor, but a handful being among the most substantial deviations from the novels that the series has ever tried. In some cases, changes are presented as a means to simply close down one particular avenue of the story: we discuss one of those at some length in the video involving the death of a certain character in the first episode, and another change of this kind presents itself in the third episode as readers of the novels come to realize that a significant section of story for one popular character (a section that has implications for other, equally significant storylines, to boot) has been excised in its entirety to speed on a character’s journey.

This puts me in mind of one of the analogies George R.R. Martin has lately brought forward when asked about the different stories of the novels and the TV show. After asking how many children Scarlett O’Hara has in Gone with the Wind, GRRM notes that while she has 3 in the original novel, she only has 3 in the movie. This, George notes, is a significant storytelling difference in the case of Gone with the Wind, and yet the film (noted for a number other such differences) is considered a faithful adaptation of the novel, and one that is the highest grossing film in history once adjusted for inflation.

A whirlwind visit to London—we spent less than 24 hours there, and got very little sleep indeed—saw Linda and I at the world premiere of season 5 of Game of Thrones at the historic Tower of London. As Dan Weiss would say in a specially prepared video (neither he nor David Benioff was in attendance, claiming too much work finishing up season 5), the Tower was the “throniest” place they could think of at which to have a premiere. Thanks to the good offices of Sky, it was a spectacular occasion, filled with projected displays, costumed caterers, a Dornish-themed party, an enormous group of actors (35 actors from the show, past and present, were in attendance according to HBO CEO Richard Plepler; we’re fairly sure that this was the largest public gathering of the show’s cast to date), and of course the first episode of season 5, “The Wars to Come”.

As it happens, this is not really a review. Various U.K. newspapers were very quick to scrape out reviews and commentary, some more spoiler-filled than others, and you can go look at them if you really want someone’s measured opinion (for the most part, it seems the press was enthusiastic). Because of the circumstances of our trip—very early flight, little time to get ready, little time to rest—for my part I think I was a bit too tired to really be fully attentive to the episode. My habit of checking my watch was at first an effort to just track the pace of the episode and try and help fix in memory sequences of eventsâ`¦ but eventually it was simply the distraction of a wandering attention. Linda, on the other hand, was more well-rested, and she felt her attention wandering as well. Perhaps it was the experience of watching it in a packed theatre? That might be it, as it’d be a new experience and the novelty of it may have been distracting, but we’ve another thought.

Thanks to the good graces of HBO Nordic, Linda and I travelled to Stockholm this past Friday to take a look at the Game of Thrones exhibit in Kungsträdgården. A quick train trip from Gothenburg and after checking in to our hotel we took a walk over to the park, where we meet our press contact who got us our press passes. We had arrived too late to take part in the panel with Coster-Waldau, but Nikolaj has been a frequent interviewee of our site already so not a big deal, we thought.

The exhibit is housed in a large tent in the middle of the park, which extends down to one of the more scenic views of Stockholm’s glorious waterfront—though with the grey, windy weather, it wasn’t all that beautiful at the time. Ushered in, we were greeted first by a few heraldic banners, and then a mass of costumes, armor, weapons, and props that ran the gamut from all four seasons of HBO’s hit show… and even into the fifth season.  Naturally, we took many pictures.

While there, Nikolaj came in to do a series of television and radio interviews, but before they started he came by to chat with Linda (who he’d not met before, but evidently recognized) and I. He remarked that the Oculus Rift-driven Wall experience was particularly amazing and wondered if we’d tried it (we had.) And then back to interviews for him, and back to looking around for a bit more. During this time, Elana Loewenthal of HBO introduced herself, revealing that she was largely responsible with arranging the exhibit and its contents. She was particularly helpful, discussing some of the thinking behind the story of the exhibit—the way things were laid out in conjunction with one another—and the little hints of season 5 they were able to work into the show with the permission of executive producers David Benioff & Dan Weiss. Afterward, she said we’d see her again at the opening party held in a nearby gallery….

Just like his alter ego, the Knight of Flowers, Finn Jones is a very passionate, energetic individual.

Understandably, the fans are really pleased with his enthusiasm; he does get carried away while chatting, and I could hear him utter the “F-word” more than once (tee-hee!) His slender frame and that mop of quasi-alive curly blondish hair are quite striking, even more so with him sitting close to the mighty Kristian Nairn.

