Back in February, we connected some dots following our stumbling across Vince Gerardis’s Startling Inc. site listing a number of titles that he had in production and development. Among the items there was a note: “Dark Winds at AMC”. We speculated that this was based on Tony Hillerman’s crime novels and that GRRM was involved due to a post he made back in June 2018.
This is now all confirmed thanks to James Hibberd at The Hollywood Reporter:
“The network has ordered Dark Winds, which is based on author Tony Hillerman’s iconic Leaphorn & Chee books, which follow two Navajo police officers in the 1970s Southwest.
“The series is created and executive produced by Graham Roland (Tom Clancy’s Jack Ryan) and stars Zahn McClarnon (Fargo), who is also an executive producer, and Kiowa Gordon (The Red Road). Vince Calandra (Castle Rock) is the showrunner and also an executive producer. Chris Eyre (Smoke Signals) will direct the pilot and executive produce. Other executive producers include George R.R. Martin, Robert Redford, Tina Elmo and Vince Gerardis. In a rare move, the production has secured permission to film on tribal lands in New Mexico.”
There’s also a statement from GRRM that Hibberd reports, indicating that Chris Eyre (who directed the accoladed film Smoke Signals) and Robert Redford(!) reached out to ask him to become involved and help bring Hillerman’s Leaphorn & Chee series to television.
Zach McClarnon as Hanzee Dent in the 2nd season of Fargo
As reported by The Hollywood Reporter, George R.R. Martin has renewed his overall deal with HBO, this time for a reported “mid-eight figure” contract that spans five years. An overall deal is one in which any new ideas or pitches a creator generates will belong to the studio. George first signed an overall deal with HBO back in 2013, which was then renewed in 2016. The article proceeds to run through the five projects in various stages of development, as well as House of the Dragon which begins filming next month if all goes to plan. We did like the speculation on the animated project:
Last night (for us here in Sweden, in any case), Deadline added to our knowledge of the projects HBO is actively considering as part of a greater Game of Thrones-universe of successor shows. This appears to bring the total of shows in development to five or six, from what we’ve been told, including work on The Tales of Dunk and Egg, an unspecified animated project, a possible Robert’s Rebellion show (which we still think may be the A Song of Ice and Fire project mentioned by Vince Gerardis’s Startling Inc. website) and the three that follow:
A legendary ice dragon in the Shivering Sea. Corlys Velaryon is never claimed to have seen one on his own attempt to sail as far north as men can, but other sailors have.
It’s one of those days again, it seems. Shortly after we shared news on the status of the Wild Cards TV adaptation, George R.R. Martin posted his own update. The first was an item we had forgotten to post an update about, namely that just after we revealed that Sandkings was in development at Netflix, by sheer coincidence Collider had learned in an interview that director Gore Verbinski (Rango, Pirates of the Caribbean) was set to direct it, with screenwriter Dennis Kelly (Utopia) writing the script for the high-budget film adaptation of the famous, award-winning science fiction horror story.
George goes on to fill in some details on some other projects, some of which touch on things we recently revealed.
Screenshot from the 1995 Outer Limits adaptation of “Sandkings”. The “castle” features the face of Dr. Simon Kress, played by Beau Bridges in the episode.
About two weeks ago, we were the first to report that the long-gestating Wild Cards TV adaptation, originally set for Hulu, had moved to NBCUniversal’s Peacock. Now The Hollywood Reporter has filled in the blanks, providing details of what Hulu did with the project, why it moved from Hulu to Peacock, and what its current status is since the lead writer has moved on, and a new writer is currently being searched for.
Some salient quotes below:
Cover art by Brian Bolland for a re-release of the first edition.