Westeros

Over at “Not a Blog”, George R.R. Martin has written about having watched Netflix’s Blue Eye Samurai, a Western animated story of revenge set in Edo Japan. We ourselves suggested fans should check it out shortly after its release when he binged it (over three days, as well, just like GRRM and Parris), suggesting that its adult nature, its bloody action, and its plotting would appeal to fans of A Song of Ice and Fire or Game of Thrones:

So, a good call from George. But he goes on past praising Blue Eye Samurai to discuss the state of possible animated successors to Game of Thrones... including the big news that the formerly-live Nine Voyages is being retooled as a possible animated series.

Details of the A Song of Ice and Fire 2025 Calendar have been released via Edelweiss and Amazon, and now we see that what seems to be one of the images—the cover image for the calendar—has also been released. Illustrated by concept artist and illustrator Eddie Mendoza, who first entered the Ice and Fire-art world with work he did on our own The Rise of the Dragon, next year’s edition of the calendar will focus on landscapes and castles from throughout the vast World of Ice and Fire, as described in the following text:

And the cover appears to be one of these locations, one which has never really been depicted before in the “official” art (outside of a rendition or two in the Fantasy Flight Games Game of Thrones card game): Starfall, the ancient and storied seat of House Dayne. (Yes!)

Last week, George posted an update to Not a Blog recounting a trip he took to the UK in late October and early November, in which he refers to meetings with his UK publishers concerning both A Song of Ice and Fire and Wild Cards, and then added some details regarding the play currently called The Iron Throne (it’s a working title):

The play was first announced way back in March of 2021. Dominic and Duncan would be Dominic Macmillan, the play’s director, and Duncan Cooke, the playwright.

And then George wrote a bit about his days working with Ryan Condal and the writers of House of the Dragon....

George R.R. Martin and House of the Dragon showrunner Ryan Condal on the set of the TV show, in what may be the godswood of Harrenhal.

Towards the end of November, a very interesting post on /r/asoiaf Reddit from a moderator and superfan known as zionius_, revealing three pages that appear to be hand-written notes from George R.R. Martin sketching out plans for A Feast for Crows circa 2003-2004. George’s handwriting is not, perhaps, the easiest, so go to the original post for the transcription from zionius_ and members of the subreddit’s mod team, which does a good job of distilling what they found.

Though some questioned whether these were legitimate, we can say with 100% certainty that they are—George’s hand is unmistakable, and in any case the notes came from be shared by way of Arnold Cha, a serious ASoIaF collector who indicated that he got them from an unimpeachable source in the Santa Fe writing/arts scene. With Arnold’s permission, we’re including the images here, but again, go to the subreddit thread for the transcript!

A month ago, it was revealed that press had been given a screening of a season 2 teaser. We speculated then that it would be something fans would get to look at within a month… and as it happens, to the very day of our post, the season 2 teaser has been released by HBO. See it below!

Besides this, yesterday HBO released a pair of new character posters featuring Rhaenyra and Alicent… and now today they’ve released quite a few stills or on-set photographs from the new season, to whet the appetites of fans. See those below!

Back in 2018, it was announced that George R.R. Martin‘s novella-turned-short-YA-novel, “The Ice Dragon”, had been optioned by the Warner Animation Group (now known as Warner Bros. Pictures Animation) as a possible feature film. Since then, occasional updates from GRRM have revealed it has stayed in development all that time, with his most recent update last year indicating that author David Anthony Durham—a writer of historical and fantasy fiction, and also a contributor to Wild Cards—was working on the script.

However, in the last year or two, the animation division of WB has been going through a similar belt-tightening as other divisions of what is now Warner Brothers Discovery. When the news came three weeks ago that a completed animated feature, Coyote vs. ACME, from WB Pictures Animation was cancelled, it made us revisit the Starling Inc. site of GRRM’s media production partner Vince Gerardis, as The Ice Dragon had been listed there for years. It was, at that time, still listed as an Upcoming project.

But it seems that’s no longer the case, a change that seems to have happened no later than November 25th.

At a press event, HBO’s Casey Bloys unveiled a first-look trailer at the second season of House of the Dragon, according to Variety. While details of the trailer are embargoed, we’re guessing that it’ll air within the month, and perhaps within days.

Bloys also indicated something that seems to confirm our speculation when a casting call went out in the UK: Knight of the Seven Kingdoms: The Hedge Knight is “will begin shooting next spring, pending the end of the ongoing SAG-AFTRA strike.” That caveat is a curious detail there, which suggests that they plan for at least one significant role going to a North American actor… or maybe they’re just wanting to leave open the possibility? But I’m guessing the former, they have their sights on someone.

Will those fan-casting Oscar Isaac as Baelor Breakspear be getting their wish? We’ll have to wait and see!

Out on X, fans waiting for any drip of news regarding House of the Dragon or any other Game of Thrones successor got their wish today ... maybe. This casting call began to make the rounds of fandom, fromthe official account of British casting director Lucy Bevan:

It’s an open casting for an HBO show, presumably filming or about the UK, and they’re looking for just two characters right now which suggests they’re leads: a young boy of 9-10 with green or blue eyes, pale skin, and a “neutral English accent”, and then a “soldier” who is at least 6’4” tall with a “humble disposition” who is also “perceptive and thoughtful” and of any ethnicity. This seems suspiciously like what HBO would call for when casting for the roles of Egg and Ser Duncan the Tall, respectively, for the straight-to-series A Knight of the Seven Kingdoms: The Hedge Knight!