When my turn comes, Finn’s hand darts towards mine and shakes it effusively. A quick smile. Bright eyes. It shows today’s just the first day of the Con. I check my recording device (or “Phone”, as I am fond of calling it), like this:

Interview

Marino: OK, let’s try this… Hello?

Finn stretches his body from the other side of the table and with the grace of a shadowcat starts throwing words at the device.

“Man, he speaks fast,” I find myself thinking. I wish the few thousand people around would lowered their voices a few decibels, but since it seems unlikely, I ready my ears and buckle up to fight Ser Loras Tyrell in the merciless arena of light-speed-interviewing.

Marino: Finn, thank you so much for taking the time to answer these questions. We didn’t get to see much of you last season, but Loras is in a difficult place right now with his wedding looming on the horizon and all the politicking. How is he faring?

It’s always a pleasure to interview writer and story editor Bryan Cogman, who has so far written an episode of each season, including what are amounting to two of our personal favorites of the series: “What is Dead May Never Die” and his season three episode, “Kissed by Fire”.

Below, I talk with Bryan about the episode, the introduction of new characters, his proudest moments, and much more. It’s a lengthy one but, we hope, a good one. Enjoy!

Interview

All right, thanks so much for taking the time, first off!

Now, often episodes seem to have their titles decided at the last minute—George’s episode went through a couple of different names before it was settled. Was “Kissed by Fire” always the title you preferred for your episode?

Continuing our interview series, next up is actress Rose Leslie, who had a memorable turn as Ygritte last season.

In this interview, she gives some hints about things to come, discusses just how often Kit Harington smiles, and much more. I note one place where she laughs… but truth be told, she laughs often and was clearly enjoying herself immensely at being involved in a project like Game of Thrones.

Interview

What can you tell us about season 3?

Why is Ygritte interested in Jon Snow? What piques her interest?

Continuing our series of interviews, this time it’s Iain Glen on board. Playing Jorah Mormont, he may be rather (a lot) different from the character in the novels, but the dignity and gravity he brings to his performance is a terrific counter-point to Daenerys Targaryen’s youthful energy and determination. In the below interview, we touch on topics such as his luck in filming locations, his views on the violence in the show, and just how Jorah feels about Daenerys.

Interview

How is this season for Jorah and Dany this season?

Last week, we received the first four episodes of season 3 of Game of Thrones to review, courtesy of HBO. While our individual episode reviews and coverage will be held until the corresponding episodes air, it has become something of a tradition to share our general impressions of those early episodes. We did it for the first season, and we did it for the second season, so it seemed only right to do it again. The process of discussing even vague impressions will probably reveal some semi-spoilers, so reading on isn’t going to be a good idea if you prefer to stay unspoiled!

But lets just give a general summing up first, and get into the nitty gritty after: these four episodes are on the whole quite good; not perfect, but they may well be the strongest first four episodes as a whole for the series to date (certainly, they’re stronger as a unit than last season’s first four, though none of them are as good as “What is Dead May Never Die”). Some of our biggest fears going into this season seem, so far, to be unfounded. But there are some issues, such as the fact that a number of the anticipated new characters are rather underwhelming when they finally hit the screen and that there are one or two (largely invented) storylines that don’t really feel like they’re gelling for us.  Still, each subsequent episode goes from strength to strength, each one better than the last. So why do we feel cautiously optimistic? We recall that last season, too, the third and fourth episodes impressed us the most and left us pretty excited about what was to come… and then the cracks started to show and real problems developed that led to some major disappointments. Four episodes in a show like this is not enough to really gauge how the rest of the season will be, especially in terms of how well they’ll translate what’s in the novels to the screen.

Now, on to some more specifics.

This is the first of a series of interviews that we’ve had with actors from Game of Thrones, ahead of season 3. It was nice to say hello again to some of the actors, who are starting to become familiar faces, and also to meet some actors (both old and new) that I’ve never had the pleasure of meeting before. First up, here’s our interview with Michelle Fairley, who plays Catelyn Stark!

Interview

What can you tell us about Catelyn in season 3?