With the recent end of the WGA strike (the second longest in its history), Variety has issued a report touching on Hollywood trying to get back into motion after the work stoppage, citing a number of shows. One paragraph in particular, however, discusses HBO specifically, noting that a number of their shows saw no production at all… but one big one, House of the Dragon, has in fact wrapped filming:

Summer 2024 sounds pretty good to us.

Of course, besides HotD, the end of the strike also means that scriptwriting can resume on A Knight of the Seven Kingdoms, which HBO had ordered straight to series just before the strike.

Back in May, the beginning of the WGA strike shuttered many productions, but not House of the Dragon. Now SAG-AFTRA has called a strike for many of the same reasons as the WGA… but it’s currently being reported that a couple of UK-based productions will continue filming because actors who are members of SAG are also members of the UK’s Equity, and their contracts are (allegedly) under the terms of Equity. And of course, one of those productions not shutting down (reportedly) is, once again, House of the Dragon. According to the Deadline article, the UK’s laws don’t allow sympathetic strikes, and actors are receiving guidance telling them to continue to report in to work if their contracts are under Equity rather than SAG.

This year’s nominees for the Emmys have been announced, and HBO’s House of the Dragon has done well for itself with six

eight (or nine, sort of) nominations, contributing to the phenomenal HBO/MAX total nominations of 127, and tying a decades-old record (set by CBS in 1973 and matched by NBC in 1993) of 4 separate dramas nominated in Best Drama.  See the categories below!

Over the last weeks, HBO has been releasing a series of videos titled “Inside the Craft”, exploring different aspects of bringing House of the Dragon to life. The latest entry focuses on armor, and particularly the armor of the Gold Cloaks. It features show runner Ryan Condal, armourer Simon Brindle (who worked on Game of Thrones), and costume designer Jany Temime. Some really good, close-up looks at a number of suits of armor, and some glimpses of armor from the tourney in the first episode that were seeing only fleetingly:

The two previous videos were focused on the weapons and Dark Sister, and the costumes and Rhaenyra’s wedding dress.

As part of its Emmy awards coverage, Deadline has been publishing examples of episode scripts that have been submitted for consdieration as final nominees, and now we’ve come to House of the Dragon‘s turn as they have now published the pilot script for the first episode, “The Heirs of the Dragon”, and they’ve done so in a draft that includes various revisions, some of which were scenes or pieces of dialog that never made it to the final cut of the production.

There’s some particularly interesting discussion between Viserys and Daemon regarding the Targaryens and their dragons that was dropped, and I notice that it seems like our first introduction to Daemon was supposed to be his commanding the City Watch on its violent purge (notice that all the detailed description of Daemon and Dark Sister in that section)... but then at some point it was decided that instead we should first meet him in a scene that focuses his relationship to Rhaenyra, in the throne room.

Among the podcasts I listen to on a weekly basis is the prop collecting-focused “The Stuff Dreams Are Made Of”, in part (but only in part!) because one of its hosts is House of the Dragon show runner and co-creator Ryan Condal (the other co-host? David Mandel, of Seinfeld and Veep fame whose White House Plumbers recently completed its run on HBO). Their areas of interest when it comes to collecting are very similar to what I—and I suspect many fans of A Song of Ice and Fire, Game of Thrones, and House of the Dragon—consider pretty central parts of my favorite cinema: big genre works of the late 70s and through the 80s like Conan the Barbarian, Alien and Aliens, Blade Runner, Indiana Jones, and (of course) Star Wars.

Their latest episode (embedded below) features a semi-regular feature of the podcast, where Condal and Mandel discuss an upcoming props auction and go through its catalog together, discussing bits of information they know about a piece or similar ones, speculating on whether the expected sale price is on the mark or too high/low, and whether they’ll be pursuing any particular items themselves. But color me surprised when they mentioned that Propstore’s upcoming Entertainment Memorabilia Live Auction from June 28 to June 30th included two lots of scripts from Game of Thrones, apparently from Aidan Gillen (Littlefinger). I decided to examine what information Propstore provided about them, and discovered some fun details regarding scripts that Gillen had personally annotated.

Very interesting report from Deadline Hollywood‘s Nellie Andreeva following an interview with Franesca Orsi, HBO’s head of drama. It’s a wide-ranging interview covering a lot of HBO’s shows, but for our purposes, the most interesting tidbits relate to House of the Dragon, A Knight of the Seven Kingdoms: The Hedge Knight, and potential other Westeros shows.

Addressing the on-going production of season 2 of House of the Dragon, Orsi noted that HBO was fully prepared to rewrite and reshoot anything that needed fixing once the WGA strike ends and the writers can take up their pens again to do writing work, but until then they are confident with the completed scripts they had to work with and have not dealyed producation at all. Speaking of a potential season 3 approval, it sounds like they’re not far from giving an immediate go ahead to season 3 to try and improve the turnaround from season to season. That said, how many seasons for the show in total remains a question: